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Critical and Cultural Studies Commons™

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American Studies

Journal

2013

Articles 1 - 5 of 5

Full-Text Articles in Critical and Cultural Studies

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover Mar 2013

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.

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Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck Mar 2013

Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality.

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Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin Mar 2013

Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

After Greenberg's famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market. (Gaywood 1997) Here Picasso and cultural appropriation were supplanted by Marcel Duchamp and the readymade. The products of art became completely non-native on all fronts, the world so reflected was postcultural. In that sense, cultural appropriation was no longer an aesthetic, it was a commodity for production, and as much as possible, production by machines. The form of such commodity, of Pacific Islander cultures, was highly variable, from a 17th century English play by John Clarke, to …

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Manifest Content Without A Dreamer: A Freudian Analysis Of Percival Everett’S Erasure, Irene Rose De Lilly Mar 2013

Manifest Content Without A Dreamer: A Freudian Analysis Of Percival Everett’S Erasure, Irene Rose De Lilly

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper will provide a Freudian analysis of Erasure in order to prove that Everett is, in fact, the two main characters he has created, as well as attempt to challenge the stigma of interpreting through a psychoanalytical lens, rather than treating writing and literature as manifest content without a dreamer.

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Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow Mar 2013

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …

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