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Communication Technology and New Media Commons™
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- Keyword
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- Feminism (2)
- Brand Management (1)
- Cable Television (1)
- Cinephilia (1)
- Citizenship (1)
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- Convergence (1)
- Creative labor (1)
- Cultural Economics (1)
- Cultural Labor (1)
- Cultural studies (1)
- Cybernetic Commodification (1)
- Digital Convergence (1)
- Film criticism (1)
- Gender (1)
- Indigenous; Native American; digital media; digital art (1)
- Marxist Political Economy (1)
- Platform Capitalism (1)
- Pop Music (1)
Articles 1 - 4 of 4
Full-Text Articles in Communication Technology and New Media
Three Essays On The Political Economy Of Cultural Production And Creative Labor, Luke Pretz
Three Essays On The Political Economy Of Cultural Production And Creative Labor, Luke Pretz
Doctoral Dissertations
This dissertation investigates the relationships between capital, cultural production, and creative labor. Essay one theorizes the basis for the intensification of pop music stardom following the introduction of on-demand streaming technology. Prior to the emergence of on-demand streaming, record labels and broadcasters had a mutualistic relationship, wherein the near cost-free music provided by record labels formed the basis for radio broadcasts, which in turn formed the basis for the consumption of that music. Following the emergence of on-demand streaming the mutualistic relationship was ruptured. Broadcasters, in the form of streaming platforms, transitioned to the cost-efficient cultivation of masses of highly …
Digital Indigeneity: Digital Media's Uses For Identity Formation, Education, And Activism By Indigenous People In The Northeastern United States, Virginia A. Mclaurin
Digital Indigeneity: Digital Media's Uses For Identity Formation, Education, And Activism By Indigenous People In The Northeastern United States, Virginia A. Mclaurin
Doctoral Dissertations
This dissertation seeks to examine the types of digital media being produced in the Northeastern United States, its content, the goals and motivations of its creators, the processes underlying Indigenous digital media creation, and the desired and projected audiences of Indigenous digital artists and content creators. Resulting findings from this study illuminate long histories of Indigenous use of digital media tied to digital media's development in Indigenous lands. I argue that Native people have been producers and influencers in film and later, digital media, and have underwritten digital production due to its development on Indigenous lands. Through interviews and media …
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Doctoral Dissertations
This dissertation examines the ways in which female film critics practice film criticism in the convergent age. In original research drawn from ethnographic interviews with eight female film critics and bloggers as well as textual, historical, and reception analyses of criticism, this dissertation argues that women who write film criticism in the convergent era are not only writing from a space of marginalization based on the patriarchal dominance of the film industry, but also face a series of obstacles through gendered and discursive conflicts that are unique to writing online and which do not exert the same impact on male …
The Cable Network In An Era Of Digital Media: Bravo And The Constraints Of Consumer Citizenship, Alison D. Brzenchek
The Cable Network In An Era Of Digital Media: Bravo And The Constraints Of Consumer Citizenship, Alison D. Brzenchek
Doctoral Dissertations
This dissertation takes a historiographical approach to the evolution of cable television over thirty years. Case analysis of archival data is used to trace the trajectory of the Bravo cable network from 1980 through 2010. My dissertation is a vital contribution to critical cultural studies, feminist studies, citizenship studies, and media history because it historicizes the role branding, commodification, and convergence played in Bravo’s evolution from a highbrow arts programmer guided by bourgeois consumer citizenship, to a affluent lifestyle network guided by nouveau riche consumer citizenship. My combination of production studies and political economic analysis gives visibility to the interpenetrating …