Open Access. Powered by Scholars. Published by Universities.®
Communication Technology and New Media Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Action-comedy (1)
- Arabic Music (1)
- Automated systems (1)
- Beauty vloggers (1)
- Black police officers (1)
-
- Buddy-cop (1)
- Design (1)
- Digital culture (1)
- Digital media (1)
- Female police officers (1)
- Feminism (1)
- Feminist media studies (1)
- Future (1)
- Influencers (1)
- Instrument (1)
- Internet bots (1)
- Intersectionality (1)
- Labor (1)
- Media and politics (1)
- Multi-level marketing (1)
- Neoliberalism (1)
- New media art (1)
- Oud/Kanun (1)
- Police brutality (1)
- Police film (1)
- Postevangelicaltechnofuture (1)
- Responsive Technology (1)
- Responsive web design (1)
- Wellness (1)
- YouTube (1)
Articles 1 - 5 of 5
Full-Text Articles in Communication Technology and New Media
Why Can't We Be Friends: The Legitimization Of Police Violence In The Buddy-Cop Film Genre, Briah Baker
Why Can't We Be Friends: The Legitimization Of Police Violence In The Buddy-Cop Film Genre, Briah Baker
Theses and Dissertations
This study investigates the legitimization of police violence through the use of humor in the buddy-cop-action-comedy film. Following the development of the judicial system and federal, local, and state governments in the militarization of urban police forces between the 1960s and the early 2000s in the U.S. in order to present a picture of how the buddy-cop film genre grew in popularity over the course of the 1980s and onwards. Through an industrial and contextual analysis of two buddy-cop films that attempt to ‘subvert’ the traditional tropes of a buddy-cop film by casting two Black actors in Bad Boys II …
“Being Myself Paid Off:” Blackness, Feminized Labor, And Authenticity In Black Beauty And Lifestyle Content On Youtube, Melissa Monier
“Being Myself Paid Off:” Blackness, Feminized Labor, And Authenticity In Black Beauty And Lifestyle Content On Youtube, Melissa Monier
Theses and Dissertations
My thesis centers Black women in conversations of digital feminized and aspirational labor online, reframing prior scholarship that has generally identified digital content creators as young, white, female, cisgender, and upper class. I use an intersectional, Black cyberfeminist approach to better understand how race and gender impact digital feminized and aspirational labor. In a 2015 study of fashion bloggers, Brooke Duffy and Emily Hund identified three elements of entrepreneurial femininity: discourses of “the destiny of passionate work,” staging “the Glam Life,” and sharing “carefully curated” intimate details of one’s personal life on social media. My thesis applies these three elements …
Theorizing #Girlboss Culture: Mediated Neoliberal Feminisms From Influencers To Multi-Level Marketing Schemes, Frankie Mastrangelo
Theorizing #Girlboss Culture: Mediated Neoliberal Feminisms From Influencers To Multi-Level Marketing Schemes, Frankie Mastrangelo
Theses and Dissertations
I define girlboss feminism as emergent, mediated formations of neoliberal feminism that equate feminist empowerment with financial success, market competition, individualized work-life balance, and curated digital and physical presences driven by self-monetization. I look toward how the mediation of girlboss feminism utilizes branded and affective engagements with representational politics, discourses of authenticity and rebellion, as well as meritocratic aspiration to promote cultural interest in conceptualizing feminism in ways that are divorced from collective, intersectional struggle. I question the stakes involved in reducing feminist interrogations and commitments to discourses of representation, visibility, and meritocracy. I argue that while girlboss feminism may …
In Media Res, Christopher Andrew Sisk
In Media Res, Christopher Andrew Sisk
Theses and Dissertations
We are inundated by a constant feed of media that responds and adapts in real time to the impulses of our psyches and the dimensions of our devices. Beneath the surface, this stream of information is directed by hidden, automated controls and steered by political agendas. The transmission of information has evolved into a spiral of entropy, and the boundaries between author, content, platform, and receiver have blurred. This reductive space of responsive media is a catalyst for immense political and cultural change, causing us to question our notions of authority, truth, and reality.
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
Theses and Dissertations
For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.
This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.
The …