Anthropology Commons^™

Effects Of Climate Change On Women’S Security Dynamics In Baragoi, Samburu County, Kenya, Rehema Zaid Obuyi

The Journal of Social Encounters

The paper unearths how climate change influences women’s security dynamics in fragile and conflict-affected contexts in Baragoi Samburu County Kenya. It provides an opportunity to rethink security. Security responses must be at par with evolving security underlying forces. One of the precursors is that individuals and groups that were traditionally excluded from combat both as participants and targets such as women and children have now become prime targets. This demands a shift in strategy by not only focusing on traditional threats but also getting more specific linking our approaches to gendered non-traditional security threats. Alternative soft power approaches to addressing …

“Not Like Your Abuelos”: A (Fe)Minist/Autoethnographic Approach To Vernacular Religious Belief And Traditionalization, Ciara Bernal

Masters Theses & Specialist Projects

In this thesis I explore how vernacular Mexican Catholicism is practiced, explained, and passed down within my family. I look at vernacular religious belief and traditionalization as an integrated process that impacts the practices, beliefs, and stories of my family. I include myself as a subject of this research, conducting autoethnography within each chapter. I utilize reflexive and vulnerable writing practices to accomplish this.

My overarching research questions for this thesis are: How has Mexican-Catholicism shaped the relationships, stories, and beliefs of my family members? What can Chicana feminist perspectives add to the study of vernacular religious belief and family …

Representations Of Violence Against Native American Women, Christine York

<strong> Theses and Dissertations </strong>

It is the aim of this study to provide detailed attention to the representation of violence against Native American women throughout American films and literature. Native American women have been persecuted against since the times of colonization; however, there has been a recent uptake in this crime. This crime has been seen throughout many forms of art, but has not often been a focal point to these artforms. In order to argue that the violence these women experience needs to be central to the texts they are seen in, a comparison between three different texts is imperative. These texts are …

Crafting Lives: Experiences Of Ethiopian Refugees In Cairo, Nayrose S. Abd El-Megid

Theses and Dissertations

There has been an ongoing influx of refugees for years driven by political instability, famine, and prolonged conflicts in the region, leading many individuals to seek sanctuary in other countries. Egypt has become a host country for many years, whether for settlement or transit, for various populations from different nationalities hoping to find refuge. However, amidst this influx, Ethiopian refugees often find themselves overlooked or usually associated on the sidelines with other African nationalities; their stories and struggles are marginalized in broader narratives of displacement. The experience of Ethiopians is heterogeneous and multidimensional in terms of their intersectional identities of …

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

Replication And Growth In Cassava Cultivation And Uxorilocal Women’S Relations Among The Waiwai: A Mother's Reckoning With Death And Social Change, Laura H. Mentore

Tipití: Journal of the Society for the Anthropology of Lowland South America

Through an ethnographic examination of the shared capacities of cassava and womanhood for what I term growth and replication, I argue that Waiwai sociality seeks to curtail the trajectory of life towards finite death through the intervening act of cutting and replanting or replicating life in a vegetatively inspired form of the “episodic present” (Strathern 2021). An extended vignette demonstrates how these features of Waiwai sociality take shape in mother-daughter and sister relations at the core of uxorilocal residential living, and in a senior woman’s reckonings with illness, death, and social change.

The Little Black Book: When Recipes Tell Stories, Cordula C. Peters

Dublin Gastronomy Symposium

In post-war Germany in the 1950s my grandmother used to collect recipes from magazines, newspapers, and the backs of food packaging that she neatly cut out and saved. Other recipes were carefully copied with pen and ink. At some point, when my mother was still a child and my grandmother still alive, she and her sister compiled all these recipes and tidily pasted them into a black notebook for safekeeping. Growing up many of the recipes from this book became much-loved dishes prepared by my mother and expected by my siblings and I almost religiously for important holidays such as …

The Women Eat Last: Traditions, Table Manners, And Gender Narratives At The Romanian Dining Table, Alexandra Constantinescu

Dublin Gastronomy Symposium

Rooted in a rich history, with decades of oppressive politics and patriarchal displays of power, Romanian culture is shaped by complex narratives of resistance, endurance, adaptation, and transformation. Gender discourses in traditional Romanian culture portray women as the ideal frontline worker, heroic mother, outstanding housewife and an active member of the community. Expected to sacrifice personal aspirations and lifestyle for the well-being of others, they would almost exclusively be tasked with sourcing, preparing, and serving food for the family. They would be the last to sit at the family dining table - and the last to eat. In contrast, the …

Forbidden Fruit: Mary Cassatt’S Mural Of “Modern Woman” At The World’S Columbian Exposition, Chicago 1893, Tricia Cusack

Dublin Gastronomy Symposium

This paper considers a large mural of “The Modern Woman” painted in France by the American artist Mary Cassatt for the Woman’s Building at the World’s Columbian Exposition in Chicago in 1893. It focuses in particular on the large central panel of the mural titled Young Women Plucking the Fruits of Knowledge or Science that depicts women and girls apple-picking. Cassatt’s mural drew on various traditions and myths. Apple harvesting was a common sight in America. Cassatt’s title though points to the story of Eve and forbidden fruit, in which Eve seeks knowledge, but is severely punished for it. Cassatt …

Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman

Master's Theses

Colonialism is deeply and violently embedded in Western knowledge formation—dominant power structures produce epistemes that uphold and perpetuate colonial narratives. This kind of knowledge production forecloses other possibilities. Western discourse of truth becomes universalized to the point that other worldviews, other knowledges that do not conform to hegemonic norms, are suppressed or silenced. This thesis examines three areas of hegemony and erasure: art, gender, and land. First, the history of art clearly marks a delineation between Western elitist artistic masterpieces and non-Western ethnographic artifacts. Eurocentrism of art in the academy determines what counts as art and how art is categorized. …

Beyond The Surface: Understanding The “Blurred Lines” Of Sexual Dynamics And Consent In Trinity College's Hookup Scene, Zoe Kon

Senior Theses and Projects

This thesis explores the complex interplay of sexual behaviors, consent, and campus culture at Trinity College through qualitative ethnographic research. Delving into the nuances of hookup culture, a prevalent social phenomenon, the research examines how it often blurs the boundaries between consensual and non-consensual sexual interactions. Thirty in-depth interviews with Trinity College students reveal the intricate dynamics of consent communication and understanding within this context. The findings highlight significant gaps in students' communication about boundaries and consent, driven by the pressures of social capital and the normalization of alcohol-fueled encounters. The theme of blurred lines emerges as a central issue, …

One Day At A Time, Four Decades Apart: An Analysis Of The Doxic, Mimetic, And Diagnostic Performances In The Original And Rebooted Pilots Of The Classic Norman Lear Show, Katrina Frank

Field Notes: A Journal of Collegiate Anthropology

In the modern era, it has become easier than ever to watch serial shows, whether they air on primetime television or are released on subscription video-on-demand (SVOD) services. However, the lack of Latinx representation in these shows is severely lacking. This is why shows like the rebooted Norman Lear classic One Day at a Time are so important to the audiences it reaches. Shows with Latinx actors and storylines can impact the way their Latinx audience members view themselves and break the stereotypes associated with them (Contreras 2021).

By analyzing several scenes from both the 1975 and 2017 pilot episodes …

Feminist Geography: Impact And Inclusion In Geographical Research, Michael Atuahene Djan

Nebraska Anthropologist

Feminist theories have significantly influenced the field of geography, challenging traditional notions of objectivity and shedding light on the intricate relationships between place, gender, and society. The emergence of feminist geography has been crucial in advocating for the inclusion of women's perspectives, countering historical marginalization in academic debates. This systematic review aims to summarize and assess the impact of feminist theory on geography, exploring topics such as gendered spaces, feminist methodologies, and the integration of women's voices in research. Utilizing the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) Checklist, the study employed a thematic analysis of secondary sources. …

Ua12/2/85 Sigma Gamma Rho, Wku Archives

WKU Archives Collection Inventories

Records created by and about Sigma Gamma Rho sorority.

Ua12/2/86 Zeta Phi Beta, Wku Archives

WKU Archives Collection Inventories

Records created by and about Zeta Phi Beta sorority.

Presenting Past People: Storytelling Through Prehistoric Garment Reconstructions, Floor Huisman, Anna Zimmermann, Ronja Lau, Karina Grömer

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

This paper argues that we need to focus on past people (rather than just objects) in our narratives and museum displays to engage museum visitors more effectively. It will demonstrate that we can use a combination of well-researched physical and digital prehistoric garment reconstructions to implement more people-centered approaches also used in living history, which bring the past to life and allow visitors to literally come face-to-face with long-dead people. In this way, visitors can relate to past people on an emotional level, which helps them to learn much more about past life than many traditional displays. After outlining how …

Red Dyes From West To East In Medieval Europe: From Portuguese Manuscript Illuminations To Romanian Textiles, Irina Petroviciu, Paula Nabais, Maria J. Melo

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Red is the color par excellence, its symbolism being linked with protection and magic through its primary attributes, fire and blood. It was the predominant color from the earliest times, certainly during the Greek and Roman periods and into Medieval Europe, until blue became a competitor around the 13th century. Mineral pigments, like iron oxides, were the first red sources, used to draw lines, dots, or spots on cave walls or stones. Later, other mineral red pigments were also exploited: Cinnabar, natural mercury sulfide, since the Neolithic, and realgar, arsenic trisulfide, in Ancient Egypt. Scientific investigation revealed that, although …

Investigating Organic Colorants Across Time: Interdisciplinary Insights Into The Use Of Madder, Indigo/Woad, And Weld In Historical Written Sources, Archaeological Textiles, And Ancient Polychromy, Paula Nabais, Cecilie Brøns, Magdalena M. Wozniak

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Organic dyes have been used from the earliest times to provide color primarily to textiles, but also as a colorant in painting. Such organic dyes could create a wealth of colors, depending on the availability and know-how of resources. These dyes are usually organic in nature, and primarily obtained from different plant sources. Unfortunately, the characterization of natural organic colorants in textiles and artworks is still a challenge. The difficulty of analyzing these materials is sometimes allied to the frequent impossibility of micro-sampling, and the frailty of the objects. Many techniques, such as HPLC (High-Performance Liquid Chromatography) and SERS (Surface-Enhanced …

“What’S In A Name?” Toponyms And Loanwords In European Textile Cultures, Dimitra Andrianou, Klara Dankova, Nade Genevska Brachikj, Angela Huang, Meghan Korten, Elena Miramontes, Jasemin Nazim, Marie-Alice Rebours, Joana Sequeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles as man-made products have been exchanged over distances for millennia. They can and have been produced almost anywhere; they are also, as a product, highly differentiated and quickly adjustable to changing demands. This brings with it naming practices to communicate about the goods in question. Textiles are labeled so that people can form expectations about them and rely on the reputation tied to the product’s identity. The terminology of textiles and textile items arises and develops in unison with technical innovations, discoveries, fashions, and trade patterns. Although the occurrence of toponyms e.g., in preindustrial trade (10th to 18th century …

The Terminology Of Soft Furnishings In Ancient Babylonia, Greece, And Rome: A Comparative Approach, Dimitra Andrianou, Elena Miramontes, Louise Quillien

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Various kinds of textiles were used to furnish domestic spaces in Antiquity, such as curtains, covers, hangings, pillows, cushions, mattresses, rugs, tapestries, tablecloths, and towels. These objects have practical and everyday functions, they embellish and add to daily comfort in the house and speak to the owner’s prosperity. Being made of perishable materials, furnishings have, on the whole, not survived in ancient Mesopotamia, Greece, and Rome. Apart from a few excavated pieces of textiles found in tombs, our information comes primarily from written testimonia and iconography.

It is thus essential to consider soft furnishings in their own right, in order …

Towards Textile Narratives: A Cross-Over Perspective On Textile Imagery In Statuary, Iconography, And Literature, Leyre Morgado-Roncal, Juliane Müller, Marisa Kerbizi

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles and clothing constitute a fundamental element of our cultural past, present, and future. Therefore, they were also represented in many mediums, such as iconographic depictions and literature. Images are a source of visual and mental illustration and are often dependent on the viewer’s perspective. As a result, the representations of textiles convey social constructions and their cultural perception. Their study is the focal point of this article: The ways in which textiles and clothing are described by the imagery shown in Greek and Roman statuary and iconography, as well as in contemporary Albanian literature and mythology.

Representations illustrate the …

Searching For The Exotic: Textiles, Orientalism, And Identities, Ana Cabrera, Roxana Coman, Karolina A. Kulpa, Tim Parry-Williams

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles, with their economic, sartorial, and identity-constructing functions, have long been at the center of cultural discourses, whether narrative or visual. Objects of desire, but also objects of curiosity, textiles have been the topic of costume books, offered in diplomatic exchanges, collected by private collectors and museums alike, and have traveled, sometimes as sample books. Their Othering function did not only differentiate between members of different civilizations, but also the members of the same society, where clothing was used to signal rank and function. The case studies presented intend to elaborate further on the role and symbolism associated with textiles, …

Clothing In Transition: Social, Symbolic, And Legal Aspects Of Garments From Prehistory To The Early Byzantine Period, Tina Boloti, Francesca Scotti, Cristina Cumbo, Petra Linscheid

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Since ancient times, garments served a wide range of purposes: Either functional, providing protection by covering the body, or symbolic, as an element of non-verbal communication and marker of identity. In particular, this stimulates the development of specific characteristics in shape, decoration, or material composition, which generate distinctions among garments, as acknowledged by Roman jurists too.

These distinctions are determined by various factors. One important factor is the social meaning of clothing: There are garments for public life, garments expressing rank, garments suited for special professions, or garments intended for sacred/priestly rites reflecting particular religious symbols. And, of course, clothes …

Young Romans: Status, Dress, And Gender, Mary Harlow, Lena Larsson Lovén

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The demographics of the Roman world suggest that it was a world full of children. Demographers argue that in order simply to maintain population levels in a period where life expectancy was very short by modern standards, and infant mortality high, a woman should, on average, have six children, on the assumption that not all would live to adulthood. Despite much research in the last fifty years, children still remain partly invisible in the Roman world. This is primarily because they leave little evidence produced by themselves and are seen through the prism of adult eyes. Inevitably, given the nature …

Understanding Gold Textiles: Case Studies Of Gold Threads From The Bronze Age And Antiquity In Europe, Karina Grömer, Francesca Coletti, Francisco B. Gomes, Kayleigh Saunderson

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The production of textiles, in terms of weaving techniques, has a long history in Europe, and dates back to the Stone Age, the time during which the first farming communities arrived in the Mediterranean and Central Europe, in the 7th/6th millennium BC. The first evidence of textile tools, like spindle whorls and loom weights, demonstrate that people made an important step forward in mechanizing this craft, not only twisting fibers and interlacing strands purely by hand, but also inventing tools to increase efficiency. Through the development of textile techniques, we see the unleashing of enormous creative power that stimulated even …

The Authors

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Short professional biographies of the Contributors: Dimitra Andrianou, Giacomo Bardelli, Magali An Berthon, Tina Boloti, Cecilie Brøns, Ana Cabrera-Lafuente, Francesca Coletti, Roxana Coman, Catarina Costeira, Cristina Cumbo, Camilla Cziffery Nielsen, Klara Dankova, Anna Maria Desiderio, Kerstin Droß-Krüpe, Arianna Esposito, Astrid Fendt, Nade Genevska Brachikj, Francisco B. Gomes, Judith Goris, Audrey Gouy, Karina Grömer, Morten Grymer-Hansen, Mary Harlow, Susanna Harris, Sophia Larissa Hayda, Angela Huang, Floor Huisman, Alina Iancu, Zofia Kaczmarek, Marisa Kerbizi, Meghan Korten, Tetiana Krupa, Karolina Anna Kulpa, Lena Larsson Lovén, Ronja Lau, Yuliia Lazorenko, Susanne Lervad, Petra Linscheid, Christina Margariti, Maria João Melo, Elena Miramontes Seijas, Leyre Morgado-Roncal, …

Narrative And Material Tools Of Resistance: Mobilizing Textile Crafts, Heritage, And Fashion In The Context Of The Invasion Of Ukraine (2022–2023), Magali-An Berthon, Sophia Hayda, Tetiana Krupa, Yuliia Lazorenko, Marie-Louise Nosch

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In 2022–2024, textile and fashion scholars came together to write an anthology sharing a new vision of European history as seen through textiles, in the COST Action EuroWeb. During this period, the continent was still dealing with the consequences of the COVID-19 pandemic and was then faced with Russia’s full-scale invasion of Ukraine in February 2022. Contemporary European history will be markedly defined by the ongoing war in Ukraine. One remarkable aspect of this conflict is the way textiles and dress appear daily in a variety of media outlets, mobilized as visual and semiotic means to communicate issues of war …

A Sensory Perspective On High-Ranked Women’S Dress In The 8th To 4th Century Bc In The Mediterranean And Central Europe, Karina Grömer, Susanna Harris, Audrey Gouy, Cecilie Brøns

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In the late 20th century, the study of western science was dominated by a philosophical approach to evidence as text and meaning. In archaeology, material culture was treated like text, to be read through systems of signs, symbols, and indices put together in syntax. For studies of dress, this was influential in understanding dress as a cognitive system compiled to create identities and meaning. In this approach, textiles, fastenings, hairstyles, and gestures are presented as signs and symbols used to form a statement about identity, to be read by others. There was a focus on the visuality of dress and …

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …