Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 31 - 38 of 38

Full-Text Articles in Social and Behavioral Sciences

The Humanities, Human Rights, And The Comparative Imagination, Sophia A. Mcclennen Mar 2007

The Humanities, Human Rights, And The Comparative Imagination, Sophia A. Mcclennen

CLCWeb: Comparative Literature and Culture

In her paper "The Humanities, Human Rights, and the Comparative Imagination" Sophia A. McClennen argues that understanding the relationship between culture and human rights depends on humanist perspectives attentive to the relationship between storytelling and identity, mass culture and ideology, text and audience, critical thinking and engaged citizenship. After briefly considering how the divide between the humanities and human rights advocates developed and how it might best be overcome, she suggests that comparative cultural studies grounded in an ethical commitment to study the relationship between culture and society offers an indispensable perspective on the ties between culture and identity integral …


Textual Strategies To Resist Disappearance And The Mothers Of Plaza De Mayo, Alicia Partnoy Mar 2007

Textual Strategies To Resist Disappearance And The Mothers Of Plaza De Mayo, Alicia Partnoy

CLCWeb: Comparative Literature and Culture

In her paper "Textual Strategies to Resist Disappearance and the Mothers of Plaza de Mayo" Alicia Partnoy draws attention to the ways the Mothers of the Plaza de Mayo use literature as both a form of protest and as a way to build solidarity. Focusing on four texts written by the Mothers, Partnoy attempts to correct the lack of attention that this literary work has drawn. Partnoy suggests that in addition to the forms of public protest engaged by the Mothers, their literary activities also play a central role in their efforts. In fact, their use of the literary form …


Introduction To Representing Humanity In An Age Of Terror, Sophia A. Mcclennen, Henry James Morello Mar 2007

Introduction To Representing Humanity In An Age Of Terror, Sophia A. Mcclennen, Henry James Morello

CLCWeb: Comparative Literature and Culture

No abstract provided.


The Black Body And Representations Of The (In)Human, Li-Chun Hsiao Mar 2007

The Black Body And Representations Of The (In)Human, Li-Chun Hsiao

CLCWeb: Comparative Literature and Culture

Li-Chun Hsiao, in his article "The Black Body and Representations of the (In)human," takes cues from the theoretical insights of Agamben's "bare life" as well as Laclau's and Mouffe's "social antagonism" and explores how the slave can be considered a constitutive element which is nevertheless foreclosed from Western democracies. Hsiao also analyzes the various ways the term "slave" functions as trope in the founding discourses of Western democracy. "Bare life" remains included in politics "in the form of the exception," as "something that is included solely through an exclusion." Such an "inclusive exclusion" is represented not in its differential relationship …


The Logic And Language Of Torture, Jonathan H. Marks Mar 2007

The Logic And Language Of Torture, Jonathan H. Marks

CLCWeb: Comparative Literature and Culture

In his paper "The Logic and Language of Torture," Jonathan H. Marks explores the tragic temptation of torture in the wake of the 11 September 2001 attacks. Emotive responses to terrorism fueled by ticking bomb scenarios and other narrative constructs caused the U.S. to reconsider torture and the boundaries of permissible interrogation tactics in the aftermath of 9/11. While many in the media and the academy debated the necessity of "interrogational torture," the government decided that something more than moral reconstruction was required. For that reason, it embarked on a campaign of legal exceptionalism. While affirming its commitment to the …


The Global Phenomenon Of "Humanizing" Terrorism In Literature And Cinema, Elaine Martin Mar 2007

The Global Phenomenon Of "Humanizing" Terrorism In Literature And Cinema, Elaine Martin

CLCWeb: Comparative Literature and Culture

In her paper "The Global Phenomenon of 'Humanizing' Terrorism in Literature and Cinema" Elaine Martin presents -- following a discussion of two early examples, Schiller's The Robbers and Heinrich von Kleist's Michael Kohlhaas (1810) -- an analysis of several contemporary works that model different ways of representing terrorism: Heinrich Böll's The Lost Honor of Katharina Blum (1975) and its 1976 filmic adaptation by Volker Schlöndorff, Doris Lessing's The Good Terrorist (1985), Santosh Sivan's film The Terrorist (1999), and Tom Tykwer's film Heaven (2002). Edward Said provided a critique of the battle against terrorism, saying that it is selective ("we" are …


Bearing Witness Through Fiction, Carolina Rocha Mar 2007

Bearing Witness Through Fiction, Carolina Rocha

CLCWeb: Comparative Literature and Culture

In her article, "Bearing Witness through Fiction," Carolina Rocha explores the ways in which three Argentine writers grappled with their roles as public intellectuals and witnesses to acts of terror, undeniable violence, and human rights abuses during the most recent military dictatorship. By examining three narrative texts written from the mid-1970s to the late 1990s Aquí pasan cosas raras (Strange Things Happen Here) (1975) by Luisa Valenzuela, La casa y el viento (The House and the Wind) (1984) by Hector Tizón, and El árbol de la gitana (The Tree and the Gypsy) (1997) by Alicia Dujovne Ortiz, she argues that …


Dorfman, Schubert, And Death And The Maiden, David Schroeder Mar 2007

Dorfman, Schubert, And Death And The Maiden, David Schroeder

CLCWeb: Comparative Literature and Culture

In his article, "Dorfman, Schubert, and Death and the Maiden," David Schroeder suggests that the selection of the play's title Death and the Maiden (1991) by Ariel Dorfman is a careful one. Schroeder proposes that it is not only that the title of the piece comes directly from Franz Schubert's String Quartet in D minor, so named because it uses material from the song of the same name as the theme for the second movement. Schroeder argues that Dorfman's thoughtful choice is as much related to the strong parallels between Schubert's Maiden and Dorfman's character Paulina Salas, as to Dr. …