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Articles 721 - 723 of 723
Full-Text Articles in Law
Who Cares Who Wrote "Shakespeare"?, Peter Jaszi
Who Cares Who Wrote "Shakespeare"?, Peter Jaszi
Articles in Law Reviews & Other Academic Journals
Obviously, a great many people, on both (or all) sides of the "authorship question," and they care a lot. The real question is why. Proponents of various authorship claimants compete in their protestations of admiration for the plays and poems in controversy. But if these works are in fact so universally and inexhaustibly fertile of significance, why should any admirer of them waste precious time, which might better be devoted to the study of the texts themselves, arguing about an ultimately irresoluble historical puzzle? And why is so much of the discussion conducted at such a relatively high pitch of …
When Works Collide: Derivative Motion Pictures, Underlying Rights, And The Public Interest, Peter Jaszi
When Works Collide: Derivative Motion Pictures, Underlying Rights, And The Public Interest, Peter Jaszi
Articles in Law Reviews & Other Academic Journals
Dramatic motion pictures' are prime examples of what copyright law terms "derivative works' because they are almost invariably based upon one or more prior works. Derivative works are so-called because they borrow from original works whether or not those works are in the same media. The universe of derivative works is broad. It encompasses everything from stuffed toys representing cartoon characters to translations of serious-minded literature.
The Gulag Archipelago: Implications For American Criminal Justice, Ira P. Robbins
The Gulag Archipelago: Implications For American Criminal Justice, Ira P. Robbins
Articles in Law Reviews & Other Academic Journals
No abstract provided.