Education Commons^™

We Demand, Black Artists And Designers (Baad), Risd Archives

Racial Justice

We Demand poster. Demands focused on racial justice made by RISD students to the administration in 2016.

Community Is Stronger Than Hate

Racial Justice

Community is Stronger Than Hate poster displayed on campus.

Risd Fact Book 2016, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the 2016 Rhode Island School of Design Fact Book; a general source of information about the College. Published annually, the Fact Book presents institutional data gathered from across the College and is compiled to capture the 2015 fiscal and academic year, as well as the beginning of AY2015-16.

The Digital Incunabula: Rock • Paper • Pixels, Patrick Aievoli

Zea E-Books Collection

“The Digital Incunabula is Patrick Aievoli’s personal sonnet through media, interaction and communication design. He carefully crafts each evolutionary step into ripples that are supported by his own storied professional and academic experiences. It’s full of facts, terms and historical information which makes it perfect for anyone looking to flat out learn!” ● James Pannafino, Professor, Millersville University & Interaction Design

“This is a serious work that will find a broad community of readers. The depth and breadth of Aievoli’s experience in the publication industry give his voice and ideas credibility in the extreme. This book will inspire deep reflection.” …

Ciis Today, Fall 2015 Issue, California Institute Of Integral Studies

CIIS Today

This volume is the Fall 2015 issue of CIIS Today, the Magazine of the California Institute of Integral Studies.

Indigenous Education Through Dance And Ceremony : A Mexica Palimpsest, Ernesto Colín

Faculty Pub Night

No abstract provided.

A Guide To Liberal Arts, Liberal Arts Division

A Guide to Liberal Arts

As part of earning a bachelor’s degree, all students devote a significant portion of their overall study at RISD to learning across the humanities, social sciences, and natural sciences. Additional opportunities to focus one’s study in a concentration, or minor, can augment one’s studio major. This guide serves as a road map to intergrating Liberal Arts studies with studio work.

Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.

Let's Collaborate! Process-Based Sculptures, Lena Isenberg

Middle School Resources

To begin this lesson, students will study action painting from the Abstract Expressionist movement. Students will watch videos of Jackson Pollock and Dale Chihuly painting, and compare their processes. Students will also view Pollock and Chihuly’s art-making processes in the context of existentialism. They will understand that an artist’s actions are what give his or her life meaning. Taking inspiration from these artists’ processes, students will create collaborative sculptures in response to their materials. While creating their collaborative sculpture, students will be challenged by the dynamic interplay between individual ideas and group decision-making.

Public Space Interventions: Collaborating With New Craft Artists In Action- Finger Knitted Basketball Nets, Jody Boyer

Middle School Resources

A variety of artists make artwork that intervenes in public spaces. There are many reasons why artists engage communities in their work. This lesson explores a variety of artists who make artwork that intervenes in public spaces and engage communities with their work and teaches students to finger knit a 4 foot piece of yarn with excellent technique and craftsmanship. This lesson explores how the NCAA New Craft Artists in Action Net Works project and their public space interventions with handmade basketball nets. This lesson explores how artists collaborate to make artwork and empowers students to collaborate with their peers …

Representation By Design: Mining The Source, Kris Heintz Nelson

Higher Education Resources

This unit is a hybrid, combining art history, studio instruction, and visual culture and has been interwoven into a freshman foundations drawing course where students are taught observational skills, use of media and process, and introduced to the creative processes of generating ideas and developing personal inquiry. The inquiry is intended to guide students to question dominant assumptions regarding representation and how artists engage in visual research.

Urban Pets As Social Practice: Constructing Pets With A Purpose, Carrie Pope

Middle School Resources

I developed this lesson in my fourteenth year of teaching. I had just transferred to sixth grade general art after primarily teaching pottery classes in a high school for thirteen years. I was at a low income, high poverty school and was having a difficult time engaging my students. I had seen Robert Marbury’s work about ten years earlier and had wanted to do something with it but had never had the opportunity. Recognizing the student's need for play, I first approached this lesson with one class bringing in several garbage bags of stuffed animals my daughter had discarded.

The …

Developing Visual Language - Teaching Art, Maria Richa

Progressive Education in Context

Illuminates the art curriculum at the Bank Street School for Children, where the process of making art is where the value lies, not in the teacher's planned product.

Risd Fact Book 2015, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the RISD Fact Book 2015. During academic year (AY) 2012-13, RISD began working on a new Campus Master Plan. This work continues into 2014-15, including meetings and discussions to get important input from the RISD community. The 2015 Fact Book is a summary of institutional data gathered from many areas of the College, compiled to capture the 2014 fiscal and academic year, as well as the beginning of AY 2014-15.

Yearbook, 2015, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Risd Pod 2014 Alumni Research Report, Project Open Door

Publications + Documents

Research and report by Craig Dreeszen, Ph.D., Dreeszen & Associates with Dr. Paul Sproll, Head, Department of Teaching + Learning in Art + Design (TLAD) and TLAD MA research assistants, Karina Esperanza Yanez, En-Ling Lu, and Lauren Allen, Rhode Island School of Design Funding for the research provided by the Surdna Foundation. Dreeszen & Associates was commissioned to work with the Department of Teaching + Learning in Art + Design faculty and graduate research assistants. The research objective was to identify, find, and collect data and stories about the paths taken by Rhode Island teens (RI POD alumni) who …

First Birthday 2013-2014 Project Brochure, Innovation Lab, Emily Woratzeck

Central Falls/RIC Lab

No abstract provided.

New Naturalists, Francie Latour, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

Artists Tavares Strachan 03 GL and Sophia Sobers MFA 13 DM tap into scientific authority in commenting on our evolving relationship with nature.

Revolutions In Making, David Rejeski, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

With bio- and nanotech breakthroughs radically changing how things are made, David Rejeski 73 ID asks what it means to be a designer in the 21st century.

Seductively Solar, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

Under the direction of project lead Jonathan Knowles BArch 84M, RISD is entering a prototype for a net-zero home in this summer’s Solar Decathlon Europe.

Humanimalia, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

No one paints wild animals quite like Walton Ford 82 FAV, whose unsettling twists on traditional natural history are now on view in a NYC solo show.

Risd Xyz Spring/Summer 2014: Natural Instincts | Full Issue, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

"As ANIMALS, WE'RE ALL PART OF NATURE, sharing DNA with fish, trees, rocks—everything that came to be with the big bang. We’re also dependent on nature for everything: water, oxygen, food, life. And as the animals currently at the top of the food chain, we’re responsible for respecting and caring for it, too...

So what do we do when faced with both the fury and fragility of nature? Do we shrug it off, thinking: “the planet is ruined and we’re screwed,” as Associate Professor Damian White asks (page 52)? Or do we take science seriously and recognize that …

Chester Cornett: Beyond The Narrow Sky, Chester Cornett, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2014 Kentucky Folk Art Center exhibition catalog of artist Chester Cornett.

Temporary Sculpture: Activating The Ordinary, Julia Mack

Teaching Resource Archive

Invite students to use everyday objects as art making materials. Through this lesson students will be challenged to consider how everyday objects can be re- imagined as art making materials. In this lesson students will research and discuss every day materials from the art room as materials for sculptures. Students will also consider how the ordinary spaces around them could be activated by the addition of a sculpture.

Install America (Or Wherever You Are), Connie Stewart

Higher Education Resources

The following project was developed as a requirement in an Art Education preparation course at the University of Northern Colorado. The program is strong in traditional academic skill building as are many of the k-12 art programs in the area. Teacher candidates must take courses in drawing, painting, ceramics, sculpture etc.

Art In The Age Of Networks - Networks As A Way Of Thinking, Rabeya Jalil

Higher Education Resources

The theme-based and material-based units (with lessons and lesson sequences) propose a curriculum for one academic semester in an undergraduate visual arts school (for sophomore, 2nd year, or junior, 3rd year students). However the lessons could be modified and tailored to any age group developmentally. This curricular framework aims to foster collaboration (within individuals, materials and disciplines), explore networked pedagogy and networks in pedagogy as a collaborating force through and with the visual arts and explore the materiality of the code and the digital media. The course also engages with new media theory and literature, investigates the materiality of the …

Big Data Visualities, Ron Wigglesworth

High School Resources

Make sense of abstract Big Data numbers by creating concrete, static or kinetic images/visualities which communicate or translate the meaning of the numbers to a human scale of understanding. The subject of the visualities should be created in each student’s artist voice, with the freedom and empowerment to express their own social, economic, political and ecological concerns so his/her work has personal meaning and strength of concern. Employ art hand skills in 21st century postmodern art by using Big Data to illustrate interdisciplinary social justice concerns in visualities, created to move a viewer to action.

Surprising Ourselves | Risd Interim President, Rosanne Somerson, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

A message from Rosanne Somerson 76 ID, Interim President

The Influence Of Problem-Based Learning On Drawing Ability, John Krenik

2010-2016 Archived Posters

Learning skill in visual arts has been positively associated with problem-based-learning (PBL). Although researchers theorize that PBL engages students to increase learning, many visual arts instructors continue to use skill-based learning (SBL) in their classrooms.

Envisioning A Better Body, Samantha Dempsey 13 Il, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

Virgil Wong 05 IL is building on a lifelong fascination with the human body to develop apps that help us manage our own health.