Theatre History Commons^™

The Cutting Edge, November/December 2005, Vol. 15 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

December 2005 - Volume V, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume V Number 1 includes articles about the Doudna Fine Arts Center project and a "Where Are They Now?" section.

You're A Good Man, Charlie Brown, Otterbein University Theatre And Dance Department

2005-2006 Season

Charles Schulz’s beloved comic comes to life in Clark Gesner’s classic musical, You’re a Good Man, Charlie Brown. The whole gang is here: bossy Lucy is hopelessly in love with piano prodigy Schroeder who doesn’t give her the time of day, perfectionist Sally is still mocking blanket-toting Linus, Snoopy is in the doghouse, and “blockhead,” himself, Charlie Brown, is in rare form. Brief vignettes span the months from Valentine’s Day to Beethoven Day, from wild optimism to utter despair. In this revised version, with additional music and lyrics by Andrew Lippa and dialogue by Michael Mayer, the sweet, joyful innocence …

The Merchant Of Venice, Otterbein University Theatre And Dance Department

2005-2006 Season

In the melting pot of Venice, currency opens many doors. A multicultural metropolis, Venice welcomes its arms to all – so long as they come prepared for the brutality of the business of trade. Young Bassanio wants to take a gamble for brilliant Portia, the wealthy heiress of Belmont. He is willing to risk all he has to win her hand, but all he has is not enough. In need of extra money to make a proper suit, Bassanio enlists the help of his merchant friend, Antonio, who takes out a loan from Jewish money lender, Shylock, on his behalf. …

The Cutting Edge, September/October 2005, Vol. 15 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Alan J. Pakula: His Films And His Life, Jared Brown

Jared Brown

The Fight Master, Spring/Summer 2005, Vol. 28 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Cutting Edge, May/June 2005, Vol. 15 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

June 2005 - Volume Iv, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume IV Number 2 features a piece about the construction of Doudna Fine Arts Center and a "Where Are They Now?" section.

Jesus Christ Superstar, Otterbein University Theatre And Dance Department

2004-2005 Season

Jesus Christ Superstar tells the story of biblical Jesus in the final days leading up to his crucifixion. A rock opera by Andrew Lloyd Webber and Tim Rice, the musical has no spoken dialogue and is sometimes considered a modern rock-opera. Loosely based on the Gospels, Superstar focuses on the personal conflicts between Jesus, his disciples, the people of Israel, and the leadership of Rome. Special attention is played to the relationship between Judas Iscariot and Jesus, as well as Jesus’ relationship with Mary Magdalene. The musical is unique among biblical retellings in that it focuses on both Judas’ struggle …

This Could Have Been Mine: Scottish Gaelic Learners In North America, Michael Newton

e-Keltoi: Journal of Interdisciplinary Celtic Studies

The Scottish Gaelic learners' movement is a recent development in North America that parallels the mainstream Scottish heritage movement in some ways, but is strongly oppositional to it in others. This essay describes characteristics of this phenomenon by analyzing the range of people involved, their motivations for learning, their goals, the creation of community among learners, the interaction between language learning and discourses of ethnicity, and the interface between Gaelic learners in North America and native Gaelic communities in Scotland and Cape Breton Island.

The Women Of Lockerbie, Otterbein University Theatre And Dance Department

2004-2005 Season

A mother from New Jersey roams the hills of Lockerbie Scotland, looking for her son's remains that were lost in the crash of Pan Am 103. She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane's wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim's families. The Women of Lockerbie is loosely inspired by a true story, although the characters and situations in the play are purely …

Dance Usm! Flyer [2005], University Of Southern Maine Department Of Theatre

Posters 2004-2005 Season

Directed by Maria Tzianabos

Dimensions: 8.5" x 11"

Postcard included, dimensions 5.5" x 8.5"

Dance Usm! Program [2005], University Of Southern Maine Department Of Theatre

Programs 2004-2005 Season

directed by Maria Tzianabos

The Cutting Edge, March/April 2005, Vol. 15 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Lysistrata Poster, University Of Southern Maine Department Of Theatre

Posters 2004-2005 Season

Written by Aristophanes

Directed by Ariel Francoeur '05

Adapted by Edward Einhorn

Dimensions: 5.5" x 8.5"

The Magic Flute Poster, University Of Southern Maine Department Of Theatre

Posters 2004-2005 Season

By Wolfgang Amadeus Mozart

Directed by Walter Stump

Musical Direction by Ellen Chickering

Dimensions: 8.5" x 11"

Postcard included, dimensions 5.5" x 8.5"

The Magic Flute Program [2005], University Of Southern Maine Department Of Music, University Of Southern Maine School Of Music

Programs 2004-2005 Season

Written by Wolfgang Amadeus Mozart

Directed by Walter Stump

Musical Director Ellen Chickering

Choreographer Annette L. Bourque

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXVII.

From the program:

Mozart's masterpiece uses a light touch and beautiful music to retell a simple story borrowed from the popular literature of the day. Watch the magic unfold as opposites attract and collide in this tale of youths' journey toward maturity which, perhaps in the process, reveals the composer's vision of humanity and its progress toward enlightenment.

As the opera opens, the naive Prince Tamino is saved from …

Lysistrata Program, University Of Southern Maine Department Of Theatre

Programs 2004-2005 Season

Written by Aristophanes

Adapted by Edward Einhorn

Directed by Ariel Francoeur

Musical Composer Angus McFarland

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXVII.

The Cutting Edge, January/February 2005, Vol. 15 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Dinner Party, Otterbein University Theatre And Dance Department

2004-2005 Season

The Dinner Party is the 31st play by Neil Simon. The action revolves around a French dinner party that is hilariously chaotic. Six people, who do not know one another, have been invited to dine in a fancy Parisian restaurant. There is an air of mystery in this comedic play, because the diners do not know why they have been brought together. As it turns out, the dinner is about their damaged relationships and whether or not they can reconcile.

https://stageagent.com/shows/play/1604/the-dinner-party

Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.

Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.

The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

El Teatre Català Contemporani, L'Esfera Pública I La Figura De L'Autor: Retalls De L'Època De La Transició, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En els darrers anys, al paisatge político-cultural que envolta Barcelona no li han faltat els seus bans moments de melodrama, d'acusacions enceses i de rampells d'histèria, que s'han pogut presenciar sobre i fora de l'escenari, tant a nivell públic com privat. Efectivament, en el món teatral català no és gens estrany que la vida real es confongui amb la de l'espectacle, oferint-nos reiteradament exemples del que el director Albert Boadella, al seu assaig El rapto de Talía, anomena el «virus exhibicionista» o «frenesí» que ha assetjat la societat contemporània. A Barcelona, com a altres llocs del món occidental, un dels …