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Articles 31 - 52 of 52
Full-Text Articles in Playwriting
December 2007 - Volume Vii, Number 1, Theatre Arts Department
December 2007 - Volume Vii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VII Number 1 includes articles on the new Doudna Fine Arts Center and also an obituary of Ernest Glendon Gabbard.
«American Awakenings» Dos Nous Musicals, Sharon G. Feldman
«American Awakenings» Dos Nous Musicals, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
A Nova York, la temporada teatral 2006-2007 ha estat marcada per la presència de dos nous musicals que han tingut un gran èxit de públic i que han rebut diversos premis i distincions: Grey Gardens (música de Scott Frankel, llibret de Doug Wright i lletres de Michael Korie), basat en el documental epònim d’Albert i David Maysles, de 1975; i Spring awakening (música de Duncan Sheik, llibret i lletres de Steven Sater), basat en una obra de teatre de Franz Wedekind de 1891. La premsa ha elogiat a bastament aquestes dues produccions, que han estat considerades les «estrelles» de la …
June 2007 - Volume Vi, Number 2, Theatre Arts Department
June 2007 - Volume Vi, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 2 includes a letter from former Chair John Oertling and a "Where Are They Now?" section.
Els Paisatges Europeus De Carles Batlle, Sharon G. Feldman
Els Paisatges Europeus De Carles Batlle, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
A l'escena final d'Oasi (2001) de Carles Batlle, en un moment que conjura, curiosament, reminiscències de L'hort dels cirerers d'Anton Txékhov, el personatge d'Abdal·là, un vell home àrab, roman a l'interior de la casa (situada a Ia Catalunya rural) que és a punt de desaparèixer sota les aigües d'un nou pantà. Abdal·là se serveix un got de vi, un gest més europeu que àrab, mentre descriu el joc del guetan. El joc, una invenció de l'autor i de lleugera semblança al joc dels escacs, és una al·legoria dels encreuaments transnacionals, des del sud cap al nord i des del nord …
December 2006 - Volume Vi, Number 1, Theatre Arts Department
December 2006 - Volume Vi, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 1 includes articles about the construction of the Doudna Fine Arts Center and a visit from the National Association of the Schools of Theatre.
June 2006 - Volume V, Number 2, Theatre Arts Department
June 2006 - Volume V, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume V Number 2 features an article about an unofficial reunion of 1975-1983 Alumni and the obituary of Lucina "Lucy" Gabbard.
L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman
L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Les obres teatrals de Josep M. Benet i Jornet estan marcades per un interès en l'experiencia polifacètica de la mirada i el paper del perspectivisme dins el terreny teatral. Un impuls aporètic guia bona part de la seva obra més recent, ja que ens condueix a mons misteriosos i a espais buits en què facilment podem perdre'ns o on ens costarà de trobar el camí. Una atmosfera de misted envolta una ttanscripció poètica de l'espai, ja sigui una realitat psíquica interior o un paisatge exterior. Són espais fràgils en concepció, sovint perillosament al punt d'esvair-se. Els títols epigramàtics d'algnnes de …
December 2005 - Volume V, Number 1, Theatre Arts Department
December 2005 - Volume V, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume V Number 1 includes articles about the Doudna Fine Arts Center project and a "Where Are They Now?" section.
June 2005 - Volume Iv, Number 2, Theatre Arts Department
June 2005 - Volume Iv, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 2 features a piece about the construction of Doudna Fine Arts Center and a "Where Are They Now?" section.
Imagining Europe: Carles Batlle's Combat (Landscape In The Aftermath), Sharon G. Feldman
Imagining Europe: Carles Batlle's Combat (Landscape In The Aftermath), Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
At the end of Suite (1999), an award-winning play by Catalan dramatist Carles Batlle i Jordà, there is a memorable scene in which the spectators observe the collapse of a doll house upon the living room floor. It is a metaphor of domestic, as well as global, instability—not to mention, an ironic reference to Ibsen—in which the audience is left to wonder whether the character of Berta, confused and disoriented in the suite of an old hotel, will return to the mirage-like image of bourgeois European domesticity, to a home and marriage without foundations, or whether she will flee to …
El Teatre Català Contemporani, L'Esfera Pública I La Figura De L'Autor: Retalls De L'Època De La Transició, Sharon G. Feldman
El Teatre Català Contemporani, L'Esfera Pública I La Figura De L'Autor: Retalls De L'Època De La Transició, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
En els darrers anys, al paisatge político-cultural que envolta Barcelona no li han faltat els seus bans moments de melodrama, d'acusacions enceses i de rampells d'histèria, que s'han pogut presenciar sobre i fora de l'escenari, tant a nivell públic com privat. Efectivament, en el món teatral català no és gens estrany que la vida real es confongui amb la de l'espectacle, oferint-nos reiteradament exemples del que el director Albert Boadella, al seu assaig El rapto de Talía, anomena el «virus exhibicionista» o «frenesí» que ha assetjat la societat contemporània. A Barcelona, com a altres llocs del món occidental, un dels …
December 2004 - Volume Iv, Number 1, Theatre Arts Department
December 2004 - Volume Iv, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 1 includes an article welcoming new faculty Allison Cameron, and a piece on the Liz Marfia and Phil Ash wedding on October 10, 2004, attending by 26 Theatre Arts alumni.
June 2004 - Volume Iii, Number 2, Theatre Arts Department
June 2004 - Volume Iii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.
Dins La Nostra Memòria, Sharon G. Feldman
Dins La Nostra Memòria, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
L'àmbit espacial de la cultura catalana configura un paisatge fluid i dinàmic, un espai simbòlic d'emoció, percepció i subjectivitat. De la mateixa manera, Barcelona ha sorgit i ressorgit al llarg d'aquest segle i del passat com un espai transcultural fluid de migracions. En una ciutat en què en l'actualitat almenys el 12% de la població prové de fora de les fronteres espanyoles, tot faria pensar que els dramaturgs catalans se senten ara especialmente inclinats a considerar l’espai del pluralisme cultural que és per a'ells «casa seva». Tanmateix, al teatre el procés d'autoreconeixement i el desig d'autoconscienciació es complex. Referintse al …
December 2003 - Volume Iii, Number 1, Theatre Arts Department
December 2003 - Volume Iii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 1 includes an article about Jean Wolski being appointed Faculty Laureate and a piece about funding for the Doudna Fine Arts Center project.
John Milton, Blackfriars Spectator?: "Elegia Prima" And Ben Jonson's The Staple Of News, Timothy J. Burbery
John Milton, Blackfriars Spectator?: "Elegia Prima" And Ben Jonson's The Staple Of News, Timothy J. Burbery
English Faculty Research
In the spring of 1626 John Milton was temporarily expelled from Cambridge University, perhaps over a quarrel with his tutor William Chappell, and sent home to London, where he remained for at least several weeks. There, the seventeen-year-old poet composed his first elegy, a Latin verse-letter to his closest friend, Charles Diodati. In it, Milton claims to be enjoying his unexpected holiday by reading, girl watching, and attending the theater. Milton scholars have never reached consensus about his alleged playgoing, for while the young man speaks as a spectator, the plots and characters he mentions-these include comic types such as …
Tornar A Casa, Sharon G. Feldman
Tornar A Casa, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
A l'última escena de Suite, l'obra amb què Carles Batlle i Jordà (Barcelona, 1963) va guanyar el Premi SGAE 1999, hi ha un moment memorable i crucial en el qual l'espectador observa el collapse -«com un castell de cartes»- d'una casa de nines sobre el terra d'una típica sala d'estar. Es tracta d'una metàfora d'inestabilitat domèstica i també d'inestabilitat global, una imatge amb ressonàncies intertextuals que entrelliguen la dramatúrgia de Batlle amb la d'Ibsen -i fins i tot la de Benet i Jornet (penso en aquell teatret en flames a l'escena final d'E.R). Després d'aquest moment crucial, una de …
0713: Marceline White Platania Collection, 1929-1976, Marshall University Special Collections
0713: Marceline White Platania Collection, 1929-1976, Marshall University Special Collections
Guides to Manuscript Collections
This collection consists of one scrapbook of clippings and photos and one folder of ephemera. The scrapbook includes extensive clippings and a limited number of photos of the 1937 flood in Huntington, West Virginia. Ephemera includes a copy of “The Belle of Barcelona: A Musical Comedy in Three Acts”, a 1929 program for said comedy at Huntington High School, and a ticket, pamphlet, clipping, and envelope about the 1976 American Freedom Train in Huntington.
0389: Ann Katherine Flagg Papers, 1964, Marshall University Special Collections
0389: Ann Katherine Flagg Papers, 1964, Marshall University Special Collections
Guides to Manuscript Collections
Three unpublished and one published play by Ann Katherine Flagg, African American woman writer and former faculty of West Virginia State College. Plays consist of Unto the Least of these; Blueboy to Holiday--over; and A Significant Statistic. Includes Great Gettin' up Mornin'. New York: 1964.
A Visual Concept For Robinson Jeffers' Adaptation Of Euripides' Medea, H. Kevin Lanham
A Visual Concept For Robinson Jeffers' Adaptation Of Euripides' Medea, H. Kevin Lanham
Masters Theses & Specialist Projects
The theatrical elements of setting, costumes, and make-up for Robinson Jeffers' adaptation of Euripides' Medea were designed and constructed in an attempt to create an effective visual concept. Through careful script analysis and close communication with the director and production staff, the designer combined the visual elements. As a record of the concept development from generalities to rough sketches and from formal drawings and diagrams to the finished product, the designer uses the accounting to trace both the artistic creation and the physical construction of each set element and costume for Medea.
The Interpretive-Rhetorical Situation: A Framework For Post Performance Analysis Of Interpretation, John Korinek
The Interpretive-Rhetorical Situation: A Framework For Post Performance Analysis Of Interpretation, John Korinek
Masters Theses & Specialist Projects
The interpretive-rhetorical situation was formulated by blending Lloyd Bitzer's concepts of the rhetorical situation with contemporary interpretation theory. interpretation is momentary, the foundation established as The concept of as a suasory speech act in the sense that it transactional, and intentional, established for theory formation. The key concept an application for the interpretive-rhetorical situation was that it formed a cohesive framework for guiding post performance aspects of interpretation, especially performance criticism and experimental research. An experimental study was conducted, testing the newly formed breakdown of the traditional interpretation elements of writer, reader, and audience into the constituents of exigency, audience …
A Critical Study Of The Dramas Of Four Major Romantic Poets, Earl Murphy Jr.
A Critical Study Of The Dramas Of Four Major Romantic Poets, Earl Murphy Jr.
Masters Theses & Specialist Projects
Since little critical attention has been given to the dramas of this period, it would seem that further examination of them would be of value. The purpose of this study, therefore, is to investigate the dramas of the major Romantic poets in order to provide a new critical perspective on their plays specifically and Romantic drama generally. From this it is hoped useful conclusions can be drawn. The study will be limited to the plays of Samuel Taylor Coleridge, Percy Bysshe Shelley, William Wordsworth, and George Gordon, Lord Byron. John Keats has been omitted from this group because his only …