Dramatic Literature, Criticism and Theory Commons^™

Memory And Remembering: Sacred History And The York Plays, Clifford Davidson

Clifford Davidson

Rev. Of Clayton G. Mackenzie, Deadly Experiments: A Study Of Icons And Emblems Of Mortality In Christopher Marlowe’S Plays, Clifford Davidson

Clifford Davidson

Bullying In York’S Corpus Christi Plays, Clifford Davidson, Sheila White

Clifford Davidson

The York Mysteries: Carnivalesque?, Clifford Davidson

Clifford Davidson

York Mysteries: Seeing And Listening, Clifford Davidson

Clifford Davidson

Rev. Of Theresa Coletti, Mary Magdalene And The Drama Of Saints, Clifford Davidson

Clifford Davidson

Deliver Us From Evil: Essays On Symbolic Engagement In Early Drama, Clifford Davidson

Clifford Davidson

The focus of this book is on the reality of evil for medieval and Renaissance dramatists and their audiences. What propels the work beyond similar critiques is the author's insistence that evil is not an outmoded feature of past societies, but an active ingredient of contemporary life. Davidson fast forwards from distant times once described as "calamitous" to a century of far more violence and atrocity - our own twentieth and its overflow. While drawing on Kant to illuminate the kinds of evil portrayed in early drama through Marlowe and Shakespeare, Davidson refers to contemporary events that scream for an …

The Coventry Mysteries And Shakespeare’S Histories, Clifford Davidson

Clifford Davidson

History, Religion, And Violence: Cultural Contexts For Medieval And Renaissance Drama, Variorum Series, Clifford Davidson

Clifford Davidson

Reprinted essays, except for “Marlowe, the Papacy, and Doctor Faustus.”

Rev. Of Lynn Forest-Hill, Transgressive Language In Medieval English Drama, Clifford Davidson

Clifford Davidson

Rev. Of Sarah Beckwith, Signifying God: Social Relations And Symbolic Act In The York Corpus Christi Plays, Clifford Davidson

Clifford Davidson

Gesture In Medieval Drama And Art, Clifford Davidson

Clifford Davidson

Includes essay “Gesture in Medieval English Drama.”

The Coventry Corpus Christi Plays, Clifford Davidson, Pamela King

Clifford Davidson

The Anxiety Of Power And Shakespeare’S Macbeth, Clifford Davidson

Clifford Davidson

Baptism, The Three Enemies, And T. S. Eliot, Clifford Davidson

Clifford Davidson

No abstract provided.

Some Observations On Violence In Medieval English Drama, Clifford Davidson

Clifford Davidson

The History Of King Lear And The Problem Of Belief, Clifford Davidson

Clifford Davidson

Thomas Cranmer And The Vision Of Historical Drama, Clifford Davidson

Clifford Davidson

The Medieval Actor And The Antitheatrical Prejudice, Clifford Davidson

Clifford Davidson

King Lear And The Crisis Of Belief, Clifford Davidson

Clifford Davidson

Rev. Of Peter Thomson, Shakespeare’S Professional Career, And Gamini Salgado, The Elizabethan Underworld, Clifford Davidson

Clifford Davidson

Medieval Drama On The Continent Of Europe, Clifford Davidson, John Stroupe

Clifford Davidson

Rpt. of Comparative Drama, 27, No. 1 (Spring 1993)

Drama And The Classical Heritage: Comparative And Critical Essays, Clifford Davidson, John Stroupe, Rand Johnson

Clifford Davidson

Articles reprinted from Comparative Drama.

The Iconography Of Hell, Edam Monograph Series 17, Clifford Davidson, Thomas Seiler

Clifford Davidson

Contributions include essay, “The Fate of the Damned” (pp. 41-56.)

On Tradition: Essays On The Use And Valuation Of The Past, Clifford Davidson

Clifford Davidson

Contains previously published articles in revised or abbreviated form: “The Sociology of Visual Forms, Tradition, and the Late Medieval Theater,” “What hempen homespuns have we swagg’ring here?” “Jonson’s Bartholomew Fair, Stage Plays, and Anti-Traditionalism,” “George Herbert and Painted Glass Windows,” and “T. S. Eliot’s Murder in the Cathedral: Reviving the Saint Play Tradition.”

Drama In The Middle Ages: Second Series, Clifford Davidson, John Stroupe

Clifford Davidson

Papers chosen from previously published articles in Comparative Drama

Illustrations Of The Stage And Acting In England To 1580, Edam Monograph Series 16, Clifford Davidson

Clifford Davidson

This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings and the woodcuts that appear in playbooks produced by the first English printers.

Iconographic And Comparative Studies In Medieval Drama, Clifford Davidson, John Stroupe

Clifford Davidson

Rev. Of David Freedberg, The Power Of Images, Clifford Davidson

Clifford Davidson

When Actors Play God, Clifford Davidson

Clifford Davidson