Dance Commons^™

Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer

Art Theses and Dissertations

To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …

The Old One And La Mer, Karter Tod Bernhardt

Undergraduate Theses, Professional Papers, and Capstone Artifacts

No abstract provided.

Sharing Walks As A Witnessing Practice: Exploring Movement-Based Pedagogies, Catalina Hernandez-Cabal

Feminist Pedagogy

How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement practice as a pedagogical engagement with the concept of faithful witnessing, which refers to attending to modes of power unbalance that might go unnoticed, and to people's creative and resistant possibilities (Lugones, 2003; Figueroa-Vásquez, 2015). This activity is suggested to provoke reflections about how we understand and experience social difference and power unbalances. The work introduces a simple score (a creative prompt) to explore walking-with others, creating instructions to teach others our movement, learning others', and delving into conversations concerning the …

Choreographing The Line: Exploring The Art/Obscenity Paradox Of Feminine Sexuality Within The Context Of Recreational Pole Dance, Cameron Boucher-Khan

Scripps Senior Theses

This project seeks to explore the relationships between pole dance and pole fitness, art and obscenity and respectability as it relates to work, class, and social systems. It analyzes the way female sexuality is accepted or rejected within society and explores the boundaries between the two through the staging of pole and contemporary dance. The dichotomy between art and obscenity is explored in the relationship between stripper pole dance, and the fast-growing pole fitness community. Within this relationship, strippers are demonized as obscene, while pole fitness dancers' labor is viewed as artistic, despite the sexuality present in both. The difference …

A Renaissance: The Absurd Retelling Of Mostly True Events, Erica R. Hitzman

Graduate Student Theses, Dissertations, & Professional Papers

Throughout the following you will be taken on a fantastical retelling of the exhibition A Renaissance, and some of what lead up to it. Through the eyes of various shifting perspectives you will explore the relationships between the artist, her art, and the viewer in the hopes of unveiling how the work plays into feminist theory, its place in the Zeitgeist, and the motivations behind it. Each perspective is formatted differently, to visually mirror the shift in perspective. Presented in the first person and aligned to the right, the account of the artist discusses the process, emotion, and inspiration behind …

Hysteria, Fear, And/Or Delight, Alessandra Ferrari-Wong

Bachelor of Fine Arts Senior Papers

My Bachelor of Fine Arts thesis statement, Hysteria, Fear, and/or Delight, establishes the forms and concepts of my art practice as it stands as of May, 2020: performance-based and interdisciplinary. My practice implies narrative while acknowledging the audience. Physical language, in both dance and gesture, can be a means of communication or subversion. Pieces exist as ephemeral, often private, performances and then separately in archival forms ranging from video, to photography, to installation. The body of the statement details my thesis project, a remaking of Giselle, a 19th century Romantic-era ballet, into a performance series and video trilogy. …

They Dance To Bring Attention To A War. But Who’S Watching?, Fruhlein Chrys Econar

Capstones

Potri Ranka Manis Queano has been at the helm of Kinding Sindaw, the heritage dance troupe she founded, for the last 27 years. When a group of ISIS-affiliated local terrorists attacked Marawi City, the home of the Maranao people, it infused a sense of urgency into her group’s work.

http://www.fruhlein.com/kindingsindaw

Exploring Gender Through Art In Myanmar, Allison E. Joseph

EnviroLab Asia

No abstract provided.

Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature, Zoe Hester

Undergraduate Honors Theses

Movement and storytelling are the links between past and present; both dance and literature have the same artistic and primal origins. We began to dance to express and communicate, to worship and feel. We tell stories for the same reasons: to learn from the past and to be able to communicate in the present.

This work explores the many connections between literature and dance through examinations of six dance forms: Native American, Bharatanatyam, West African, Ballet, Modern, and Post-Modern dance.

Governmental Funding Of K-12 Arts Programs, Elizabeth Abbick

Undergraduate Honors Thesis Collection

Among the significant political debates of our time is how to dedicate resources to different programs, and what types of ideas will be funded and subsidized by the government. Unfortunately, even the United States is not a nation of unlimited resources. In general, arts programs are one of the first to be cut from schools, as they are not seen to be equal to math, reading, or even sports. However, arts programs could be an integral part of the successes of the elementary, middle, and high school student. In my thesis, I will explore the differences between students who have …

Books And Bodies: A Collaborative Process Between Dance And Literature, Sarah Dexter Givens

Honors Theses

This senior choreographic project, Reading Response #6, was created and performed in the fall of 2016 in collaboration with five dancers, one apprentice, and the choreographer. The project was a collaboration of dance with literature by Emily Dickinson, Leo Tolstoy, Richard Wilbur, Edgar Allan Poe, Oscar Wilde, and Walt Whitman. The final product was performed in the Studio 115 Dance Concert in the University of Southern Mississippi’s Theatre and Dance Building in Hattiesburg, Mississippi. This paper investigates the relationship between dance and literature and explores methods of integration between the two art forms.

Wrapped In Greek Robes Of Spirituality: The Historic Context For Isadora Duncan's Dance Performances, Anthony Shay

Pomona Faculty Publications and Research

In this paper I want to address Craig and Duncan’s shared interest in ancient Greek art, which is the context within which Isadora Duncan developed her art, the various influences that inspired her choreography, and the historical time period that influenced the decisions that she made. I want to make several preliminary comments before proceeding to the main claim that I am making, which is that Isadora Duncan, Ruth St. Denis, and other “barefoot” dancers were not the mothers or grandmothers or inventors of modern dance, as is repeated as if it were a religious tenet of faith in dance …

Stories Of Otherness, Lee Ann Harrison

Graduate Theses

The thesis exhibition Stories of Otherness is an interactive installation created using dance, music, photography, video, ceramic figurative sculptures, and armatures of found objects to create a voyeuristic and physically participatory experience of situational art. Many artists from various art and literary genres influence my research and art, including Petah Coyne, Mona Hatoum, Pina Bausch, Mia Michaels, and Jeanette Winterson. The multi-faceted combination of art mediums and artists inspires me to create a mixed media, multi-dimensional installation for an immersive participant’s experience as a source for awareness, empathy, reflection, and ultimately as a “call to action” evoking change.

This thesis …

Aquell Estiu Del 66. L'Actuació De Merce Cunnigham A Sitges, Ara Fa 50 Anys, Antoni Pizà

Publications and Research

El desembarcament a Sitges de la MCDC ara fa cinquanta anys exactes, es considera un punt crucial en la cultura catalana i espanyola tant en art com en música. Carles Santos ha titllat aquella actuació de «traumàtica» pel que va suposar per a la música espanyola. I a més a més, molts estudis erudits recents sobre l’art conceptual, la música electrònica i la dansa experimental consideren l’actuació a Sitges com un dels inicis de tots aquests moviments a l’estat espanyol. Al final, Clive Barnes va acabar per tenir raó: al Departament d’Estat l’havia subvencionat un pintor europeu, almenys la gira …

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Performance Sculpture--An Exploratory Collaboration Between Sculpture And Dance, Cesia G. Kearns

Journal of Undergraduate Research at Minnesota State University, Mankato

Kinetic sculpture suggests new visual possibilities when combined with dance. Wishing to explore such avenues of interaction for sculpture, this artist sought to develop pieces that could be incorporated into choreography. An artist and a choreographer wove their concepts and styles together to create a performance art piece that rose from the reciprocal influences of interactive sculpture and dance. The creative process included development of concepts, visual imagery, and movement as the artist and choreographer shared ideas. The choreography of the original dance influenced the form, structure, and conceptual elements of the sculpture, which was developed in reaction to the …

The Production Of Choreography Influenced By Works Of George Balanchine, Tiffany Guy

Mahurin Honors College Capstone Experience/Thesis Projects

One of the most renowned Ballet Masters in the history of dance is George Balanchine. By studying his works and feedback from his dancers, my goal is to gain enough information to develop a two to three minute choreographed work of my own, incorporating the influence of Balanchine’s style and design. In my research, I will be examining his history and the interviews of Balanchine-influenced dancers, reflecting on personal experiences, and dissecting his choreography and elements of my own work in creating my final choreography. Within my piece, I will be manipulating various uses of rhythms, implementing Balanchine-style movements, and …

Dancescape: A Work In Thetranslation Of Bodies And Movement, Julia Allisson Cost

Scripps Senior Theses

Translation is inevitably challenging work. When the human body and its movement are the subjects translated, the work may be particularly difficult, as questions both technical and ethical may arise about the representation in the second medium. Yet the exercise can also be very illuminating, creating space for insights that may not have been possible without the translation. For my Scripps College art thesis, I have created a series of paintings of Western dancers and researched four artists whose work involves bodies, movement, or dance and whose approaches differ tremendously. These artists are Edgar Degas (1834-1917), an impressionist painter known …