Other Spanish and Portuguese Language and Literature Commons^™

A Cinematographic Comparison Of The Representation Of Las Cholitas In Two Bolivian Films: Los Andes No Creen En Dios Directed By Antonio Eguino (2007) And Zona Sur By Juan Carlos Valdivia (2010), Mackenzie Scheer

Honors Program Theses

From its founding on a colonial system to the current socioeconomic class structure in Bolivia, indigenous rights have been improving in the state. Las cholitas are an Aymaran, indigenous group within Bolivia. This essay looks at the portrayal of cholitas in two different Bolivian films: Los Andes no creen en Dios directed by Antonio Eguino (2007) and Zona sur by Juan Carlos Valdivia (2010). The former is set in the 1920s and the latter in 2010, thus showing the change in status of indigenous people over a 90-year gap. This cinematographic analysis focused on the indicators of the separation of …

Guía Básica De Análisis Del Documental "Rigoberta Menchú: Daughter Of The Maya" (Dawn Gifford Engle, 2016), Álvaro Baquero-Pecino

Open Educational Resources

Guía básica de análisis del documental Rigoberta Menchú: Daughter of the Maya (Dawn Gifford Engle, 2016). La guía está destinada, principalmente, a estudiantes de español. Se compone de una breve serie de preguntas para antes, durante y después del visionado. El objetivo es ayudar a la comprensión del documental por parte de los estudiantes y fomentar la discusión en clase.

The Networked Fictional Narrative: Seriality And Adaptations In Popular Television And New Media., Nandita Dutta

Electronic Thesis and Dissertation Repository

From creating elaborate fan-worlds to driving large amounts of revenue into the economy, popular culture has proved to be the motivation behind, as well a reflection of, large scale acquisitions of conglomerates that have governed popular interests since the mid-20th Century. If its movements across geographic space, time, and media can be traced, popular culture production is an apt subject of research into how a cultural entity is conceptualised, transported and appropriated within another. In this study, adaptations of fictional products in the 20th and 21st Centuries are considered as manifestations of neobaroque forms of culture production and consumption. Some …

Film And The Culture Of Memory In Argentina, Theresa Jo Thomas

Undergraduate Honors Theses

This project examines the culture of memory in modern-day Argentina in the context of the last civic-military dictatorship that took place between 1976 and 1983. Argentina is a country with a long history of filmmaking, a tradition that was suddenly interrupted during the long and dark seven years of military rule. Since the arrival of democracy in 1983, however, filmmakers have explored the trauma created by this period and have created a significant record of films that deal with loss, memory, and trauma. This thesis analyzes several films produced between the return of democratic rule and present-day Argentina in order …

Found In Translation: An Analysis Of Popular American Film In Spain, Emily Dushek

Honors Projects

This research examines American popular film in Spain with the aim of understanding if and how removing a popular text (such as a film) from its original language and socio-cultural context and translating it for consumption in a different language and culture affects the interpretation of the film. The study delves into the very successful 2012 films The Avengers (Joss Whedon) and Django Unchained (Quentin Tarantino) and uses textual analyses and comparisons of the original English and the translated Castellano Spanish versions of the films, specifically focusing on the translations, as well as analyses of film reviews and critiques written …

Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014, Olivia Sloan Marple

Honors Theses and Capstones

Este ensayo tratará del papel de la mujer en el cine español y como las representaciones de la mujer en el cine se conectan con lo que pasa en la sociedad española. Específicamente, mostrará que el poder del papel de la mujer se correlaciona con la deconstrucción de los roles de género en la sociedad patriarcal y la fluidez de género representadas en las películas.

Además, este ensayo intenta demostrar que no vemos una trayectoria directa de la representación de la liberación femenina en el cine español. Efectivamente, el poder de los papeles femeninos no tienen que ver con la …

Making Fun Of Franco: Representations And Caricatures Of Spanish Fascism In The Films El Espiritú De La Colmena, Cría Cueros And El Laberinto Del Fauno, Elizabeth Pruchnicki

Honors Capstone Projects - All

The end of the Spanish Civil War marked the beginning of Francisco Franco’s dictatorship, which lasted more than 35 years. Throughout this time, he systemized terror, executing more than 100,000 republican sympathizers in the first few years of his regime and marginalizing the remainder of the population. Therefore, the Fascist Era lasting from 1940-1975 is one plagued with strained relationships, ambiguous loyalties and distant relatives. The films El espiritú de la colmena by Victor Erice, Cría cuervos by Carlos Saura and El laberinto del fauno by Guillermo del Toro’s illustrate these kinds of challenges, from the point …

Highlighting The Hidden: Visual Representation In Gutiérrez Aragón's Demonios En El Jardín, Linda Willem

Linda M. Willem

According to Spanish film maker Manuel Gutiérrez Aragón, there is an intimate relationship between the family and the state, with the traits of the family mirroring those of the state in which it exists: "la primera célula del Estado es la familia, y si el Estado, por definición, es opresivo, la familia es igualmente opresiva" (García Fernández 331). "Yo utilizo la familia en mis películas porque es muy real, muy testimonial. La familia repite fielmente la estructura social 0 estatal" (Payán and López 27). In Demonios en el jardín (1982) Gutiérrez Aragón uses the metaphor of the family not only …

Highlighting The Hidden: Visual Representation In Gutiérrez Aragón's Demonios En El Jardín, Linda M. Willem

Scholarship and Professional Work - LAS

According to Spanish film maker Manuel Gutiérrez Aragón, there is an intimate relationship between the family and the state, with the traits of the family mirroring those of the state in which it exists: "la primera célula del Estado es la familia, y si el Estado, por definición, es opresivo, la familia es igualmente opresiva" (García Fernández 331). "Yo utilizo la familia en mis películas porque es muy real, muy testimonial. La familia repite fielmente la estructura social 0 estatal" (Payán and López 27). In Demonios en el jardín (1982) Gutiérrez Aragón uses the metaphor of the family not only …