Russian Literature Commons^™

Alyosha The Christian Hermeneut, Eddie Li

Seaver College Research And Scholarly Achievement Symposium

Presentation Abstract: Alyosha as the Christian Hermeneut

This presentation is adapted from my essay Alyosha as the Christian Hermeneut, written under the supervision of Dr. Paul Contino. In the essay, I gave an analysis of the character Alyosha in Dostoyevsky’s The Brothers Karamazov, in light of Merleau-Ponty’s phenomenology, Hans-Georg Gadamer’s hermeneutics, and Dr. Contino’s book on Incarnational Realism. I discussed how Alyosha adapts from an inexperienced Christian disciple to a mature interpreter capable of conducting the hermeneutical fusion of horizons with different horizons. Within this capability, Alyosha develops his unique Christian horizon, enabling him to understand and reconcile the …

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff

Dissertations, Theses, and Capstone Projects

The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.

This dissertation argues that both Russian Formalism and Distant Reading were …

Revolutionaries In Form: The Russian Futurist Poets In The Cultural Politics Of The Early Soviet Union, 1917-1928, Noah Wurtz

Senior Projects Fall 2020

Senior Project submitted to The Division of Languages and Literature of Bard College.

Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley

Montview Journal of Research & Scholarship

The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …

Mikhail Bakhtin’S Heritage In Literature, Arts, And Psychology. Introduction, Slav N. Gratchev, Howard Mancing

Dr. Slav N. Gratchev

This volume celebrates hundred years of Bakhtin’s heritage: in September 13 of 1919 in the literary journal Den Iskusstva (The Day of the Art) was published the first work of Mikhail Bakhtin, Art and Answerability, the work that became his literary manifesto.

This book aims to examine the heritage of Mikhail Bakhtin in a variety of disciplines. To achieve this end, we drew upon colleagues from eight different countries across the world--United States, Canada, Spain, Great Britain, France, Russia, Chile, and Japan--in order to bring the widest variety of points of view on the subject. But we also wanted …

Mikhail Bakhtin’S Heritage In Literature, Arts, And Psychology. Introduction, Slav N. Gratchev, Howard Mancing

Modern Languages Faculty Research

This volume celebrates hundred years of Bakhtin’s heritage: in September 13 of 1919 in the literary journal Den Iskusstva (The Day of the Art) was published the first work of Mikhail Bakhtin, Art and Answerability, the work that became his literary manifesto.

This book aims to examine the heritage of Mikhail Bakhtin in a variety of disciplines. To achieve this end, we drew upon colleagues from eight different countries across the world--United States, Canada, Spain, Great Britain, France, Russia, Chile, and Japan--in order to bring the widest variety of points of view on the subject. But we also wanted …

Ideology In Literature And Literature As Ideology: Totalitarian And Reactionary Appropriation Of Resistant Texts, Huntley Hughes

Master’s Theses

This thesis seeks to explore the means by which nominally or potentially resistant texts are appropriated into violent or exploitative political structures for propaganda and profit. In the first chapter two pre-soviet Russian novels closely associated with the radical tradition are examined, through the lens of literary analysis, in order to uncover the ways in which ideologically egalitarian revolutionary movements can degenerate into authoritarian regimes. The second chapter is concerned with a Welsh text, How Green Was My Valley, which, despite being concerned with the conditions of the Welsh mining class, utilizes the narrative form of childhood recollection to insidiously …

For Narrativity: How Creating Narratives Structures Experience And Self, Natallia Stelmak Schabner

Dissertations, Theses, and Capstone Projects

This dissertation responds to the challenge to narrativity posed by Galen Strawson in “Against Narrativity,” where he claims that not everyone is Narrative by nature and that there is no reason to be. I make my claim “For Narrativity” as a mental process of form finding and coherence seeking over time that is an inherent mental activity and essential for experience of one’s Self. I make my case through examinations of our experience of time, our use of language, how we plan, and our sense of Self. In the first chapter, I show that considering Narrativity as viewing life as …

A Mid-Range Episode Reading Of Odoevsky's The Cosmorama, Slobodan Sucur

CLCWeb: Comparative Literature and Culture

In his article "A Mid-range Episode Reading of Odoevsky's The Cosmorama" Slobodan Sucur argues that a focus on David S. Miall's theories of foregrounding and the mid-range episode may help to minimize ambiguities and contradictions that often emerge in readings of Gothic literature. The example focused on in the article is Vladimir Odoevsky's 1839 novella The Cosmorama. Sucur elaborates on the idea that the fantastic and sublime are naturally reader-receptive and anticipate some aspects of Miall's theory. In relation to this Sucur also discusses the possibility that mid-range episode reading may help bridge the gap between some tenets …