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- 19th century rhetoric (1)
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Articles 1 - 8 of 8
Full-Text Articles in Rhetoric
Exploring Metaphor In The Great Gatsby, Dan Gleason
Exploring Metaphor In The Great Gatsby, Dan Gleason
The Great Gatsby Unit
In this lesson, students engage with one approach to metaphor and then apply that learning to metaphors in Great Gatsby. To start, students learn about I. A. Richards’s definition of metaphor as the link between tenor (topic) and vehicle (way of thinking about it). They then generate some metaphors by randomly combining tenors and vehicles in order to understand how the parts interrelate. Finally, the class interacts with the messier, more beautiful face of metaphor by working through, in groups, some key metaphors from the novel. Students identify the components of each metaphor (tenor, vehicle) and also consider what subtle …
Visual Rhetoric Through The Years, Leah Kind
Visual Rhetoric Through The Years, Leah Kind
Rhetoric Unit
This exercise gives students an introduction to some of the language and terminology of visual rhetoric in a brief teacher-guided discussion. Following the discussion, students, in small groups, will find both a vintage print advertisement and a current print ad within the same general category and examine how different forms of appeals have evolved through time, how ads now target their specific audiences, and, in general, how ads have changed, and why. Groups will present their findings to the class. Having the opportunity to see what in advertising has changed (as well as what has not changed) will allow students …
19th Century American Rhetoric: Figures, Techniques, And Informational Texts, Adam Kotlarczyk
19th Century American Rhetoric: Figures, Techniques, And Informational Texts, Adam Kotlarczyk
Rhetoric Unit
Ward Farnsworth writes in his 2011Classical English Rhetoric “figures sound splendid when used to say things worth saying,” and nineteenth century Americans, it seems, had many things worth saying. The nineteenth century was a high-water mark for oral and written rhetoric in English; this was especially true in America. Frederick Douglass and William Lloyd Garrison wrote eloquently and passionately on abolition, even as the nation plunged into Civil War. Abraham Lincoln articulated his vision for the reunification of a country shattered by that war, while Henry David Thoreau explained the ethical need for the occasional disobedience to civil law …
Change One Thing, Change Everything: Understanding The Rhetorical Triangle, Tracy A. Townsend
Change One Thing, Change Everything: Understanding The Rhetorical Triangle, Tracy A. Townsend
Rhetoric Unit
This lesson exposes students to the most fundamental rhetorical concept, that of the “rhetorical triangle,” a device for understanding and articulating audience awareness in persuasion. Provided here are suggestions for a brief and engaging mini-lecture, followed by an exercise using two classic pieces of American rhetoric, speeches by the suffragettes Elizabeth Cady Stanton and Susan B. Anthony. Students will be challenged to learn the principles of the rhetorical triangle, close-read a text for rhetorical clues and cues, and make sound judgments about the speaker’s rhetorical process based on evidence. This lesson and activity are suitable for students in grades 9-12, …
Uncovering Fallacies In Documentary Film, Nicole Trackman
Uncovering Fallacies In Documentary Film, Nicole Trackman
Rhetoric Unit
This is an introductory activity that will familiarize students with eight essential fallacies. Students will be given a specific fallacy and its definition along with examples. Student will search for their fallacy in a twenty minute screening of a documentary film. Through small group and whole class discussion, students will leave class with an expert understanding of their own fallacy as well as a solid foundation of understanding for the other seven fallacies presented.
The Rhetorical Oracle: A Fun Introduction To Rhetoric, Dan Gleason
The Rhetorical Oracle: A Fun Introduction To Rhetoric, Dan Gleason
Rhetoric Unit
In this lesson students meet three key rhetorical schemes – anaphora, antithesis, and chiasmus – in a fun, engaging way. The students share some common concerns related to school (e.g., too much homework, not enough time with friends, bad grades on essays); after a student raises an issue, that student is given a slip of paper with a relevant (and rhetorical!) sentence or two to read aloud. With these rhetorical pronouncements, students hear the patterns of the three schemes in an engaging and personal way. The teacher can then follow up with a more detailed account of the rhetorical patterns.
One Quotation, Two Meanings: Quotation Analysis Exercise, Dan Gleason
One Quotation, Two Meanings: Quotation Analysis Exercise, Dan Gleason
Writing Bootcamp Unit
This challenging lesson gives students practice in analyzing quotations very closely. The exercise begins with the premise that quotations never “speak for themselves,” and that writers need to explain what quotations mean. To prove this point, this lesson shows students that specific quotations can in fact “mean” (or support) very different claims; in fact, students use a single quotation to advance almost opposite arguments. The goal of the lesson is for students to understand that quotations may be very malleable, and thus they always need clear framing and explanation. This lesson uses a short essay, “What is an American?” as …
The Headless Paragraph: Back-Forming Topic Sentences, Dan Gleason
The Headless Paragraph: Back-Forming Topic Sentences, Dan Gleason
Writing Bootcamp Unit
This exercise is designed to give students practice in creating and understanding topic sentences. Rather than asking students to create their own paragraphs headed with topic sentences, this exercise gives students the paragraphs and asks them to synthesize the topic sentences from the content provided. Such back-formation can help students grasp that a topic sentence does not merely start the paragraph, but also organizes and summarizes its key content.