African American Studies Commons^™

Foreword, Travis Harris

Journal of Hip Hop Studies

Foreword to volume 9 issue 1.

Funk What You Heard: Hip Hop Is A Field Of Study, Journal Of Hip Hop Studies

Journal of Hip Hop Studies

The complete general issue of volume 9 issue 1.

Funk What You Heard: Hip Hop Is A Field Of Study, Travis Harris, Scott "Lyfestile" Woods, Dana Horton, M. Nicole Horsley, Shayne Mcgregor

Journal of Hip Hop Studies

“Funk What You Heard” is a beaconing call to all scholars who engage with Hip Hop studies. This article lays out the ways in which Hip Hop studies should properly respond to the wave of oppressions currently pounding the world. With several key date markers in place for Hip Hop studies, Tricia Rose’s Black Noise in 1994 and Murray Foreman and Mark Anthony Neal’s That’s the Joint in 2004, “Funk What You Heard” charts the path forward for the future of Hip Hop studies. Black Noise provided the original blueprint for studying Hip Hop and That’s the Joint! stamped “hip-hop …

It’S “Hip Hop,” Not “Hip-Hop”, Tasha Iglesias, Travis Harris

Journal of Hip Hop Studies

“It’s ‘Hip Hop,’ Not ‘hip-hop’” explains how two Hip Hop scholars, Tasha Iglesias and Travis Harris, collaborated to get the official academic spelling of Hip Hop changed from “hip-hop” to “Hip Hop.” While they were graduate students, they grew frustrated with reading numerous academic texts that did not represent Hip Hop in the same way the culture did outside of academia. Iglesias and Harris are Hip Hop and involved with the culture outside of the classroom. The clash between these two worlds led them to petition the American Psychological Association and eventually speak with Merriam Webster dictionary to change the …

Jazz Sampling Hip Hop: A View Of The Expanded Rhythm Section And The Musical Interactions Between Musicians And Machines, Molly Kaylynn Redfield

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a study on a musical fusion that I term “jazz/hip hop.” The study presents a historical overview of jazz/hip hop origins beginning with 1960s beat poets to jazz/hip hop artists emerging in the early 2000s. Modeled after Phillip Tagg’s and John Fiske’s semiotic methodology and William C. Banfield’s African American Cultural Theory and Heritage Model, the methodology defines the musical and cultural aesthetics of jazz/hip hop. Interviews from jazz/hip hop artists are presented; justifying the use of hip-hop aesthetics and countering the argument that commercial elements are added for mainstream recognition. I examine that samples musically interact …

Mic Check : Finding Hip Hop's Place In The Literary Milieu, Victorio Reyes

Legacy Theses & Dissertations (2009 - 2024)

The study of Hip Hop poetics has been slowly gaining momentum as an area for scholarly inquiry. Accordingly, Mic Check rests on one critical assumption: Hip Hop is the most significant American form of poetry ever invented. To back up this claim, this project investigates Hip Hop lyricism from five critical angles: tradition, form, tone, medium, and practice. I argue that music’s foundational position in African American literature clarifies Hip Hop’s experiments with language, which operate within and extend an ongoing, centuries-old tradition of linguistic, rhythmic, and poetic experimentation. Comprehension of the longstanding literary/oral territory from which Hip Hop is …

Utilizing Art & Culture To Support The Success Sequence, Kelvin M. Walston, Tarita Johnson

National Youth Advocacy and Resilience Conference

This presentation will demonstrate how Hip Hop and African American History are used as educational teaching tools in our evidenced based program to promote social, emotional, and violence prevention skills. Explorations from the African diaspora, historical trauma, slavery, post traumatic slave syndrome to decoding and deconstructing hip hop elements all intersect to provide the basis of violence prevention, and more profoundly social and emotional balance.

Loving,Julia, Mark Naison

Oral Histories

Julia Loving, Summary of Interview with the Bronx African-American History Project

October 14th, 2020

Dr. Mark Naison and Alison Rini

Summarized by Amy Rini August, 2023

Bronx born public school librarian and high school educator Julia Loving’s parents were from Nelson County, Virginia. She has two older brothers, Jesse and Mark. Her grandparents were the only black store owners in 1920s Roseland, Virginia. In 1960, they moved up to New York City because their parents did not want their children to stay South in the height of Jim Crow. They met while going to colored schools and Baptist and Pentecostal …

Whither World?, Ikeogu Oke

Journal of Hip Hop Studies

Second of ten poems written by the late and great Nigerian poet Ikeogu Oke.

I Beg Of You, Honey, Ikeogu Oke

Journal of Hip Hop Studies

First of 10 poems written by the late and great Nigerian poet Ikeogu Oke

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Watching The World, Ikeogu Oke

Journal of Hip Hop Studies

Fourth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Better Days, Ikeogu Oke

Journal of Hip Hop Studies

Fifth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies To Hip Hop, Travis T. Harris

Journal of Hip Hop Studies

Global Hip Hop Studies has grown tremendously since it started in 1984. Scholars from a number of disciplines have published numerous journal articles, books, dissertations and theses. They have also presented at multiple academic conferences and taught classes on global Hip Hop. “Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies to Hip Hop Studies” traces this history and examines the key authors, intellectual interventions, methods, and theories of this field. I used an interdisciplinary methodology entailing participant observations of local Hip Hoppas and the examination of more than five hundred scholarly texts that I assembled into …

(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris

Journal of Hip Hop Studies

This bibliography documents Hip Hop scholarship outside of America, including scholarly works that may be US centric, yet expands its analysis to other parts of the world. Hip Hop Studies outside the boundaries of the United States stretches as far and wide as Hip Hop itself. This scholarship started in 1984, and the amount of scholarship beyond American boundaries has continued to grow up through present day. The first wave, before Mitchell's Global Noise (2001), includes a wider range of scholarly works such as conference presentations and books written by journalists, in addition to traditional academic sources such as books …

Negotiating French Muslim Identities Through Hip Hop, Mich Yonah Nyawalo

Journal of Hip Hop Studies

In The French Melting Pot: Immigration, Citizenship, and National Identity, Gérard Noiriel contends that in France, the modern idea of the nation emerged as a means to subvert the dominant influence of the nobility, whose rule was underwritten by the aristocratic idea that “the nation was founded on ‘blood lineage.’”1 Noiriel posits that “the revolutionary upheaval discredited not only the old order but everything that harked back to origins, so much so that the first decrees abolishing nobility were also directed against names that evoked people’s origins: an elegant name is still a form of privilege; its credit must be …

Native Son, Ikeogu Oke

Journal of Hip Hop Studies

Ninth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

The Dame Of Liberty, Ikeogu Oke

Journal of Hip Hop Studies

Eighth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Why The Cookie Crumbles, Ikeogu Oke

Journal of Hip Hop Studies

Seventh of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

“I Got The Mics On, My People Speak”: On The Rise Of Aboriginal Australian Hip Hop, Rhyan Clapham, Benjamin Kelly

Journal of Hip Hop Studies

In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate to provide an overview of the Aboriginal Australian Hip Hop scene. We contextualize the development of Aboriginal Hip Hop as part of a long postcolonial tradition of Aboriginal engagement with Black transnationalism. By analysing rap lyrics, Hip Hop videos, and related commentary, we demonstrate the ways in which Aboriginal hip hoppers have adapted elements of Hip Hop culture to suit their own cultures, histories, and structural position as a colonized minority under the rule of a modern settler-colonial state. We conclude by considering Aboriginal engagement with Hip Hop …

Book Review Of Hip Hop In Africa: Prophets Of The City And Dustyfoot Philosophers, Camea Davis

Journal of Hip Hop Studies

Dr. Davis provides an analysis of Hip Hop in Africa: Prophets of the City and Dustyfoot Philosophers (2018). Dr. Camea Davis is a poet, educator and educational researcher with a heart for urban youth and communities. She earned her doctorate in educational policy studies with minors in curriculum and instruction and educational technology from Ball State University. She currently works as a Post-Doctoral Research Associate as Georgia State University in the Department of Middle and Secondary Education.

If I Ruled The World: Putting Hip Hop On The Atlas, Travis T. Harris, Simran Singh, Daniel White Hodge

Journal of Hip Hop Studies

“If I Ruled the World: Putting Hip Hop on the Atlas” contends for a third wave of Global Hip Hop Studies that builds on the work of the first two waves, identifies Hip Hop as an African diasporic phenomenon, and aligns with Hip Hop where there are no boundaries between Hip Hop inside and outside of the United States. Joanna Daguirane Da Sylva adds to the cipha with her examination of Didier Awadi. Da Sylva's excellent work reveals the ways in which Hip Hoppa Didier Awadi elevates Pan-Africanism and uses Hip Hop as a tool to decolonize the minds of …

Go Tell It On The Mountain, Ikeogu Oke

Journal of Hip Hop Studies

Tenth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Reclaiming Our Subjugated Truths—Using Hip Hop As A Form Of Decolonizing Public Pedagogy: The Case Of Didier Awadi, Joanna D. Da Sylva

Journal of Hip Hop Studies

This paper explores how Senegalese Hip Hop pioneer, Didier Awadi, uses Hip Hop as a form of decolonizing public pedagogy that renders the contributions of Pan-African leaders visible to Africa and the world, contributions that are often omitted and vilified by mainstream history. I argue that Awadi’s work provides a strategy for reclaiming oral literature, particularly storytelling, as a legitimate way of knowing, teaching and learning history. In his album Présidents d’Afrique, Didier Awadi uses rap and traditional African music to retell the story of our resistant past through an African frame of reference. The data is comprised of …

Foreword, Travis T. Harris

Journal of Hip Hop Studies

This is the Foreword to the special issue. It provides a broad overview of the special issue, a description of the context it is written in and acknowledgment of all those who contributed to "If I Ruled the World."

Configurations Of Space And Identity In Hip Hop: Performing “Global South”, Igor Johannsen

Journal of Hip Hop Studies

The spatiality of culture, specifically Hip Hop, and the reverberations between space and identity are the core concern of this essay. In deconstructing and contextualizing the concept of the Global South by discussing the practices of respective Hip Hop communities, this paper aims at laying bare the oversimplifications inherent in those seemingly natural spatial dimensions. The Global South can, thus, not be understood as a concise and objective term. Instead, it implies a highly normative concept and can be made to reveal or conceal specific attributes of the culture in question. Deliberately creating a cultural and artistic discourse in which …

Dedication To Ikeogu Oke, Travis T. Harris

Journal of Hip Hop Studies

This short article describes why this special issue is dedicated to Ikeogu Oke. He transitioned while we were completing the special issue.

Good Thing Going, Ikeogu Oke

Journal of Hip Hop Studies

Sixth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Foreword, Joshua K. Wright

Journal of Hip Hop Studies

No abstract provided.

Meditation – Yeezy’S (Impossible) Love In Fugitivity’S Strings: A Meditation On “Runaway”, James Manigault-Bryant, Lerhonda Manigault-Bryant

Journal of Hip Hop Studies

No abstract provided.