African American Studies Commons^™

2nd Funk Symposium: Selected Proceedings, 2021, Sharon Davis Gratto

Content Presented at the First and Second Dayton Funk Symposia

This is a printed proceedings of symposium presentations by authors who elected to submit them. They are available free for download, but printed volumes are available for $6 plus tax and shipping.

Comic Books, Satire, And The American Police State: Lessons From The Capitol Hill Autonomous Zone, Jamie Michaels

Biennial Conference: The Social Practice of Human Rights

In the spirit of the #DefundThePolice and #BlackLivesMatter movements, protestors in Seattle’s Capitol Hill Autonomous Zone (CHAZ) declared sovereignty over 5½ city blocks. Emboldened by the potential for mass mobilization enabled by the COVID-19 pandemic protestors attempted to establish a racially egalitarian society that would exist without the police, the traditional enforcement mechanism of the white supremacist American state.

This paper explores how Alex Graham’s Dog Biscuits (2021) and Simon Hanselmann’s, Crisis Zone (2021) portray the ways CHAZ protestors utilized absurdity in the face of extreme violence to enact indiffernation—a unique affect comprised of indifference and determination. This affect …

There’S A Whole Lotta Rhythm Goin’ Round: How Funk Shaped U.S. Copyright, Katherine Leo

Content Presented at the First and Second Dayton Funk Symposia

Rooted in stylized grooves and lineages of musical borrowing, funk can often seem to exist at the periphery of copyright protection. Its influence on Hip-Hop and R&B, particularly through collage techniques involving digital samples, contributed to a rise in the early twenty-first century of infringement disputes. How have these cases shaped copyright protection of music? After a gloss of federal copyright law, this presentation surveys landmark lawsuits involving funk songs and their impact on later cases. Through its interdisciplinary investigation, this presentation reveals how funk cases proved that musical style offers critical context to legal evaluations of musical similarity and …

Pour Some Water On Me: Prince And The Ohio Players, De Angela Duff

Content Presented at the First and Second Dayton Funk Symposia

In Prince’s incomplete and posthumous memoir, The Beautiful Ones, The Ohio Players is referenced four times. However, Prince’s love of The Ohio Players was evident, decades before the release of this book. Prince has covered Ohio Players’ classics, such as “Skin Tight,” “I Want To Be Free,” “Love Rollercoaster,” and “Heaven Must Be Like This,” in numerous rehearsals, shows, and after shows over the years. However, The Ohio Players are rarely discussed by music critics as one of Prince’s influences. This presentation will attempt to deconstruct why, while also exploring Prince’s funk roots and influences.

Funk Pedagogy: An Ethnographic, Historical, And Practical Study Of Funk Music In Dayton, Ohio, Caleb Vanden Eynden

Content Presented at the First and Second Dayton Funk Symposia

This presentation will discuss an honors thesis research project completed as an undergraduate music student at the University of Dayton. Titled “Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio,” the thesis explores traditional funk style, Dayton’s musical history, and how funk music can be incorporated into music programs and curricula across Dayton area schools. During his student teaching semester, Vanden Eynden had an opportunity to teach a unit on Dayton funk to students at Springboro High School. This presentation will explore some of the findings from this project and share ideas for its future …

Land Of Funk Art, Morris Howard

Content Presented at the First and Second Dayton Funk Symposia

The Funk Mural on Land of Funk Way in Dayton was completed in 2018. There are, however, a few other artistic tributes to some of our Dayton Funk heroes, including the metal statue tribute to Roger Troutman and a mural to the Dayton Funk bands located on Germantown Street. Although these are just a few examples here in Dayton, there are also many images of "funk art" all over the world.

"My Name Is Prince, And I Am Funky!" Prince’S Funk And How He Helped Bring It To A New (Power) Generation, Andrea Foy

Content Presented at the First and Second Dayton Funk Symposia

Throughout his career, Prince Rogers Nelson crossed many genres, pop, rock, punk, R&B, jazz, soul, and funk. He created funky jams from Erotic City to Housequake to Musicology. This presentation addresses an understudied and essential fact that Prince Rogers Nelson is funky. This presentation will outline his contribution to the funk genre through a study of his collaboration with funk legends, including The Time, George Clinton, Sly & The Family Stone, Larry Graham and Maceo Parker, Chaka Khan, Mavis Staples, and Rick James.

Funk And The Defunct Music Curriculum, Ed Sarath

Content Presented at the First and Second Dayton Funk Symposia

What, if any, is the place of funk in a 21st century music curriculum in America? This talk responds to this question by situating funk with the context of what Jeff Pressing, in a seminal essay, calls “Black Atlantic Rhythm” (BAR). Pressing’s heading refers to the multitudinous and massively prominent body of rhythmic languages and practices that originated in Africa and took hold, and further evolved, through its various musical diasporas. I view Funk and Black Atlantic Rhythm as part of what I call “21st century” common practice rhythmic literacy, which I argue to exceed in importance Eurocanonic common practice …

Keynote Address — Funk And Afro Futurism: The Past, Present, And Future Of The Funk, Frederick Vincent

Content Presented at the First and Second Dayton Funk Symposia

Dr. Frederick “Rickey” Vincent is author of the award-winning Funk: The Music, the People and the Rhythm of The One (1996), the first definitive treatment of funk music and culture. His address addresses:

• Liberation in the Moment: Other Worlds and Black Liberation (from Soul Train to “Wakanda Forever”)
• The Rhythm Revolution: Liberation, Motion, and Black Identity (JB and The One)
• Transcendence: The Higher Plane of the Funk Groove (Sly and the body/mind/spirit unification)
• The Collective: Tribalism in a Post-Industrial World (Funk blends genres, blends cultures as long as it’s “On the One”)
• The Epic: P-Funk Earth Tour and Beyond (The …

Program: 2021 Dayton Funk Symposium And Line Dance Party, University Of Dayton

Content Presented at the First and Second Dayton Funk Symposia

Program includes a welcome from Sharon Davis Gratto, Graul Chair in Arts and Languages; a schedule of presentations; and biographies of presenters, performers, and panelists.

We Just Need To Pee: Bathroom Bills And The Intersection Of Human Rights, Gender, And Race, Lena Tenney

Biennial Conference: The Social Practice of Human Rights

Although rarely publicly discussed, bathrooms are a fundamental element of everyday life. In fact, the majority of the population does not question their right or ability to access public restroom facilities because they are a mundane aspect of daily routine. However, the recent rise of “bathroom bills” in state legislatures has sparked significant media coverage and highlighted activist movements seeking to guarantee safe, affirming, and legally protected access to bathrooms for people of all gender identities and expressions.

This paper will illustrate that bathroom access is not only a matter of public policy, but also a question of human rights. …

Transnational Abolitionist Rhetoric To End Modern Slavery, Laura Barrio-Vilar

Biennial Conference: The Social Practice of Human Rights

In his 1998 autobiography, Restavec: From Haitian Slave Child to Middle-Class American, Jean-Robert Cadet denounces the horrors of modern child slavery as he narrates his life journey. Emotionally, physically, and sexually abused under the restavek system, Cadet migrates with his “masters” to the United States, where he pursues a formal education, joins the army, and acquires a middle-class status.

Today, Cadet has his own organization, dedicated to ending child slavery in Haiti through education and advocacy. In this presentation, I analyze how Cadet adopts conventional genre characteristics of slave narratives and U.S. migration literature in order to enter the …

Race Prominent Feature In Coverage Of Trayvon Martin, Erin Willis, Chad Painter

Communication Faculty Publications

This textual analysis examines news framing of the shooting of Trayvon Martin by George Zimmerman. After studying coverage from The Sanford Herald (North Carolina), The New York Times, the Los Angeles Times and The Denver Post, the authors conclude national media perpetuated racial stereotypes, thus heightening the issue of race and making the case more emotional than factual.

Readers outside of Sanford, N.C., had few details about the physical altercation, the heart of Zimmerman’s self-defense claim.

Flipping The Script: Newspaper Reporting Of The Trayvon Martin Shooting, Chad Painter, Erin Willis

Communication Faculty Publications

The purpose of this chapter is to examine newspaper coverage of the George Zimmerman-Trayvon Martin shooting and the frames of race and crime used in the context of newsworthiness. The researchers analyzed 1,177 articles in one local, six statewide, and three national newspapers. The local paper focused on the shooting and the ensuing police investigation instead of social and political issues, and local-interest stories instead of national events. There was virtually no mention of race. Coverage in the six Florida papers was mixed between details of the case and social issues such as Florida's Stand Your Ground law. There were …

Foul Ball: Audience-Held Stereotypes Of Baseball Players, Patrick Ferrucci, Edson C. Tandoc Jr., Chad Painter, J. David Wolfgang

Communication Faculty Publications

This study experimentally tested whether participants held and/or applied stereotypes of baseball players. Participants were asked to rate white, black, and Latino baseball players based on stereotypes consistently identified in previous literature.

Participants saw a photo of a player and an anonymous paragraph from a newspaper that highlighted a particular stereotype. They were then asked to rate the author's credibility. Black players were rated as higher in physical strength and natural ability, consistent with previous literature concerning how athletes were described. However, white and Latin players were not stereotyped. But participants rated white-consistent descriptions as credible and Latin-consistent descriptions as …

A Black And White Game: Racial Stereotypes In Baseball, Patrick Ferrucci, Edson C. Tandoc Jr., Chad Painter, Glenn Leshner

Communication Faculty Publications

The current study experimentally tested stereotypes and credibility of messages associated with athletes. Participants were asked to rate photos of black and white baseball players based on stereotypes identified in previous literature. They were then given an anonymous paragraph from a newspaper that featured either a stereotype consistent or inconsistent message and asked to rate the author's credibility. Black players were rated significantly higher in physical strength and natural ability, which is consistent with previous literature. However, inconsistent with previous literature, white players were not rated significantly higher in intelligence and leadership. Despite these results, when measuring credibility, this study …

Bridging The Racial Divide, Julius A. Amin

News Releases

In an op-ed piece, Julius Amin, professor and chair of history, says Barack Obama transcended America's racial divide with his victory in the presidential election, but he has not cured the country's racial ills.