African American Studies Commons^™

Justice, Pandemics, And Museums In Cyberspace: Archaeology Museums’ Decolonization Projects During The Covid-19 Pandemic, Samuel Besse

Dissertations, Theses, and Capstone Projects

This paper explores three Archeology Museums (Historic St. Mary’s City, James Madison’s Montpelier, and the American Museum of Natural History), their attempts at addressing the colonial narratives that museums are built on, and how the Covid-19 pandemic and protests over George Floyd’s death affected these projects. I place a special effort on the online presence of these museums, as this is the main way visitors interacted with the museums during the pandemic. After discussing the origins of museum’s decolonization efforts and their efforts to make an online presence, I talk about the Covid-19 pandemic and the events around George Floyd’s …

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

By Her Hands: An Analysis Of The Hidden Labor Of Black Women At The Hugh Craft House Site In Holly Springs, Mykayla Williamson

Honors Theses

This project unearths the hidden labor of Black women by analyzing architectural remains, artifacts, and primary and secondary documentary evidence surrounding the urban antebellum Hugh Craft House site in Holly Springs, Mississippi. This project considers the gap in theorizing the hidden labor of Black women in the seldom-researched setting of urban slavery. It also draws on household and Black feminist archaeology theories to uncover the hidden labor in the domestic spheres that the enslaved women were actively shaping. Research methods included watching clips of Behind the Big House tour interpretations; taking a Craft House tour in Holly Springs; looking at …

"A Quixote In Imagination Might Here Find...An Ideal Baronage": Landscapes Of Power, Enslavement, Resistance, And Freedom At Sherwood Forest Plantation, Lauren K. Mcmillan

Northeast Historical Archaeology

In the winter of 1862, two armed forces descended upon Fredericksburg; one blue, one gray. After suffering heavy losses during the Battle of Fredericksburg, the Union Army retreated to the northern banks of the Rappahannock River, making camp in Stafford County. From December 1862 until June 1863, the Union Army overran local plantations and small farm holdings throughout the area, including at Sherwood Forest, the home of the Fitzhugh family. Sherwood Forest was used as field hospital, a signal station, a balloon launch reconnaissance station, and a general encampment during the winter and spring of 1862/1863. Throughout the roughly six-month …

Understanding The Importance Of Statues: Symbols Of Racism In Modern Society, Theresa Vanwormer

The Review: A Journal of Undergraduate Student Research

Whether it is a monument, statue, plaque, or mural, the values and ideologies that are memorialized on public land reflect what reality the people of a country are choosing to remember. The United States’ political and racial history has led to the creation of controversial memorials, including memorials that honor the Confederacy and its leaders, influencing moral concepts based in racism, violence, and oppression. The continued veneration of these symbols on public land sends the message to the Black community that their oppressors are honored as heroes and that the society they live in still allows for their abuse. Annette-Gordon …

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

Museum Educators' Processes For Creating Inclusive Curricula On American Slavery, Dawn Chitty

Walden Dissertations and Doctoral Studies

To close a gap in the literature, this study sought to develop a deeper understanding of the processes museum educators use to create inclusive curricula on American slavery. The research design was a qualitative, descriptive, multicase study using data collected from a purposefully selected sample of museum educators, along the Eastern Seaboard region of the United States, who had previously created inclusive curricula on slavery. Null's radical curriculum theory formed the conceptual framework for this study. Individual interviews of 11 museum educators were recorded, transcribed, and coded in two cycles, using in vivo and pattern coding methods. Additionally, examples of …

We Are Roses From Our Mothers' Gardens: Black Feminist Visuality In African American Women's Art, Kelli Morgan

Doctoral Dissertations

ABSTRACT WE ARE ROSES FROM OUR MOTHERS’ GARDENS: BLACK FEMINIST VISUALITY IN AFRICAN AMERICAN WOMEN’S ART MAY 2017 KELLI MORGAN, B.A., WAYNE STATE UNIVERSITY M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Ph.D., UNIVERISTY OF MASSACHUSETTS AMHERST Directed by: Professor Manisha Sinha We Are Roses From Our Mothers' Gardens posits that in differing historical periods African American women visual artists employed various media and create from individual political thoughts, intellectual views, and aesthetic interests to emphasize the innate unification of a Black woman’s race, gender, sexuality, class, and selfhood and how this multifaceted dynamic of Black women’s identity and material reality produces a …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

A List Of Racialized Black Dolls: 1850-1940, Anthony F. Martin

African Diaspora Archaeology Newsletter

Between 1850 and 1940 Black racialized dolls made in Europe and the northern United States saturated the marketplace with the peak years in the 1920s. These dolls were advertised with pejorative names and descriptions that typed cast African Americans as domestics and labors on mythical antebellum landscapes assisted White children in shaping Black people as inferior to Whites. Data mining doll encyclopedias, websites, and catalogs, I have compiled a list of Black racialized dolls. Additionally, I have provided advertisements of positive imagine Black dolls from The Crisis and The Negro World that provided a counterweight to the stereotyped dolls.

Terracotta Pipes With Triangular Engravings, Flavia Zorzi, Daniel G. Schávelzon

African Diaspora Archaeology Newsletter

The discovery of two smoking pipes from seventeenth-century contexts in Buenos Aires, Argentina, is used to suggest the presence in colonial times of a new set of stylistic norms derived from African traditions that are expressed at a regional scale not only in smoking pipes, but in a variety of items of material culture. These terracotta pipes, recovered at Bolívar 373 and the Liniers House sites, are characterized by their particular geometric decorative pattern, achieved by engravings and incisions. Similar specimens were found elsewhere in Buenos Aires, as well as in Cayastá (province of Santa Fe, Argentina) and Brazil.

"Disreputable Houses Of Some Very Reputable Negroes": Paternalism And Segregation Of Colonial Williamsburg, Nora Ann Knight

Senior Projects Spring 2016

This project attempts to intertwine the intentionally separated narratives of the foundation of Colonial Williamsburg and the narrative of Williamsburg's black community.

Richmond’S Archaeology Of The African Diaspora: Unseen Knowledge, Untapped Potential, Ellen Chapman

African Diaspora Archaeology Newsletter

No abstract provided.

Don’T Call It A Comeback, We’Ve Been Here For Years: Reintroducing The African Diaspora Archaeology Newsletter, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Related Media And Additional Reading

African Diaspora Archaeology Newsletter

No abstract provided.

The Significance Of Richmond's Shockoe Bottom: Why It's The Wrong Place For A Baseball Stadium, Ana Edwards, Phil Wilayto

African Diaspora Archaeology Newsletter

No abstract provided.

The Thread: Reflections On #Blacklivesmatter And 21st Century Racial Dynamics, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Diggin' Uncle Ben And Aunt Jemima: Battling Myth Through Archaeology, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Waddie Welcome Collection, Zach S. Henderson Library Special Collections

Finding Aids

This collection consists of approximately 668 photograph slides taken by Tom Kohler and Susan Earl from 2006 to 2009. The subjects of the slides include artwork by Waddie Welcome in the Savannah area. Also included in the collection are CD disks and print photographs that supplement the materials found on the slides.

Find this collection in the University Libraries' catalog.

After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg

African Diaspora Archaeology Newsletter

No abstract provided.

Documented Struggles And Triumph: African American Art, Holbrook Lauren

The Journal of Undergraduate Research

The emergence of African Americans as artists began in the Colonial Era with simple portraits. The first African American artist to gain recognition as a portraitist was Joshua Johnston who worked in the late eighteenth and early nineteenth century. The majority of his portraits were of wealthy European American families, who were slave owners (Fig. 1). Johnston was formerly a slave, and as rumors suggests, his former owner was also a portraitist from which Johnston acquired his skills. Interestingly, Johnston did not sign or date any of his works (Lewis 15). It seems as though a suggestion to his name …

Archaeology, Language, And The African Past, Roger Blench

African Diaspora Archaeology Newsletter

No abstract provided.

On The Transportation Of Material Goods By Enslaved Africans During The Middle Passage: Preliminary Findings From Documentary Sources, Jerome S. Handler

African Diaspora Archaeology Newsletter

No abstract provided.

Gender And Resistance At North Bend Plantation: The Beginnings Of An Interdisciplinary Study Of An Enslaved Community, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Writing African History, Esperanza Brizuela-Garcia

African Diaspora Archaeology Newsletter

No abstract provided.

Digging City's History: Finds Show A Black Middle Class Had Once Thrived On Beacon Hill, Jenna Russell

African Diaspora Archaeology Newsletter

No abstract provided.

Online Exhibition By The Museum Of African Diaspora, Modou Dieng, Lauren Woods

African Diaspora Archaeology Newsletter

No abstract provided.

Review Of "Foul Means: The Formation Of A Slave Society In Virginia", Michelle Lemaster

African Diaspora Archaeology Newsletter

No abstract provided.

Free Frank Leaves Descendants A Legacy Of Freedom, Deborah Gertz Husar

African Diaspora Archaeology Newsletter

No abstract provided.

African-American History Museum Opens Doors, Margaret Horton Edsall

African Diaspora Archaeology Newsletter

No abstract provided.