Philosophy of Mind Commons^™

"This Is Not A Christ": Nietzsche, Foucault, And The Genealogy Of Vision, Gary Shapiro

Philosophy Faculty Publications

There is nothing surprising about linking the names of Nietzsche and Foucault, something that Foucault himself frequently did. We know that the practices of archaeology and genealogy owe much to On the Genealogy of Morals; and in The Order of Things Foucault celebrates Nietzsche for being able to look beyond the epoch of "man and his doubles,'' thinking of the Obermensch as designating that which is beyond man, and for serving, along with Mallarme, as one of the prophets of the hegemony of language in the emerging episteme of the postmodern world. Here I want to focus on other affinities, …

Pipe Dreams: Eternal Recurrence And Simulacrum And Foucault's Ekphrasis Of Magritte, Gary Shapiro

Philosophy Faculty Publications

Michel Foucault invokes Andy Warhol at the conclusion of This is Not a Pipe; this comes at the end of a chapter entitled 'Seven Seals of Affirmation,' so that the words must be read with a Nietzschean resonance (recalling Zarathustra's 'The Seven Seals'):

A day will come when, by means of similitude relayed indefinitely along the length of a series, the image itself, along with the name it bears, will lose its identity. Campbell, Campbell, Campbell, Campbell.

I propose to explore the approach to the visual here which proceeds by deploying or presupposing conceptions of similitude, simulacrum, eternal recurrence and …

To Philosophize Is To Learn To Die, Gary Shapiro

Philosophy Faculty Publications

As the quintessential man of letters, Roland Barthes had the genial gift of being able to sympathize with an endless variety of discourses, texts, myths, and semiotic systems. The profusion of apparent subjects-Japan, Brecht, Balzac, photography, "mythologies," classical writing, the theater-is perhaps calculated to provoke the purist who insists on the values of thoroughness and well-grounded inquiry. At the same time, one would have to be obtuse to fail to recognize the critical projects that animate the many books, essays, and studies; these are explorations that put into question the often closed and crabbed commitment of the scholar or critic …

Hegel's Dialectic Of Artistic Meaning, Gary Shapiro

Philosophy Faculty Publications

Whatever else they are, works of art are intentional human products. Our responses to such works are understandings and interpretations. That the works are or may be physical objects, cultural symptoms, or commodities and that audiences may be shocked, sexually excited, or politically instructed are irrelevant to the cognitive poles of intention and interpretation; these make art philosophically significant and differentiate it from that which has no meaning, despite possible similarities in apparent structure or emotional effect. Cognitivist theories of art usually tend to focus rather exclusively on just one of the two poles which characterize art so conceived - …