Other Philosophy Commons^™

Historical Realism And Stoic Heroes In The Work Of John Williams, Cameron Sepede

Electronic Theses and Dissertations

This thesis investigates how John Williams’s three major works of fiction — Butcher’s Crossing, Stoner, and Augustus — are narratively structured around three main characters who embody the tenets of stoic and Emersonian transcendental philosophy, respectively. Williams uses these characters to promote and critique preconceived notions of heroic masculinity as structured within these philosophies. Through an analysis of form, this thesis will explore how Williams scaffolds his three main characters around the language and ideas present within each philosophical school. Williams’s portrayal of heroic masculinity, as seen through a feminist perspective, questions the ideal masculine hero, which will be …

Relandscaping Eden: Northern European Topography As Theology In Auden’S Poems, Merrill Brouder

English Honors Theses

This paper explores the contradiction Auden creates in his simultaneous description of the European North (The English and Scottish Highlands, Scotland, Iceland, and northern Norway) as an “Eden” and his awareness of the violent and pagan history of these places. It proposes that these dialectically opposed visions of the European landscape can be reconciled through a synthesis rooted in Auden’s eclectic version of history—both theological and secular—and his own desire for an Eden that is informed by the spontaneity of the Homeric Arcadia, the gravity of the Christian Eden, and apophatic theology.

Sweet Fooling: Ethical Humor In King Lear And Levinas, Kent R. Lehnhof

English Faculty Articles and Research

"In recent years, scholars have increasingly put the works of William Shakespeare (1564-1623) in dialogue with the ethical philosophy of Emmanuel Levinas (1905-1995)... The majority of these Shakespearean references are to Hamlet and Macbeth, but contemporary critics working in the vein of Levinas have tended to favor King Lear. No Shakespearean play has been subjected to Levinasian analysis more fully or more frequently.⁵ This critical proclivity is not unwarranted, for Shakespeare's tragic play and Levinas's ethical writings tell the same basic story: that of the egoist who heedlessly pursues his own interests until he is until he …

History, Cognition And Nostromo: Conrad’S Explorations Of Torture, Trauma, And The Human Rage For Order, Richard Ruppel

English Faculty Articles and Research

Focusing on Joseph Conrad’s Nostromo, this essay historicizes the treatment of what we now call post-traumatic stress disorder, demonstrating how Conrad anticipated our current understanding and treatment of the illness. The second part of the essay addresses Nostromo’s treatment of historiography. Part three is concerned with epistemology and the relationship between neurological discoveries concerning the gap between perception and consciousness, relating those discoveries to Conrad’s use of delayed decoding.

Lessons From Horror: The Rejection And Failures Of Arête, Renato Econa

Virginia English Journal

Lessons from Horror explores the rhetorical term of arête in the context of horror and horror literature. Arête, the concept of excellence as used in ancient Greece, is defined and then applied to two horror novels in order to better understand how the path to moral excellence can be corrupted. The first novel, Carrie by Stephen King, warns of the influence and pressure of others to both accept and reject the path to excellence. The second novel, Sour Candy by Kealan Patrick Burke, explores the idea of fear of failure in arête, and the possibility of turning oneself into a …

Death Positivity: A New Genre Of Death And The Genre Function Of Memento Mori, Melony Elsie Del Real

Electronic Theses, Projects, and Dissertations

This article explores Caitlin Doughty’s “death positivity” as an evolved form of the medieval memento mori, and how this medieval genre serves as a genre function for current day thanatophobic audiences. This is specifically done by analyzing Doughty’s book titled Smoke Gets in Your Eyes, as well as some of her other death positivity mediums. By modeling her rhetoric of death positivity after memento mori, Doughty can effectively deliver her anti-death fearing message to the very audiences that fear death.

Furthermore, analyzing Doughty’s rhetoric as operating within the genre function, a concept put forth by Anis Bawarshi, …

Letter Blocks, Lukas Graham Hemmer

Senior Projects Spring 2020

A collection of prose and poetry exploring language as a material object.

The Conclusion In Which Nothingness Is Concluded, Marissa Rimes

Student Scholar Symposium Abstracts and Posters

Samuel Johnson’s The History of Rasselas, Prince of Abyssinia is ironically most often classified as an “oriental philosophic tale,” but is rarely analyzed from the point of view of oriental philosophy. Although Buddhism’s ambiguities, inwardness, and nothingness, provoke anxiety in Western critique, Johnson’s The History of Rasselas, Prince of Abyssinia does something unique from eighteenth-century British thought in that it disavows this Buddaphobia by actively employing a similar line of thought. Through the lens of a Buddhist framework many of the text’s renownedly gloomy implications, in regard to its circular structure and inconclusiveness, are freed from the great sludge of …

The Reliable Revisionist, Caitlyn Schaffer

Philosophy: Student Scholarship & Creative Works

The present text explores how the topic of head and heart is much more complicated than one would expect, according to Paul Henne and Walter Sinnot-Armstrong, contributors of Neuroexistentialism. “Does Neuroscience Undermine Morality” aims at figuring out the problem of which moral judgments we can trust, judgments from one’s head (revisionism) or judgments from one’s heart (conservatism). My hypothesis suggests the opposite of the authors, I believe that if you are a revisionist, your first order intuitions are reliable. After setting the framework, I make three main arguments. (A.) If you are able to self-correct then you can identify errors …

The Notions Of The "Closet" And The "Secret" In Oscar Wilde's, The Picture Of Dorian Gray, Jessica Maria Oliveira

FIU Electronic Theses and Dissertations

This thesis will discuss the notions of the “closet” and “secret” within Oscar Wilde’s, The Picture of Dorian Gray, as well as offer a clear and precise definition of queer theory to assist in elucidating many of the concepts being discussed. Close reading techniques will be utilized to further uncover the metaphoric, symbolic, and otherwise figurative importance of certain aspects of The Picture of Dorian Gray and supporting texts. Through Judith Butler’s conceptualization of sex and gender, as well as Jacques Derrida’s interpretation of the “secret”, this paper will explicate the intricacies of Wilde’s work and unveil queered aspects …

How The “Ploughman Poet” Jumpstarted Highlandism:, Allison Ward

Regis University Student Publications (comprehensive collection)

Begging the question of how the Scottish society has been reduced and commercialized to the romanticized, Scottish fantasy we see Scotland as today because of a process labeled ‘Highlandism’. The eighteenth-century poet Robert Burns became the focal point because of the impact of his major role in this creation and spread of this Sottish fantasy. Burns used his poetry as a method of delivery to sell nostalgia for a fictional, romantic, and exotic Scotland that had been created from symbols once associated with the Highlands to a now global audience.

Breaking down the historical, economic, and cultural shifts occurring around …

The Environmental Imaginations Of Moby-Dick: Technology And Vulnerability In Human/More-Than-Human Relationships, Jensen A. Lillquist

Graduate Student Theses, Dissertations, & Professional Papers

In the twenty-first century, the relationship between the human and the more-than-human is a problem of massive proportions, as we live in an age of climate change, mass-extinction, over-population, and resource depletion. Evaluating how we have arrived where we are and re-thinking the issues at play as we move forward is crucial for future adaptation of human/more-than-human relationships; this is the primary goal of my analysis of the environmental imaginations of Moby-Dick.

I argue that the four primary environmental imaginations—the providential, the utilitarian, the Romantic, and the ecological—that have influenced United States culture since European settlement are represented by Herman …

Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."

Echoes Of Leibniz In Pope’S Essay On Man: Criticism And Cultural Shift In The Eighteenth Century, Sierra Billingslea

Pursuit - The Journal of Undergraduate Research at The University of Tennessee

This paper is an examination of the intellectual relationship between Alexander Pope’s An Essay on Man and the philosophy of Gottfried Wilhelm Leibniz. This relationship was accentuated by Crousaz, a Swiss critic, who accused Pope of plagiarizing Leibniz’s misguided philosophy due to the evidence of Leibniz’s Principle of the Best, Principle of Sufficient Reason, and Principle of Continuity found within An Essay on Man. This paper argues that both Leibniz and Popes’ philosophies do not reflect a direct relationship but instead share the spirit of Augustan thought as well as a similar classical upbringing. Crousaz and other critics who criticized …

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

Course Syllabus (W17 Online) Coli 211m: "Superhero Film And Contemporary Culture", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

What might the current popularity and ubiquity of superhero film say about contemporary culture? This course will explore three possible implications of this question: (1) that the superhero genre reflects a moment in our species’ history of reconciling the human being-technology relation, which we shall view as a complex system constituted by our productive relations to material and ideological tools and their ensembles, the needs and aspirations that determine how we conceptualize and activate these relations, and the technically rationalized social reality that is their result, (2) that this ongoing process of reconciliation evinces, at once, the …

Life At The Meridian: The Subjectivity Of Ethics In The Works Of Albert Camus And Friedrich Nietzsche, Clancy E. Robledo

Seaver College Research And Scholarly Achievement Symposium

This paper endeavors to respond to the questions: can ethics can be unbound from its traditional rootedness in religious systems? If so, what contributions did Nietzsche make to liberate value from the shackles of Western morality? To what degree is Camus one of the “new philosophers” Nietzsche calls for in On the Genealogy of Morals?

In an attempt to demonstrate that ethics can and do exist vividly in the realm of the non-religious, this paper will begin by illustrating the metaphysical door Nietzsche opens through his use of aphorisms in Thus Spoke Zarathustra and his investigation of the history …

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …

The Care Of The Reaper Man: Death, The Auditors, And The Importance Of Individuality, Erica L. Neely

Philosophy and Religion Faculty Scholarship

No abstract provided.

Victorian Philosophies Of Useless Work Versus Work For The Mind: Carlyle, Ruskin, Morris, And Marx, Marlaina Easton

Masters Theses

In my Thesis, I will investigate the dominant perceptions of work that spanned the Victorian Period. One of the most important authors of criticism dealing with work in the early part of the Victorian Period was Thomas Carlyle (1845). John Ruskin then became a counterpoint to Carlyle throughout the middle of the century (1862). And although he agreed with much of what Carlyle said, he brings new notions of work to the Victorian Period. William Morris then offered a completely different point of view on the issue of work at the latter part of the Victorian Period (1885). I will …

Essay Review Of Iconology: Image, Text, Ideology By W. J. T. Mitchell, David E. Latane

English Publications

Review essay of an important book on the relationship of the verbal and visual arts.