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Articles 1 - 8 of 8
Full-Text Articles in Musicology
“When Will The Time Finally Come When There Will Only Be Humans”: An Unknown Letter From Beethoven To Heinrich Von Struve, Julia Ronge
Ira F. Brilliant Center for Beethoven Studies
Transcription, translation, and discussion of a recently discovered letter from Ludwig van Beethoven to Heinrich von Struve from 1795. In the letter, Beethoven expresses a yearning for a time when there are only humans, without distinctions of rank and class. This sentiment accords with Schiller’s ode An die Freude, which Beethoven set to music more than once.
Carl Philipp Emanuel Bach: A Composer On The Fault Line Of Ideological Change, Stephen J. White
Carl Philipp Emanuel Bach: A Composer On The Fault Line Of Ideological Change, Stephen J. White
Musical Offerings
While there has been a renewed interest in recent years on Carl Philipp Emanuel Bach and his place as a transitional figure in Western music history, little academic thought is given to his musical philosophy. Emanuel’s father, Johann Sebastian Bach, taught him the German-Protestant view that the primary purpose of music was to highlight scripture. Through his education, Emanuel gained an appreciation for the secular philosophies of humanism and the Enlightenment. In contrast to J. S. Bach’s Protestant views, the philosophies of the Enlightenment asserted that the primary purpose of music was to highlight the essence of humanity through emotions …
The Doctrine Of Affections: Where Art Meets Reason, Sharri K. Hall
The Doctrine Of Affections: Where Art Meets Reason, Sharri K. Hall
Musical Offerings
The Doctrine of Affections was a widespread understanding of music and musicality during the Baroque era. The Doctrine was a result of the philosophy of reason and science as it coincides with music. It aimed to reconcile what man knew about science and the human body, and what man thought he knew about music. It was a reconciliation of practical musicianship and theoretical music which had begun to rise in the time. Though it is generally understood as being apart from Enlightenment thinking, the Doctrine is a result of Enlightenment-style philosophy. As the Enlightenment sought to explain why things occurred …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
Channels: Where Disciplines Meet
How did Enlightenment ideals influence seventeenth-century music theory and composition pedagogy? This article investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. Juxtaposing the Enlightenment ideals of Rameau’s music theory …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Research and Scholarship Symposium (2013-2019)
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …
The Doctrine Of Affections In Music: Where Art Meets Reason, Sharri K. Hall
The Doctrine Of Affections In Music: Where Art Meets Reason, Sharri K. Hall
The Research and Scholarship Symposium (2013-2019)
The Doctrine of Affections was a widespread understanding of music and musicality during the Baroque era. The Doctrine was a result of the philosophy of reason and science as it coincides with music. It aimed to reconcile what man knew about science and the human body, and what man thought he knew about music. It was a reconciliation of practical musicianship and theoretical music which had begun to rise in the time. Though it is generally understood as being apart from Enlightenment thinking, the Doctrine is a result of Enlightenment-style philosophy. As the Enlightenment sought to explain why things occurred …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
Music and Worship Student Presentations
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …
Aspects Of Newtonianism In Rameau’S Génération Harmonique, Abigail Shupe
Aspects Of Newtonianism In Rameau’S Génération Harmonique, Abigail Shupe
Electronic Thesis and Dissertation Repository
This dissertation studies the influence of Newtonianism as a cultural phenomenon on the theoretical writings of Jean-Philippe Rameau (1683-1764). Rameau’s Génération harmonique (1737) shows a change in his thinking from his earlier work that bears witness to the debates around Newtonian science in the scientific community. Scholars have discussed possible connections between Génération harmonique and Newton’s Opticks (1704) but none has studied this issue in detail. I argue that Rameau was influenced by Newtonianism rather than by Newton’s works, and that Rameau was not always aware of this influence. In order to situate Rameau’s work within the larger body of …