Musicology Commons^™

The Stammheim Missal: A "New" Source Of North German Chant, Elizabeth Teviotdale

Elizabeth C Teviotdale

A survey of the contents of the Stammheim Missal (Los Angeles, J. Paul Getty Museum, MS 64), long known to art historians but unstudied by musicologists, with special attention paid to the sequence collection.

Hemingway’S Paris In The 1920s: The Musical Milieu, Jeanne Belfy

Jeanne M. Belfy

During her talk, "Hemingway's Paris: The 1920s Musical Milieu," she played and discussed the music Hemingway and his friends listened to in Paris, including works by Igor Stravinsky, Darius Milhaud and Aaron Copland, who lived and worked in Paris at the time. She also highlighted the presence of American jazz.

The Colorado College, Colorado Spring. American Musicology Society And The Society For Ethnomusicology. May 9, 1999, Oscar E. Macchioni

Oscar Macchioni

Peer-review selection.

Lecture-Recital.

Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser

Philosophy Faculty Publications

Fred Bartenstein has always seemed to find himself perfectly situated to pursue his life-long interest in bluegrass music – as he puts it, “I’ve always seemed to be in the right place at the right time.” This luck has allowed him to find bluegrass in the most surprising places, whether at a private day school in New Jersey, or at Harvard University in the late 1960s. It has also meant that, among other things, he found himself attending the first bluegrass festival in Fincastle, Va., becoming a bluegrass DJ at the age of 16, starting Muleskinner News magazine, and playing …

A Descriptive Catalogue Of The Music Of Charles Ives, James Sinclair

Descriptive Catalogue of The Music of Charles Ives

This catalogue serves to describe the music manuscripts in the Charles Ives Papers, MSS 14, in the Irving S. Gilmore Music Library of Yale University. Published in 1999. Revised in 2012.

Review Of La Imagen De Nuestros Músicos: Del Siglo De Oro A Edad De Plata, Antoni Pizà

Publications and Research

La imagen de nuestros músicos: Del Siglo de Oro a la Edad de Plata is a hefty compilation of 681 portraits of Spanish composers from the Renaissance to the present. The illustrations are organized in four large chapters: "Del siglo de oro a la ilustración", covers the 16th, 17th, and 18th centuries; "El primer romanticismo" and "El segundo romanticismo", deal with the first and second half of the 19th century; the final section, "Los músicos de nuestro siglo" focuses on the 20th century. If my numbers are correct, the earliest composer included in the study is the polyphonist Cristóbal de …