Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Music Theory (11)
- Music Performance (9)
- Composition (5)
- Music Practice (5)
- History (4)
-
- Race, Ethnicity and Post-Colonial Studies (4)
- African American Studies (3)
- Cultural History (3)
- Ethnomusicology (3)
- Other Arts and Humanities (3)
- Other Music (3)
- American Popular Culture (2)
- American Studies (2)
- Audio Arts and Acoustics (2)
- Business (2)
- Digital Humanities (2)
- European History (2)
- Feminist, Gender, and Sexuality Studies (2)
- Music Pedagogy (2)
- Women's Studies (2)
- Aesthetics (1)
- Anthropology (1)
- Archaeological Anthropology (1)
- Art and Design (1)
- Chinese Studies (1)
- East Asian Languages and Societies (1)
- Ethnic Studies (1)
- Institution
-
- City University of New York (CUNY) (11)
- University of Tennessee, Knoxville (4)
- James Madison University (3)
- University of Kentucky (3)
- Western University (2)
-
- Bard College (1)
- Bowling Green State University (1)
- California Polytechnic State University, San Luis Obispo (1)
- California State University, Monterey Bay (1)
- DePauw University (1)
- Eastern Kentucky University (1)
- Louisiana State University (1)
- Seattle Pacific University (1)
- Southeastern University (1)
- The University of Akron (1)
- The University of Southern Mississippi (1)
- University of Louisville (1)
- Keyword
-
- Music (9)
- American Music (2)
- Gender (2)
- Music Education (2)
- Opera (2)
-
- Pedagogy (2)
- Piano music (2)
- Popular music (2)
- R&B (2)
- Rhythm (2)
- ''Prélude Choral et Fugue'' (1)
- 1980s (1)
- 1990s (1)
- Acculturation process (1)
- Album amicorum (1)
- Allusions in music (1)
- American music (1)
- American popular culture (1)
- Analysis (1)
- Animals (1)
- Anne Ford (1)
- Armonica (1)
- Audition arias (1)
- Autograph book (1)
- Baroque (1)
- Bassoon (1)
- Beckett and music (1)
- Benjamin Franklin (1)
- Biography (1)
- Blackface Minstrelsy (1)
- Publication
-
- Dissertations, Theses, and Capstone Projects (10)
- Masters Theses (4)
- Theses and Dissertations--Music (3)
- Dissertations, 2014-2019 (2)
- Electronic Thesis and Dissertation Repository (2)
-
- Honors Projects (2)
- Capstone Projects and Master's Theses (1)
- Dissertations (1)
- Electronic Theses and Dissertations (1)
- History (1)
- Honor Scholar Theses (1)
- LSU Doctoral Dissertations (1)
- Online Theses and Dissertations (1)
- Selected Honors Theses (1)
- Senior Honors Projects, 2010-2019 (1)
- Senior Projects Spring 2017 (1)
- Theses and Dissertations (1)
- Williams Honors College, Honors Research Projects (1)
Articles 31 - 35 of 35
Full-Text Articles in Musicology
Investigating Twenty-Five Volumes Of The Flutist Quarterly: A Content Analysis, Maile Delores Mills
Investigating Twenty-Five Volumes Of The Flutist Quarterly: A Content Analysis, Maile Delores Mills
Online Theses and Dissertations
This study examines scholarly articles in twenty-five volumes of The Flutist Quarterly, which is published by the National Flute Association. Articles were specifically examined for emerging categories, and frequency and percentages of each was noted. In addition, major trends that have occurred within the periodical over the past twenty-five years were examined. Using a content analysis, N = 391 articles were coded to fit into ten prominent categories: artist profile, career-related, composition, health, historical, instrument, interview, pedagogy, performance practice, and other. Results indicated that "Artist Profile" (21.99%, n = 86), "Interview" (18.93%, n = 74), and "Historical" (16.11%, n …
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Senior Projects Spring 2017
A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.
The Relationship Between Lowell Mason And The Boston Handel And Haydn Society, 1815-1827, Todd R. Jones
The Relationship Between Lowell Mason And The Boston Handel And Haydn Society, 1815-1827, Todd R. Jones
Theses and Dissertations--Music
The relationship between Lowell Mason (1792–1872) and the Boston Handel and Haydn Society (est. 1815) has long been recognized as a crucial development in the history of American music. In 1821, Mason and the HHS contracted to publish a collection of church music that Mason had edited. While living in Savannah, GA, Mason had imported several recent British collections that adapted for church tunes works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Ignaz Pleyel. His study with German émigré Frederick L. Abel allowed him to harmonize older tunes in standard counterpoint. In the historiography of American …
Louden Hugely: The Piano Music Of Percy Grainger, Jackson Carruthers
Louden Hugely: The Piano Music Of Percy Grainger, Jackson Carruthers
Williams Honors College, Honors Research Projects
Percy Aldridge Grainger (1882-1961) was an Australian pianist and composer. While highly esteemed during his lifetime, Grainger's music has largely fallen into neglect outside the world of the wind band. However, Grainger left a vast quantity of highly idiomatic and meritorious piano music which deserves greater acceptance. To this end, this paper makes a survey of Grainger's output for piano, to show the merit of his music and prove that it remains relevant even today.
A Study Of Acculturation In Chinese-Mongolian Er’Rentai Folk Opera, Luyin Shao
A Study Of Acculturation In Chinese-Mongolian Er’Rentai Folk Opera, Luyin Shao
Theses and Dissertations--Music
Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowings of Mongolian music and culture in the formation and transmission …