Musicology Commons^™

Phoenix, Arizona, Heard Museum. Nobember 11, 2004, Oscar E. Macchioni

Oscar Macchioni

El Paso, University Of Texas. September 25, 2004, Oscar E. Macchioni

Oscar Macchioni

University Of Cincinnati, College Conservatory Of Music. Gp3 National Group Piano And Piano Pedagogy Forum. August 7, 2004, Oscar E. Macchioni

Oscar Macchioni

Presenter. Invited to join panel with Dr. Ken Williams (Ohio State University) and Maria Balcon and Di Zhu (University of Cincinnati) on "Teaching and Mentoring International Students."

El Paso, University Of Texas. Michael Salzman Memorial Concert. June, 16, 2004, Oscar E. Macchioni

Oscar Macchioni

Piano Personality, Oscar E. Macchioni

Oscar Macchioni

“…a powerful reading of Beethoven’s Sonata [op. 109]….impressive interpretation of Prokofiev Sonata no. 3….his fingering showed great clarity of lines, clear as crystal …How fortunate UTEP is to have him on its music staff.” By Betty Ligon.

El Paso, University Of Texas, Faculty Recital. April 18, 2004, Oscar E. Macchioni

Oscar Macchioni

You've Been Very Goood! (Fennell Sym. Winds), Dan Rager

Dan Rager

La Tradicion Pianistique Argentine, Oscar E. Macchioni

Oscar Macchioni

See "Avec la Pologne," pages 5 and 6 of the PFD document (pages 92-93 of original). This article features the most relevant Argentine leaving pianists, where they were trained and where they live today.

"Macchioni, dont les concerts récents incluen aussi bien Beethoven que Chopin au Ginastera, Guastavino et Castro, incarne parfaitement le mouvement syncrétique "américain."

Cultural Representation. Iconographic Analysis Or Early American Tango Sheet Music, Oscar Macchioni

Oscar Macchioni

Article.

In the last ten years, perhaps more than ever, the Argentine tango has kept the attention of composers, performers, recording companies, film makers, and audiences all over the world. There are two major periods of time when the tango enjoyed international attention. The first period, in the early 1900's, was driven by the general fever for the exotic, supported by the world fairs, as well as by radio broadcasting and the development of the transportation, film, printing and recording industries. The second period, in the 1980's, was driven almost exclusively by the entertainment industry.

The purpose of this article …

The University Of Arizona. American Musicology Society And The Society For Ethnomusicology. April 12, 2003, Oscar E. Macchioni

Oscar Macchioni

Peer-reviewed selection.

In the last ten years, perhaps more than ever, the Argentine tango has kept the attention of composers, performers, recording companies, film makers, and audiences all over the world. There are two major periods of time when the tango enjoyed international attention. The first period, in the early 1900's, was driven by the general fever for the exotic, supported by the world fairs, as well as by radio broadcasting and the development of the transportation, film, printing and recording industries. The second period, in the 1980's, was driven almost exclusively by the entertainment industry.

The purpose of this …

American Night At The Pops (In Russia), Dan Rager

Dan Rager

• Americans We (March)
• Clarinet Candy
• Disney at the Movies

Colours Of Saratov Concerto No. 1, Dan Rager

Dan Rager

Russian Highlights, Dan Rager

Dan Rager

College Music Society National Conference, Kansas City. September 20, 2002, Oscar E. Macchioni

Oscar Macchioni

Peer- review selection. Lecture -Recital

Juan José Castro composed Tangos for piano in 1941. Perhaps, this is the first work for piano by a major Argentinean art-music composer that includes tango rhythm. Each tango describes a male character associated with the Argentine tango, exploring the musical, social, and cultural representation of these characters.

The first piece in the set “Evocación” (Evocation) serves as an introduction to the following four tangos. In an impressionistic and improvisatory manner, Castro evokes the famous tango La Cumparsita. The second piece “Llorón” (Whiner) portrays a common character of tango’s lyrics: a male whining, crying, and …

The University Of Arizona, Tucson. May 5, 2002, Oscar Macchioni

Oscar Macchioni

Doctoral Lecture-Recital.

Concerto In C For Two Piccolos, Dan Rager

Dan Rager

Brazil, Rio De Janeiro, 36th International Council For Traditional Music World Conference. July 09, 2001, Oscar E. Macchioni

Oscar Macchioni

Peer-review selection. Presenter

Panel Presentation "Returning to the Sources: Hispanic Music from the Americas in the Reconstruction of Cultural Identity.

Arizona Music Teachers Association, Tucson. June 7, 2001, Oscar E. Macchioni

Oscar Macchioni

Presenter, Invited.

Presented and demonstrated how private studio teachers can enhance their teaching with the use of computer software for music theory and history. Also, attendees where informed about several free music sites where they can get music materials such as test, scores, sheet music, and where students can practice theory and aural skills.

Carnegie Hall, Weill Recital Hall, New York City. June 25, 2000, Oscar E. Macchioni

Oscar Macchioni

The Colorado College, Colorado Spring. American Musicology Society And The Society For Ethnomusicology. May 9, 1999, Oscar E. Macchioni

Oscar Macchioni

Peer-review selection.

Lecture-Recital.

Steinway Hall, New York City. January 16, 1996, Oscar E. Macchioni

Oscar Macchioni

Carnegie Hall, Weill Recital Hall, New York City. June 16, 1995, Oscar E. Macchioni

Oscar Macchioni

Columbia University, Teachers College, New York City. June 4, 1995, Oscar E. Macchioni

Oscar Macchioni

Steinway Hall, New York City. January 29, 1995, Oscar E. Macchioni

Oscar Macchioni

Poland, Przemysl, Przemysl Academy Of Music. May 17, 1994, Oscar E. Macchioni

Oscar Macchioni

Percussion Wonderland (Cleveland Percussion Ensemble), Dan Rager

Dan Rager

Poland, Krakow, Buckleina Teather. Collaborative Performance. May 7, 1994, Oscar E. Macchioni

Oscar Macchioni

For Unto Us, Dan Rager

Dan Rager