Music Theory Commons^™

Volume 06, Number 05 (May 1888), Theodore Presser

The Etude Magazine: 1883-1957

First Year with a Young Piano Pupil

Piano Technic

Piano Teaching

Deppe Method

Few Extracts

Mother Goose Tonality

Klindworth

One-Handed Piano Player

How Can a Piece of Music Be Written Upon the Words Sachs, Bach, Etc.

On the Use of Studies in Piano Teaching

Practical Letters to Teachers

New Keyboard

What is Written About Howe's New Piano-Forte Instructor

Volume 06, Number 04 (April 1888), Theodore Presser

The Etude Magazine: 1883-1957

Public School Demonstrative Examination

Musical Items

Nervous Musicians Who Lack Self-Confidence

International Copyright

Karl Klindworth and His Critics

Still Again Upon Memorizing

Historical Piano-Forte Recitals

Experiences

Pupilage

Missing Lessons

On the Use of Studies in Piano Teaching

Piano Technique

Teacher and Executant

Peculiarities of the Growth of American Music

Remonstrance

Volume 06, Number 03 (March 1888), Theodore Presser

The Etude Magazine: 1883-1957

Rubato Tempo in Piano Playing

Minor Scale

Collateral Fancies

Talent and Intelligence Contrasted

Graded List of Piano-Forte Music

Notes from Anton Rubinstein's Cyclus of Seven Piano Recitals, with Historical Notes

Piano Playing and General Musical Instruction from the Beginning to the End

Philosophy of Legato Touch

On the Fingering of Diatonic Scales

Occasional Correspondence of a Music Teacher

Karl Klindworth

Criticism of a Piano Player

Correction

Concerning the Psychological Relation of Music

Piano Teaching

Volume 06, Number 02 (February 1888), Theodore Presser

The Etude Magazine: 1883-1957

Improving the Hand by Surgery

A Keyboard for Children

Meaning of Music

To Authors of American Musical Works

Piano Teaching

Needs of the Piano Teacher

Some Old Pianists

Memoranda Upon Greek Music, and Arguments Derived From It

Musical Catechism

On Touch

Music Lessons

Practical Letters to Music Teachers

Philosophy of Legato Touch

Talk About Some Things

Practical Harmony

Stephen Heller

Schopenhauer's Musical Philosophy

High Ideals

We Work for Culture

Occasional Correspondence of a Music Teacher

Reminiscences of Musical Technique

Sound Sense

Foreign Correspondence

Concerning the Psychological Relation of Music

Volume 06, Number 01 (January 1888), Theodore Presser

The Etude Magazine: 1883-1957

Limits of Personal Rights in Piano-forte Performance

Some Pianists in America

Plea for Simplicity

Notes from a Teacher's Diary

Catechism

Tarantelle (Poem)

An Open Letter to J.C. Fillmore

A Discussion of Piano-Forte Study

Personality in Music

Something About Beginners

Piano Pounding

Piano-Forte Music

Schopenhauer's Musical Philosophy

Some Old Pianists

Variety of Piano Playing

Piano Playing and General Musical Instruction from the Beginning to the End

Old-Time Frauds

Joseph Hofmann

Concerning the Psychological Relation of Music

Study of Music

Foreign Correspondence

Victor S. Fletcher: The Most Successful Collector of Genuine Old Violins

Piano Teaching

Volume 05, Number 11 (November 1887), Theodore Presser

The Etude Magazine: 1883-1957

Waltz of Chopin

Bearings of Literature Upon Music

Edison's New Phonograph

Singing as a Help to the Piano-Forte Student

Teacher and Pupil

Listeners

New Ideas on an Old Subject

American Music, A Practical Plan for Its More General Use

Art of Teaching the Real Things in Music and Necessary Preparation for the Same

Correspondence

Piano Playing and General Musical Instruction

Defective Education of Musicians

Piano Teaching

Volume 05, Number 10 (October 1887), Theodore Presser

The Etude Magazine: 1883-1957

Metronome

On the Art of Self-Culture in Music

Elementary Piano Instructions

Piano Composers of America

Educational Mosaics

Criticism—Art Principles

Players

Expression in Piano-Playing

American Composition

Eclectic Taste in Music

History of a Great House

Fingering the Scales

Don't

Volume 05, Number 09 (September 1887), Theodore Presser

The Etude Magazine: 1883-1957

Clarence Eddy

For Young Teachers

Liszt with Sophie Menter

Common, Curious and Pertinent Questions Which Every Teacher of Music Has to Answer Daily

Accent and Emphasis

New Publications

Allegrando—New Games

Piano Conpositions of Wilson G. Smith

Elementary Piano Instructions

American Violin Maker

Study of Harmony

Our New Instructor

Volume 05, Number 08 (August 1887), Theodore Presser

The Etude Magazine: 1883-1957

Elementary Piano Instructions

How Much Shall I Practice?

Manumoneon

Expression in Piano-Playing

Wanted—A Better School of Musical Criticism

Volume 05, Number 07 (July 1887), Theodore Presser

The Etude Magazine: 1883-1957

American Piano Composers

Experience

Current Chats

New Musical Institute

On the Comprehension of Things Musical

Piano Teaching

Individualizing

Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price

Gounod's Advice

Elementary Piano Instructions

Good Instruction

Letter from Germany

Johannes Brahms and Robert Volkmann

Volume 05, Number 06 (June 1887), Theodore Presser

The Etude Magazine: 1883-1957

American Piano Composers

Mendelssohn's Rondo Capriccioso

Classical Music from a Teacher's Standpoint

Studying Music in Italy

Is Music Aristocratic?

Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price

Johannes Brahms and Robert Volkmann

Tact in Teaching

Excuses for Missing Lessons

Letter from Madame Wagner

Volume 05, Number 05 (May 1887), Theodore Presser

The Etude Magazine: 1883-1957

Color in Piano-Forte Playing

Recital Programs—New England Conservatory

Occasional Correspondence of a Music Teacher

Piano Playing

Musical Beauty

Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price

Reminiscences of Liszt

Musical Notation

To the Musical People of Dakota

Volume 05, Number 04 (April 1887), Theodore Presser

The Etude Magazine: 1883-1957

Expression in Piano Playing

Talk About Some Young Pianists

Accentuation in Piano Playing

Early Education

Maxims

Current Chats

Musical Societies in Colleges

Who Has Blundered?

Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price

Liszt!

Musician: Guide for Pianoforte Students

Volume 05, Number 03 (March 1887), Theodore Presser

The Etude Magazine: 1883-1957

Influence of Light Opera

New Piano Keyboard

Later Piano-Forte Literature

General Review on Piano-Forte Playing

G. Bertini de Wier's Improved Musical Notation or Kindergarten System

Dignity of the Piano-Forte

Swindler Abroad

Do You Think He is a Good Teacher?

Carefully Selected List of American Songs Suitable for Concert and Teaching Purposes with Key, Compass, Grade and Price

Protest

Future Piano

Inquiry

Great Composers at Work

How to Learn to Finger the Scales

Classical Music

Finger Notation

Meeting of Hummel and Field

Volume 05, Number 02 (February 1887), Theodore Presser

The Etude Magazine: 1883-1957

Real Side of Music Teaching

Mendelssohn's Music for Pianists

Three Classes of Pupils

Review Lesson

Musical Art Company

Kindergarten Music System

Schumann's Piano Works

Five-Finger Exercises

Letter from a Student in Germany

Practical Value of Certain Modern Theories Respecting the Science of Harmony

Current Chats

Important! to New Jersey Musicians and Teachers

Missing Lessons

Why is the Techniphone Better Than the Piano for Piano Practice?

Firm But Flexible Wrist

Volume 05, Number 01 (January 1887), Theodore Presser

The Etude Magazine: 1883-1957

Finger Memory

How Much Shall I Charge for a Lesson?

Mental Processes in Musical Execution

Few Observations for Teachers

Of the Proper Utilization of Practice Time

Evolution of Muscular Energy

Plea for the Teachers

Tone in Piano-Forte Playing

Justice in Music Teaching

Pupils Missing Lessons

Volume 04, Number 11 (November 1886), Theodore Presser

The Etude Magazine: 1883-1957

Liszt from Another Point of View

Arm in Piano-Forte Playing

Tone Question Again

Our Musical Bringing Up

On Two Points in Piano-Forte Teaching

Music Teaching from a Psychological Standpoint

Shall Playing from Memory be Encouraged

Future of Music in America

Nature of Harmony

Grumble from Old Fogy

Music Teachers' Class Book

Techniphone Idea

Volume 04, Number 10 (October 1886), Theodore Presser

The Etude Magazine: 1883-1957

Dangers of the Romantic Ideal

How to Use the Pedal

Common Sense of Interpreting Music

How to Study Arpeggios

Talk about Pianists

Weber's Concert-Stueck

Bach's Lighter Compositions

Nature of Harmony

Some of the Ways of the Incompetent

To the Piano-Forte

My Morning's Work

Study of Musical History

Liszt and His Pupils

Simplicity of Technique

Remarks on the Grace Note

Letter of Condolence to Mme. Richard Wagner

Legato in Piano Playing

Volume 04, Number 09 (September 1886), Theodore Presser

The Etude Magazine: 1883-1957

Book, Newspaper, or Magazine?

How Shall A Young Teacher Succeed?

Tone in Piano-Forte Playing

Effect of Liszt's Piano-Forte Compositions

Liberating the Ring Finger

Concerning the Title Professor

Franz Liszt

A Method for Beginners

Nature of Harmony

Simplicity of Technique

Teacher's Responsibility

Scales

Interpretation

Removal

Old Fogy Has a Word to Say on Individuality

What Shall We Play?

Volume 04, Number 08 (August 1886), Theodore Presser

The Etude Magazine: 1883-1957

In Memoriam: Franz Liszt

Objective or Subjective

How to Play Chopin

Development of Genius: Interesting Statistics in Regard to Famous Musicians and Writers

Local Colleges of Musicians

Study of Music

Relaxation or Rest

Theory of Phrasing, Memorizing and Interpretation

Simplicity of Technique

How to Keep Pianos in Hot Weather

Those Who Can Learn

Volume 04, Number 07 (July 1886), Theodore Presser

The Etude Magazine: 1883-1957

Individuality in Piano Playing

Some People That I Saw

Duties of the Piano Teacher

Old Fogy At Last Praises Something

Concert Programmes

Suites by Handel

Musical Advancement

What Shall We Play or Musical Education in the Home

Volume 04, Number 06 (June 1886), Theodore Presser

The Etude Magazine: 1883-1957

Touch and Technic

Versus Hobbyism

Summer Normal Session

What Shall We Play? or, Musical Education in the Home

Practice Application and Use of Accents in Piano-Forte Practice

What Method Do You Use?

Simplicity of Technique

Musical Acrobats

List of Popular Music

Piano Forte Pedals

Railroad Rates to MTNA Meeting

Notes on J.S. Bach's Well-Tempered Clavichord

Volume 04, Number 05 (May 1886), Theodore Presser

The Etude Magazine: 1883-1957

Public Taste

Writing Books for Piano Pupils

Chopin, Op. 37, No. 1, Nocturne in G Minor

Liberating of the Ring Finger

Sex in Piano Playing

Art vs. Technic

Easy Fingering of the Scales

Popular Music

Simplicity of Technique

Notes on J.S. Bach's Well-Tempered Clavichord

Nature of Harmony

Talk on Chopin

Difficult First

Letter from Wm. H. Sherwood

Key-Notes from the Ohio Music Teachers' Association

Volume 04, Number 04 (April 1886), Theodore Presser

The Etude Magazine: 1883-1957

Art of Composing

Sight Reading

Just for Home Amusement

Louis Koehler

Items

Appeal

Something New in Piano-Forte Playing

Well-Tempered Clavier

Puzzle

Gradual Development in the Science of Tuning Pianos

Classifying Students

Counting Time Aloud

Fingering Again

Fingering of Scales

Simplicity of Technique

Rubinstein's Touch

Reply to Mr. Ruggles

Mr. Wood's Finger Gymnastics

Volume 04, Number 03 (March 1886), Theodore Presser

The Etude Magazine: 1883-1957

Etudes or Pieces

Thalbergian Method

Some Hints Concerning Piano Teaching

American Versus Foreign Fingering

Fingering of the Scales

Simplicity of Technic

Open Letter to the Piano-Forte Student

Technic Again

Retrospective and Prospective

Our Girls as Piano Players

Printing Music for Children

What to Teach

Volume 04, Number 02 (February 1886), Theodore Presser

The Etude Magazine: 1883-1957

Dullards

Finger and Wrist Gymnastics Without the Use of a Piano

Star of the Twilight

More About Memorizing

Dark Points

Incident

Inconsistencies in Notation

Natural System of Fingering

Liberating of the Ring Finger

Ring Finger

Rules to Aid Pupils in Remembering the Fingering of the Scales in Double Triads and Double Sixths

Volume 04, Number 01 (January 1886), Theodore Presser

The Etude Magazine: 1883-1957

Habit of Syncopating

Coming Meeting

Nature and Art

Articulation

Accentual Treatment of Exercises as Applied to Piano-Forte Exercises

Value of Mechanical Apparatus for Cultivation of Technic

Technical Treatment of the Piano-Forte

History of Fingering

Technic, and the Use of Mechanical Appliances for Its Development

Origin of the Tarantella

Wohltemperirte Klavier

Progressive Teacher

Faith, Hope and Charity, Sonnet

Gradual Development of the Science of Tuning Pianos

Musical Taste

Volume 03, Number 11 (November 1885), Theodore Presser

The Etude Magazine: 1883-1957

Dr. Forbes' Theory and Practice Tested: The Liberation of the Fourth Finger—Practical Tests and Opinions

Early Pianos

Originality

Some Simple Ways for Learning Some Difficult Things

Some Types of Piano Pupils

Unpublished Work

Studies in Transposition

Piano-Forte

Studies in Transposition

Teacher and Pupil

Accentual Treatment of Exercises as Applied to Piano-Forte Exercises

Musician

Symphony in 1995

Business or Unbusiness-Like Musicians

Education in Music at Home and Abroad

Some Types of Piano Teachers

Volume 03, Number 10 (October 1885), Theodore Presser

The Etude Magazine: 1883-1957

Foriegn Fingering

Ambiguity of Our Musical Nomenclature

Musician: What is Thought of It

To Improve the Quality of Study

Musical Education: How Shall it Best Be Acquired?

Educational Principles

Pedals

Old Fogy Revived

Broad Culture

Accentual Treatment of Exercises as Applied to Piano-Forte Exercises

Some Sensible Suggestions

Hammer or Presssure Touch—Which?

Why Don't I Learn Faster?

One-Sided Education of Musicians

Volume 03, Number 09 (September 1885), Theodore Presser

The Etude Magazine: 1883-1957

On Musical Education

Some Types of Piano Teachers

Our System of Technique

Liberating the Ring Finger

Complete List of Pieces, including Those Analysed, Arranged in Progressive Order as Regards Difficulty (from The Musician, Vol. I)

Imaginary Pilgrimage to Beethoven

Etude, Poem

Weak Finger

Abreast with the Times

Crowned Virtuoso

Schools of Piano Playing

Fantasy after Chopin

Shall the Teacher Select the Music?

Hammer, or Pressure Touch—Which?