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Articles 1 - 10 of 10
Full-Text Articles in Music Practice
Early Twentieth Century Vocal Performance Practice And The French School: An Exploration Of The Lectures And Selected Songs By Reynaldo Hahn, Mary P. Hubbell
Early Twentieth Century Vocal Performance Practice And The French School: An Exploration Of The Lectures And Selected Songs By Reynaldo Hahn, Mary P. Hubbell
Dissertations, Theses, and Capstone Projects
Composer, conductor, singer, and critic Reynaldo Hahn (1874–1947) was a highly influential figure in Paris’s artistic circles during the first half of the twentieth century. Today he is primarily remembered as a composer of art song. However, during his lifetime he was also admired as a sophisticated composer of operetta and chamber music, and his keen intellect and attention to detail also made him a discerning music critic and arbiter of taste. In 1913, he was invited to present a series of five lectures on the art of singing to the “Université des Annales.” This organization produced presentations by prominent …
Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann Lafoy
Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann Lafoy
Masters Theses
Through this thesis, entitled “Rethinking l'exception culturelle in French Music then and now: Language, Memory, and Political Order,” I explore the concept of exception culturelle as it relates to music in France. I break down this concept by situating current French music trends within a historical landscape, highlighting certain moments of tension between music, politics, and language that appear in the decades after the Dreyfus Affair (1894), which I consider to be a turning point in the way French music is and was perceived inside and outside French national borders. I also examine the years after the second World …
Volume 52, Number 06 (June 1934), James Francis Cooke
Volume 52, Number 06 (June 1934), James Francis Cooke
The Etude Magazine: 1883-1957
Music of New Russia (interview with Albert Coates
Do Snakes Like Music?
Ethelbert Nevin's A Day in Venice (Un Giorno in Venezia): A New Tone Film Presentation Which is Commanding National Attention
Give the Child a Good Piano
Staccato Accents
Baseball and Scales
Use the Metronome in Practicing Sight-reading
Novelty for Your Recital
National Element in Polish Music
Getting a Start in Music Teaching in the Country
How One Teacher Did It
Art of Program Making
Accompanist
Music of the Land of the Bourrée
Music of Nature: A Series of Programs for Studio, Club or Radio Recital
Experimenting With the …
Volume 47, Number 05 (May 1929), James Francis Cooke
Volume 47, Number 05 (May 1929), James Francis Cooke
The Etude Magazine: 1883-1957
Chopin's Perfection of Detail
Fourten Prima Donnas of the Pianoforte
Inspiration Road
Practice Difficult Passages
Teaching the Values of Notes
Matter of Rests
Laugh or Two
Making Plain the Seventh Chord
Indexng as an Aid to Memorizing
How to Impress the First Lesson Upon the Child
Playing and Singing the First Piece
Music of Paris, the Inimitable
Octaves and Blocks
Relaxation
Favorite Musical Instruments of a Past Generation
On Ability to Sight-Read
Me and My Shadow
Broken Chords
Nothing to Practice
Saving Lost Motion in Piano Study
Simple Way of Teaching the Value of the Dot
To Learn Letters and …
Volume 40, Number 04 (April 1922), James Francis Cooke
Volume 40, Number 04 (April 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Good Beginnings in Vocal Art (interview with Emma Calvé)
Camille Saint-Saëns Parting Advice on Piano Study
Be Your Own Surgeon
Memory of a Great Conductor
What Berlioz Thought of Us
Too Much Practice is Waste: How to Get Results Without Nerve Drain and Muscular Fatigue by Employing Scientific Methods
Artist is Always Ready
Making Pupils Count
Fraudulent Musical Masterpieces
What Did the Ancients Mean by Music of the Spheres
Some New Facts about the Creator of the Nocturne: John Field of Dublin
Paste This in Your Instruction Book: Common Sense Hints to Piano Students
About Triplets
What Makes a Great …
Volume 32, Number 04 (April 1914), James Francis Cooke
Volume 32, Number 04 (April 1914), James Francis Cooke
The Etude Magazine: 1883-1957
School Debussy Has Established
Personal Recollections of Gounod (interview with Emma Eames)
Grand Prix de Rome and Those Who Have Won It
Concise Dictionary of French Musicians
What the Piano Student is Expected to Accomplish at the Paris Conservatoire
Intimate View of Massenet
Rise of Modern French Music
Some Points for Beginner-Teachers
Tragic Career of Bizet
Arrest Richard Wagner
Disseminating General Musical Knowledge in Country Districts and Small Towns
Etude Master Study Page—The Real Saint-Saëns
Brief History of Music in France
Salaries Paid the Teachers at the Paris Conservatory
Development of Accuracy in Pianoforte Playing
How Paderewski Practiced
How to …
Volume 25, Number 06 (June 1907), Winton J. Baltzell
Volume 25, Number 06 (June 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Johannes Brahms: The Classical Spirit in Music
Some Sayings of Brahms
Estimate of Brahms' Work
Brahms as a Practical Joker
How Liszt Taught
Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music
Edvard Grieg: The Scandinavian Spirit in Music
Jacques the Dreamer: The Story of a Musician, with a Moral in It
Charles Camille Saint-Saëns: A Representative of French Music
Story of the Minuet
History Questions for Music Students
Importance of Finger Training
Cornelius Gurlitt
Monument to Stephen Heller
Volume 23, Number 10 (October 1905), Winton J. Baltzell
Volume 23, Number 10 (October 1905), Winton J. Baltzell
The Etude Magazine: 1883-1957
Concert Hall of the Paris Conservatoire
Making of Tone Color Effects on the Piano
Liszt as a Pianoforte Writer
Hints for Inexperienced Teachers
Music and Life
Opportune Bending of the Musical Twig: A Few Suggestions in Elementary Piano Teaching
Young Music Teacher
Foundation of Sight Reading
Estimate of Johann Sebastian Bach
Gounod and Faust
Mission of Music in the Public Schools
Essentials of Success
Music Lessons the Soldiers Taught
Volume 21, Number 01 (January 1903), Winton J. Baltzell
Volume 21, Number 01 (January 1903), Winton J. Baltzell
The Etude Magazine: 1883-1957
Paris as a Music Center for Music Study
Ground Principles of Musical Interpretation
What, How, Where to Teach
American Music-Teaching
Keeping in the Forefront of Progress
First Flights of a Singer: A Story of a Prominent American Singer
Private Teacher versus the Conservatory
Volume 19, Number 07 (July 1901), Winton J. Baltzell
Volume 19, Number 07 (July 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Summer Study or Summer Rest
Hartwell-Jones (Hamilton Gray)
What Fashion Does for Music
Between Seasons
Summer and Post-Graduate Work for Teachers
Children's Classes as Suitable for Summer Work
Summer Musical Classes for Juveniles
New Light on Summer Study
Development of Music in the South During the Past Twenty Years
Study Abroad No Guarantee of Success at Home
Thorough Practice on Old Pieces
Some Peculiar Teachers
Artistic Temperament
Some Definitions of Music
If I Were a Young Music Teacher
Long Hair and Pianism: A True Story
Mr. Pol Plançon: The Study of the French Song