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- Discipline
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- Keyword
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- 3. National Solo and Collaborative Performances (3)
- Performance practice (Music)-History-16th century (2)
- Agazzari, Agostino, 1578-1640 (1)
- Agostino Agazzari (1)
- Baroque Music (1)
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- Giovanni Antonio Terzi (1)
- Intabulations (Lute ensemble) (1)
- Lute (1)
- Lute Ensembles (1)
- Lute Performance (1)
- Lute ensembles, Arranged-16th century (1)
- Lute music (1)
- Lute-Performance-History (1)
- Music-Germany (1)
- Music-Instruction and study (1)
- Music-Theory-Instruction and study (1)
- Organ (1)
- Performance practice (Music)-History-17th century (1)
- Polychoral music (1)
- Sacred music (1)
- Terzi, Giovanni Antonio, ca. 1580-1620 (1)
- Publication
- Publication Type
Articles 1 - 10 of 10
Full-Text Articles in Music Practice
Carnegie Hall, Weill Recital Hall, New York City. June 16, 1995, Oscar E. Macchioni
Carnegie Hall, Weill Recital Hall, New York City. June 16, 1995, Oscar E. Macchioni
Oscar Macchioni
Columbia University, Teachers College, New York City. June 4, 1995, Oscar E. Macchioni
Columbia University, Teachers College, New York City. June 4, 1995, Oscar E. Macchioni
Oscar Macchioni
Steinway Hall, New York City. January 29, 1995, Oscar E. Macchioni
Steinway Hall, New York City. January 29, 1995, Oscar E. Macchioni
Oscar Macchioni
Cover/Table Of Contents
Performance Practice Review
Front matter and Table of Contents from the Spring 1995 (8/1) issue of Performance Practice Review.
The Role Of The Lute In Sixteenth-Century Consorts: Evidence From Terzi's Intabulations, Suzanne Court
The Role Of The Lute In Sixteenth-Century Consorts: Evidence From Terzi's Intabulations, Suzanne Court
Performance Practice Review
RILM abstract: "In his Venetian lute books of 1593 and 1599, Giovanni Antonio Terzi did not define the frequently used terms contrappunto and concerto, which are assigned to ensemble-intabulation lute parts. An attempt to clarify their meanings helps determine intended functions within ensembles. It appears that Terzi's ensemble intabulations were conceived in a purely instrumental context, and that the two distinct styles for lute are written manifestations of foundation and ornamental functions in ensembles, such as described by Agostino Agazzari (1607). Both in terms of the possibilities for instrumentation and the explicit examples of elaborating and foundation lute arrangements, Terzi's …
Cover/Table Of Contents
Performance Practice Review
Front matter and Table of Contents from the Fall 1995 (8/2) issue of Performance Practice Review.
"Music Education And The Art Of Performance In The German Baroque" By John Butt, David Schulenberg
"Music Education And The Art Of Performance In The German Baroque" By John Butt, David Schulenberg
Performance Practice Review
Reviews and critiques John Butt's book on Music education and the art of performance in the German Baroque.
Contributors/End Matter
Performance Practice Review
List of contributors to the Fall 1995 (8/2) issue of Performance Practice Review.
End matter and advertisements from the Fall 1995 (8/2) issue of Performance Practice Review.
The Performance Of Roman Sacred Polyphonic Music In The Late Sixteenth And Early Seventeenth Centuries: Evidence From Archival Sources, Noel O'Regan
Performance Practice Review
RILM abstract: "Information about performance practice on large-scale feast-day celebrations is derived from the archival records of eight Roman churches, summarized in tabular form and discussed under the following headings: number of singers, instrumentalists, organs and organists, extra conductors, and the positioning of singers and their platforms. While practices varied considerably among institutions, some common ground is established."
Performance Practice Bibliography, 1994-1995
Performance Practice Bibliography, 1994-1995
Performance Practice Review
Bibliography of articles published in the field of Historical Performance Practice during 1994-1995.