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Articles 61 - 90 of 444
Full-Text Articles in Music Practice
From The Dean, Seth Beckman
New Maymester Program “Musica Roma”
City Music Center Offers Summer Music Workshops
Alumna Awarded First Violin Position
Duquesne Graduates’ Band, ‘Starship Mantis’ Releases New Album
Duquesne Graduates’ Band, ‘Starship Mantis’ Releases New Album
TEMPO
No abstract provided.
Connecting To The Community With Music: Duquesne Chamber Orchestra Poised For Run-Out Concerts
Connecting To The Community With Music: Duquesne Chamber Orchestra Poised For Run-Out Concerts
TEMPO
No abstract provided.
Marguerite Dephillips Dougherty Voice Competition
Trumpet Ensemble Invited To Perform At International Trumpet Guild Conference
Trumpet Ensemble Invited To Perform At International Trumpet Guild Conference
TEMPO
No abstract provided.
International Student Success Stories
Pep Band Crowdfunding Campaign Extremely Successful
Visiting Professor, Dr. Paul Miller, Earns Tenure-Track Position
Visiting Professor, Dr. Paul Miller, Earns Tenure-Track Position
TEMPO
No abstract provided.
City Music Center, Pittsburgh Honors Joe Negri At Guitar And Bass Workshop
City Music Center, Pittsburgh Honors Joe Negri At Guitar And Bass Workshop
TEMPO
No abstract provided.
Bluff Series Continues To Captivate Audiences
About Duquesne University And The Mary Pappert School Of Music
About Duquesne University And The Mary Pappert School Of Music
TEMPO
No abstract provided.
Duquesne’S ‘Mic Drop’ A Capella Vocal Ensemble Off To An Impressive Start
Duquesne’S ‘Mic Drop’ A Capella Vocal Ensemble Off To An Impressive Start
TEMPO
No abstract provided.
Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis
Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis
Graduate Theses, Dissertations, and Problem Reports
David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”[1]
In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …
Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois, Teresa Vinci
Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois, Teresa Vinci
Theses: Doctorates and Masters
This study investigates style and performance practice within the oral traditions of Hungarian folk music, and explores intersections with the nineteenth-century idiom style hongrois. Interviews, lessons, and workshops were undertaken as part of a practice-based immersive research experience, and comparisons with the style hongrois made via analysis of scores and recordings of Jeno Hubay (1858-1937). The research strives towards an ‘Historically Informed Performance’ specific to these styles, and explores how they can inform each other. Findings are presented through a dissertation and a CD recording “Never Far Away…” comprising the researcher’s violin performance as leader of an Hungarian folk …
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Theses and Dissertations
Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Lawrence University Honors Projects
The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …
Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson
Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson
Dissertations
This dissertation sprang from a combination of two personal interests: cowboy culture and classical art song. The union of my cowgirl heritage with my career as a classical vocalist has long fueled an interest in a particular niche of repertoire: soprano art song with thematic connections to the North American cowboy. A conducted state of research reveals no scholarly literature exploring this specific topic. Libby Larsen’s collection, Cowboy Songs, fulfills the aforementioned niche, successfully capturing the spirit, musical idioms, and cultural themes of the North American cowboy.
Chapter I lays a contextual foundation for cowboy song, providing a catalogue …
Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham
Doctoral Dissertations and Projects
As a performing artist, the author suggests in an “American Idol” culture, Christian artists have largely lost their identity as worshipers with a ministry of the Gospel through music. The Christian performing artist has the responsibility to commit to spiritual maturity and personal growth. This thesis project proposes the artist is a communicator of the Gospel through music and seeks to substantiate the Christian performing artist through biblical, historical, and educational rationale and precedent. Biblical rationale of the Christian performing artist is considered in Old Testament and New Testament principle and precedent. Historical rationale and precedent is established through the …
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
Dissertations
The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present flute community.
My research focused on gathering data about the flute section and the individuals who were instrumental for the creation and development of …
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …
From The Dean, Seth Beckman