Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Gardner-Webb University (711)
- Yale University (8)
- Abilene Christian University (7)
- Southern Methodist University (4)
- Cedarville University (3)
-
- Ouachita Baptist University (2)
- Calvin University (1)
- City University of New York (CUNY) (1)
- College of the Holy Cross (1)
- Liberty University (1)
- Southeastern University (1)
- Technological University Dublin (1)
- The University of Notre Dame Australia (1)
- University of Kentucky (1)
- University of Tennessee, Knoxville (1)
- Ursinus College (1)
- Keyword
-
- Piano (63)
- Beethoven (42)
- Chopin (37)
- Liszt (37)
- Music teacher (29)
-
- Mozart (25)
- American music (22)
- Music Teachers' National Association (22)
- Mendelssohn (20)
- Pianoforte (20)
- Women in music (20)
- Schumann (18)
- Bach (17)
- Piano teacher (16)
- German music (15)
- Paderewski (14)
- William Mason (14)
- Christmas issue (13)
- Russian music (13)
- Rubinstein (12)
- American composer (11)
- Schubert (11)
- Radio (10)
- Richard Wagner (10)
- American College of Musicians (9)
- Franz Liszt (9)
- Grieg (9)
- Music (9)
- Music profession (9)
- Brahms (8)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (711)
- Yale Journal of Music & Religion (8)
- Stone-Campbell Books (5)
- Bridwell Library Research (2)
- Doctor of Pastoral Music Projects and Theses (2)
-
- Musical Offerings (2)
- B.A. in Music Senior Capstone Projects (1)
- Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids (1)
- Chancellor’s Honors Program Projects (1)
- Christian Studies Class Publications (1)
- Concert Programmes (1)
- Faculty Publications (1)
- Honors College (1)
- Journal of Global Catholicism (1)
- Masters Theses (1)
- Pastoral Liturgy (1)
- Publications and Research (1)
- Selected Honors Theses (1)
- Student Concert Performances, Programs, and Posters (1)
- Symposium on Worship Archive (1)
- Theses and Dissertations--Music (1)
- Publication Type
Articles 1 - 30 of 745
Full-Text Articles in Music Performance
Before The King: Isaiah 6:1-8, Worship Studies
Before The King: Isaiah 6:1-8, Worship Studies
Christian Studies Class Publications
This is the poster for the Worship Studies performance and night of worship, "Before the King: Isaiah 6:1-8." The performance took place on March 1, 2023, in the Jones Performing Arts Center.
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
Sound Chapel, Anthony Elia
Sound Chapel, Anthony Elia
Bridwell Library Research
The idea of "Sound Chapel" liturgies, in the manner of matins or vespers, is that a chapel space is darkened with only the light of a single or several candles available. The organ shall play sustaining notes in various, slow, elongated and sustained ways, at the discretion of the organist. The piece shall create a meditative space with the music being of "piano" (p/pp/ppp) or quieter levels. Various "liturgies" are suggested by the composer below, but may be altered and done ad lib by the performer(s) as the tone or mood of the early morning or early evening "sound chapel" …
We Will Hold Onto You: The Liberating Power Of Music And Liturgy To Break Open The Stories Of Mental Illness In Communities Of Faith, Hillary Doerries
We Will Hold Onto You: The Liberating Power Of Music And Liturgy To Break Open The Stories Of Mental Illness In Communities Of Faith, Hillary Doerries
Doctor of Pastoral Music Projects and Theses
One in five people lives with a diagnosable mental health problem in any given year. Thus, the presence of mental illness already permeates faith communities. The church’s history with mental illness remains complicated, especially as some communities of faith continue to espouse negative lay theologies that are harmful and dismissive to people living with mental health problems. Guided by the tenants of liberation theology, this thesis argues that mental health justice is a part of God’s overarching justice intended for all creation. When we, as God’s people, encounter or observe injustice, it is our theological task to gather the weary, …
Chanting The Medicine Buddha Sutra: A Musical Transcription And English Translation Of The Medicine Buddha Service Of The Liberation Rite Of Water And Land At Fo Guang Shan Monastery, Jeffrey W. Cupchik
Yale Journal of Music & Religion
A book review is presented for Reed Criddle, ed., Chanting the Medicine Buddha Sutra: A Musical Transcription and English Translation of the Medicine Buddha Service of the Liberation Rite of Water and Land at Fo Guang Shan Monastery. Recent Researches in the Oral Traditions of Music 13. Philip V. Bohlman, general editor. Middleton, WI: A-R Editions, 2020. 77 pages.
Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman
Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman
Pastoral Liturgy
No abstract provided.
Early Modern Scottish Metrical Psalmody: Origins And Practice, Timothy Duguid
Early Modern Scottish Metrical Psalmody: Origins And Practice, Timothy Duguid
Yale Journal of Music & Religion
Non-literate societies are often dependent on music for transmitting news and ideas because of music’s ability to enhance memory. Sixteenth-century reformers were aware of this, but they had to compete with secular and Roman Catholic music that often contradicted Reformed doctrine. Highly influenced by the Strasbourg-based Martin Bucer and the writings of Saint Augustine, John Calvin insisted that Biblical Psalms, set in vernacular poetry, were most appropriate for both corporate worship and private devotion. The result was a series of metrical psalters that were intended to be performable by everyone. Some editions had explicitly liturgical designs, but most were intended …
Embracing Worship And Performance, Robson N. Galvao
Embracing Worship And Performance, Robson N. Galvao
Selected Honors Theses
Music is a very powerful tool. It is a very important part of the world around us. Some would even say that without it, life would not be the same. When it comes to church, it is not any different. Music plays a very large part of most church services today, whether that be having someone play a church organ in a more traditional church or by having a full worship band with lights and production in a more contemporary church. With that comes the issue of performance within the church music context. One of the biggest issues within the …
"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard
"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard
Doctor of Pastoral Music Projects and Theses
This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …
Amen: A Liturgical Prayer Of Thanksgiving For All The Year, Anthony Elia
Amen: A Liturgical Prayer Of Thanksgiving For All The Year, Anthony Elia
Bridwell Library Research
A short choral work for religious congregations or groups for SATB configuration. A piano reduction accompanies for conductors.
Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie
Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie
Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids
Finding aid for the Tillit Sidney Teddlie Papers, 1885-1987.
Mimicry As Movement Analysis, Rosa Abrahams
Mimicry As Movement Analysis, Rosa Abrahams
Faculty Publications
The analysis of movement to music often stems from examinations of video-recorded events. This allows the analyst an opportunity to re-watch, pause, and slow down the movements of their participants, and to produce descriptive notation that appears alongside a score (e.g., Roeder and Tenzer 2012). Unlike prescriptive forms of dance notation (e.g., Laban 1928), such transcriptions of movement often illuminate metrical connections between music and movement. However, when video-recording is not permissible, other methods of movement analysis must be developed. This paper pilots a new technique for rigorous analysis of the interaction between movement and music, which may be used …
The Vespers Psalms Of Baldassare Galuppi, Scot Buzza
The Vespers Psalms Of Baldassare Galuppi, Scot Buzza
Theses and Dissertations--Music
Although Baldassare Galuppi was arguably the best known and most successful Italian composer of the eighteenth century, his name, his history, and his works have been relinquished to the periphery of the historiographical narrative. While Galuppi's masses, operas, and solo motets have been examined, his vespers psalms have been neglected by previous musicologists; most of the existing studies have been superficial, with little consideration of important questions such as formal approach, stylistic development, compositional idiosyncrasies, questions of authenticity, or what those factors might collectively tell the twenty-first-century musicologist about music in settecento Venice.
The bulk of this work consists of …
Singing God's Words: The Performance Of Biblical Chant In Contemporary Judaism, Mili Leitner Cohen
Singing God's Words: The Performance Of Biblical Chant In Contemporary Judaism, Mili Leitner Cohen
Yale Journal of Music & Religion
A book review is presented for Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (New York: Oxford University Press, 2016).
World Premiere Performance Of Quintet No.2 By N. Roth, Dermot Dunne
World Premiere Performance Of Quintet No.2 By N. Roth, Dermot Dunne
Concert Programmes
Nick Roth's second quintet was commissioned by the Sligo International Chamber Music Festival to be premiered by Dermot Dunne, accordion and the Vogler string quartet. The work draws on many aspects of the muezzin call to prayer in the Islamic faith including the various different modes (or maqaams) used in the call to prayer throughout the day. The work is a synthesis of the ISlamic call to prayer with contemporary composition techniques
The Ancient-Future Of Worship Education: The Evangelical-Sacramental Movement's Effect On Modern Worship Education, Jordan Miles Covarelli
The Ancient-Future Of Worship Education: The Evangelical-Sacramental Movement's Effect On Modern Worship Education, Jordan Miles Covarelli
Masters Theses
This thesis looks at developments in evangelical/Pentecostal contemporary Christian worship music (CWM) in response to its theological critiques and analyzes the effects they are having on what training worship leaders will need. CWM has grown into a global phenomenon that largely either disregards or is ignorant of its theological critics. The rapid rate of churches adopting CWM practices in their services has led to numerous universities creating post-secondary degrees in Worship Leadership focused specifically on modern expressions of worship. This thesis uses a convergent parallel mixed methods research model to analyze how worship practices are changing in key evangelical-turned-sacramental churches …
Sounding The Congregational Voice, Marissa Glynias Moore
Sounding The Congregational Voice, Marissa Glynias Moore
Yale Journal of Music & Religion
Congregational singing is a participatory vocal practice undertaken by Christians across a wide range of denominations, yet the specific qualities and active capacities of the congregational voice have yet to be investigated. Drawing on recent musicological and philosophical perspectives on voice, I theorize the congregational voice as an active practice, illuminating its abilities to do something in worship through sound.
Taking Brian Kane’s model of the voice as a circulation of content (logos), sound (echos), and source (topos), I explore how these categories are redefined through an active-based theorization of congregational singing. I argue that …
Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo
Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo
Journal of Global Catholicism
A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.
From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan M. Lyons
From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan M. Lyons
Musical Offerings
The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ increased in …
A Service Of Lessons And Carols, The Ouachita Singers, The Women's Chorus, The Handbell Ringers, Adam Haas
A Service Of Lessons And Carols, The Ouachita Singers, The Women's Chorus, The Handbell Ringers, Adam Haas
Student Concert Performances, Programs, and Posters
This is the video and program for OBU's 20th annual A Service of Lessons and Carols, held on Tuesday, Dec. 6, 2016, at 7:30 p.m. in Mabee Fine Arts Center’s McBeth Recital Hall. The service featured nine scripture readings from the books of Genesis, Isaiah, Matthew, Luke and John. Each reading was followed by a carol that reflects Advent and Christmas themes.
Jewish Liturgy In Music, Rachel A. Brown
Jewish Liturgy In Music, Rachel A. Brown
Chancellor’s Honors Program Projects
No abstract provided.
Aesthetic Meaning In The Congregational Masses Of James Macmillan, Stephen Kingsbury
Aesthetic Meaning In The Congregational Masses Of James Macmillan, Stephen Kingsbury
Yale Journal of Music & Religion
Examines the interconnetions between MacMillan’s congregational masses and other works by the composer. The compositional and philosophical commonalities between paired compositions deepens the philosophical and aesthetic meaning of both works. An understanding of these parallels and the manner in which they are worked out in practice provides an important insight into the composer’s intentions, making the performance of the masses within the context of the worship service more relevant to the spiritual experience of the congregant and provides insight into the interconnectivity of MacMillan’s compositional output.
The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman
The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman
Honors College
This thesis reflects upon a director’s experience while directing her first production: Sticky Notes and Bible Quotes: Godly Answers for Sticky Situations by Dennis and Nan Allen. This children’s musical was produced in cooperation with Wylie United Methodist Church of Abilene, TX. Over forty children, with the help of ten adult volunteers, shared the importance of memorizing scripture and looking to God’s Word in times of trouble through song, skits, and the recitation of scripture. While reflecting upon the production process after each rehearsal, the director makes connections between her experiences as director, the content of her music education undergraduate …
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Yale Journal of Music & Religion
From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.
From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik
Yale Journal of Music & Religion
The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …
Restoration Or Invention? Archbishop Cisneros And The Mozarabic Rite In Toledo, Susan Boynton
Restoration Or Invention? Archbishop Cisneros And The Mozarabic Rite In Toledo, Susan Boynton
Yale Journal of Music & Religion
As archbishop of Toledo from 1495 to 1517, Francisco Ximénez de Cisneros carried out a multifaceted campaign of support for the Mozarabic rite, which had been preserved in the Middle Ages by Christians living in Toledo under Muslim rule. Although the Roman rite was introduced into the cathedral in 1086, the Toledan Mozarabs had continued to follow their ancient liturgy in their parishes. By the end of the Middle Ages, however, the rite was rarely celebrated. Fearing that it might become obsolete, in 1501 Cisneros endowed a chapel in his cathedral for the Mozarabic rite and established a clergy of …
Ancient Worship Wars: An Investigation Of Conflict In Church Music History, Michael J. Wood
Ancient Worship Wars: An Investigation Of Conflict In Church Music History, Michael J. Wood
Musical Offerings
The purpose of this research is to prove that conflict in church music is nothing new. Even in the time of the early church fathers, dissenting views on what were acceptable and unacceptable practices in church music were present. The music of the 2nd century through the 14th century is examined.
The method used to find specific conflicts in church music history involved reading early Christian literature on music. When possible, both sides of the conflicts included in the project are presented. However, oftentimes only one side of an argument can be found since there is not an abundant supply …
Conservative Radical: Martin Luther’S Influence On Congregational Singing, Jonathan Knight
Conservative Radical: Martin Luther’S Influence On Congregational Singing, Jonathan Knight
B.A. in Music Senior Capstone Projects
Martin Luther played an influential role in the transition from the priest-dominated Catholic worship to congregationally accessible evangelical services. This study demonstrates that, though his musical reforms were not dramatic, they were intentional and effective. Luther’s understanding of music theologically, theoretically, and practically enabled him to effectively utilize available musical resources to make music increasingly accessible, for the purpose of teaching the Word of God. Through Luther’s hymns, people began proclaiming the Word of God musically. Through liturgical reform, Luther provided congregations with a framework through which to incorporate congregational song in the liturgy. Through music education, Luther increased musical …
O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Gerre Hancock, Merle R. Mustert
O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Gerre Hancock, Merle R. Mustert
Symposium on Worship Archive
Program for a hymn festival for the first week of Epiphany–the season of the Church Year in which we celebrate Christ's manifestation to the entire world. But the incarnation of Christ is only one of several manifestations of God to us, and this services proclaims the epiphanies of our God throughout all of redemptive history, as described in the book of Isaiah. For our God is a God of time, our help in all ages.
Volume 75, Number 05 (May-June 1957), Guy Mccoy
Volume 75, Number 05 (May-June 1957), Guy Mccoy
The Etude Magazine: 1883-1957
Josef Hofmann, 1876-1957
Igor Stravinsky, Approaching his 75th Birthday, is Truly a Colossus of Modern Music
Music in the High School Gym
Good Vocal Habits (interview with Renata Tebaldi)
What Power Professional Criticism
Thalberg's Erard: A Discovery
An Intriguing Account of the Various Operational Details Requiring Careful Attention . . . Behind the Opera Curtain
Books on American Music: A Selected Bibliography
Music in the Schools
Choral Potential From the Baroque Era
Music to Link Mankind: The Story of the Formation of an Important Body Having to Do with International Relations