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Music Education Commons

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Music education

2021

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Full-Text Articles in Music Education

Stress And Burnout Among Undergraduate Music Education Majors: An Examination Of Trends, Influences, And Coping Mechanisms, Emily Carroll Dec 2021

Stress And Burnout Among Undergraduate Music Education Majors: An Examination Of Trends, Influences, And Coping Mechanisms, Emily Carroll

Honors Projects

Previous research points to an increase in undergraduate music education major stress. A stress questionnaire was sent to three Midwest collegiate institutions: one was a mid-sized liberal arts school, another was a conservatory, and the last was a large state institution. Findings confirm concerning elevated levels of stress among undergraduate music education majors. The levels of stress appear to be a universal issue in this particular degree program, implying there is a need for change to better student wellness.


Shaping The Mind Through Music- A Family Challenge Of The 21st Century, Elisa H. Meyer Dec 2021

Shaping The Mind Through Music- A Family Challenge Of The 21st Century, Elisa H. Meyer

Honors Projects

This research provides reasoning for the importance of music education in America's schools. Music education is an integral ingredient in the cognitive development of the child- benefiting long term functions such as speech and language skills, memory, creativity, critical thinking, and general intelligence. Music allows a child to develop into their whole selves, encouraging the growth of their fullest potential. Various educational philosophies, such as the Rudolf Steiner philosophy and the Suzuki method describe the significance of this and outline substancial ways in which this integration is made possible. These philosophies are defined and discussed within this paper. Finally, insight …


Vocal Techniques For The Instrumentalist 2nd Edition, Amy Rosine Oct 2021

Vocal Techniques For The Instrumentalist 2nd Edition, Amy Rosine

NPP eBooks

Vocal Techniques, the course title used at many institutions, is essentially a voice class for instrumentalists, and is often a required course for instrumental music education majors seeking all-level certification. Students take at least one Vocal Techniques course to learn proper singing technique along with basic pedagogy. Some courses include teaching techniques as they apply to adolescent singers. The focus of the course is the development of the individual singing voice. This includes breathing, tone production, articulation, musicality and textual expression and understanding. Students also develop confidence in front of groups, improve their general vocal quality, and learn that a …


Empathy In And Through Music Education: Extending Artistic Citizenship, Amanda Ellerbe Sep 2021

Empathy In And Through Music Education: Extending Artistic Citizenship, Amanda Ellerbe

Visions of Research in Music Education

Bowman, Elliott, and Silverman's concept of artistic citizenship helps characterize how music education accomplishes social change. However, while Elliott et al. regard artistic citizenship as a means of exercising music in political ways, further investigation of how musical activities prepare students to consider effecting social change might more comprehensively describe artistic citizenship as a socio-musical endeavor. In light of the goals of social justice-oriented programming, the relationship between citizenship and artistic practice, one might think not only of music in the service of exercising citizenship in the greater community but also as a means of developing citizenship skills in the …


Ukulele In Music Class: Teachers’ Perspectives, Grace Doebler Sep 2021

Ukulele In Music Class: Teachers’ Perspectives, Grace Doebler

Visions of Research in Music Education

The use of the ukulele in classrooms and communities is growing, and, as a result, so is meaningful musical engagement from people of all ages. In this collective case study, I described the perspectives of three different music teachers and discussed how they implement the ukulele in diverse settings. Research questions were (a) what factors influence participants while creating ukulele groups or lessons, (b) how do participants use ukuleles in their classrooms, (c) what are participants' perceptions of the ukulele's value, and (d) what are participants' perceptions of students' interest in learning the ukulele? Participants were three music teachers located …


Motivational Factors Affecting Recruitment And Retention In The Clever Band Program, Haley Morgan Adams Aug 2021

Motivational Factors Affecting Recruitment And Retention In The Clever Band Program, Haley Morgan Adams

MSU Graduate Theses

Student participation in band has many educational, social, and life benefits for students; however, high attrition rates reflect that many students are not motivated to join and continue in band. This study surveyed sixth, eighth, and tenth grade students in the Clever R-V School District to examine the factors that the students self-identify when deciding to enroll in and persist with band in school. The survey data were analyzed to identify key factors that affect students’ recruitment and retention in school band. Students answered forty multiple choice questions that addressed areas of motivation including parental support, teacher-student relationship, intrinsic motivation, …


Personal And Professional Characteristics Of Music Education Professors: Factors Associated With Expectations And Preferences Of Undergraduate Students, Tiger Robison May 2021

Personal And Professional Characteristics Of Music Education Professors: Factors Associated With Expectations And Preferences Of Undergraduate Students, Tiger Robison

Research & Issues in Music Education

The purpose of this study was to examine music education undergraduate students’ expectations of and preferences for their music education faculty members’ personal and professional backgrounds and compare them to the actual backgrounds of current music teacher educators. Participants (N = 293) from 55 randomly-selected NASM-accredited institutions completed a researcher-created questionnaire. Participants expected and preferred their music education faculty members to have approximately nine years of PreK–12 teaching experience, which is approximately three times the amount posted in faculty searches and doctoral program entrance requirements. Participants most valued their music education professors’ experiences in assessment and classroom management and …


An Examination Of Student And Faculty Perceptions Regarding Music Education Transfer Student Preparedness And Experiences, Natalie Steele Royston, Philip D. Payne, Adrian D. Barnes, Kate Bertelli-Wilinski May 2021

An Examination Of Student And Faculty Perceptions Regarding Music Education Transfer Student Preparedness And Experiences, Natalie Steele Royston, Philip D. Payne, Adrian D. Barnes, Kate Bertelli-Wilinski

Research & Issues in Music Education

Transfer students account for growing numbers in four-year music education programs. To better understand this increasing population of students, researchers employed parallel method design. One strand investigated music education faculty members’ (n = 83) perceptions of transfer student preparedness, procedures, and expectations to understand admissions processes (e.g., curricula, assessments) employed to evaluate incoming transfer students. The other strand examined music education transfer students’ (n = 12) academic, social, and personal preparedness to study music education in a comprehensive four-year music education program. The following research questions served as a guide for data collection and analysis: (a) What themes …


An Exploration Of The Use Of And The Attitudes Toward Technology Among Fourth And Fifth Grade Band And Orchestra Teachers, Students, And Their Parents, Danni Gilbert May 2021

An Exploration Of The Use Of And The Attitudes Toward Technology Among Fourth And Fifth Grade Band And Orchestra Teachers, Students, And Their Parents, Danni Gilbert

Research & Issues in Music Education

The purpose of this study was to determine what technologies are used in fourth- and fifth-grade instrumental music and to examine factors that influence the attitudes of teachers, students, and their parents toward the use of those technologies. Two researcher-designed questionnaires, the Technology in Music Usage Questionnaire (TMUQ) and the Technology in Music Attitude Questionnaire (TMAQ), were administered to a sample of teachers, students, and parents associated with first-year elementary instrumental music in a large, American Midwest urban school district. Results indicated that while most teachers use technology in class (87.0%), it is generally only used up to a third …


Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird May 2021

Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird

LSU Master's Theses

This multiple-case study sought to describe how student agency is cultivated within two high school choir programs. Research questions were: (a) In what ways did participating teachers incorporate student agency? (b) How did their students describe their experience? (c) What opportunities/difficulties emerged when students assumed leadership and decision-making roles? (d) Why do participating teachers offer these to students? (e) How do opportunities for student agency serve student learning and program goals? Data collection included semi-structured teacher interviews in two stages, as well as a student questionnaire. Other data included choir handbooks, student leadership information, social media presence, and classroom signs. …


Video Game Sound As Educational Space, Leonard Grasso May 2021

Video Game Sound As Educational Space, Leonard Grasso

Masters Theses, 2020-current

Synergizing fields such as music theory, computing, musicology, cognition, and psychology, scholars and practitioners have approached game music from many directions. However, research on pedagogical usages of game music is still emerging. While many education scholars have researched game-based-learning (Bourgonjon et al, 2013; Simões, Redondo, & Vilas, 2013; Beavis, Muspratt, & Thompson, 2015; Hamari et al, 2016), music education authors have largely remained distant from ludomusicology (the study of music as it relates to play). I intend to bridge that gap by examining the intersections of game music and sound, player interaction, and learning. My research synthesizes the work of …


An Autoethnography Of A Punk Rocker Turned Music Teacher, Jonathan Kladder May 2021

An Autoethnography Of A Punk Rocker Turned Music Teacher, Jonathan Kladder

Research & Issues in Music Education

The criteria used to admit prospective music teachers in colleges and universities across the United States has remained relatively unchanged since their inception. These criteria disenfranchise a population of potential music teachers who hold musical backgrounds outside the Western European art tradition. This autoethnography illuminates the challenges and barriers experienced by a self-taught musician who attended two traditional music programs in a midwestern region of the United States. Using Berry’s (1980) six dimensions of acculturation as the theoretical framework to interpret these data, the author exposes challenges associated with his journey in achieving music teacher certification. As a qualitative investigation, …


Study & Sing: A Music Class For Home Education Students, Joanna Luisi Reinhardt May 2021

Study & Sing: A Music Class For Home Education Students, Joanna Luisi Reinhardt

Music Graduate Theses

The Study & Sing curriculum is designed (1) to provide homeschooling high school students with a music resource that is easy to access and incorporate within their homeschool environment; (2) to facilitate meaningful and effective music instruction by designing a music class for a qualified music teacher to use within cooperative homeschool groups; (3) to offer homeschooling families a comprehensive music class that closely follows the National Core Arts Standards for music education; and (4) to provide a music class for homeschool co-op students that offers a comprehensive design and fosters collaborative music experiences by integrating a performance component that …


What Have Mississippi Band Directors Found Successful When Teaching The Horn?: A Qualitative Survey, Madeleine Case May 2021

What Have Mississippi Band Directors Found Successful When Teaching The Horn?: A Qualitative Survey, Madeleine Case

Honors Theses

This study surveyed band directors in the state of Mississippi, asking them what methods they use to teach the horn. The purpose of this research was to find some solid methods and concepts that participants found successful in their horn teaching, as well as open the discussion on what makes horn teaching unique to that of other instruments. Participants were selected for an online survey on two criteria: they had to have at least a Bachelor’s degree in Music or Music Education, and they had to have at least one year of teaching experience in Mississippi.

After participants were surveyed, …


Daring To See: White Supremacy And Gatekeeping In Music Education, Brian A. Gellerstein May 2021

Daring To See: White Supremacy And Gatekeeping In Music Education, Brian A. Gellerstein

Graduate Doctoral Dissertations

Music education in the U.S. maintains a legacy of cultural hegemony that has historically and systemically benefited the White students it was designed to serve, at the expense of Black and Brown students and teachers. As a subdiscipline concerned with cultural production and reproduction, the persistence of White supremacy within music education contributes to its indefatigability within the broader society.

This study is cast within a theoretical framework that connects critical race theory and critical pedagogy in order to address the ways in which music teachers make meaning of gatekeeping practices mediated within hidden structures of White supremacy. This inquiry …


Co-Constructive Music Improvisers: An Ethnographic Case Study, Emma Elizabeth Young Apr 2021

Co-Constructive Music Improvisers: An Ethnographic Case Study, Emma Elizabeth Young

Theses and Dissertations

The purpose of this exploratory ethnographic case study was to examine music improvisations co-constructed by my elementary students and me, their music teacher. Guiding research questions were (a) How do my elementary students and I co-construct music improvisations? (b) How do I describe our music improvisations? (c) How do my elementary students describe our music improvisations? (d) How do my elementary students describe their own music improvisations? (e) How do my elementary students describe their peers’ music improvisations?

I facilitated co-constructive music improvisation sessions with each music class at Coosa Elementary School for seven weeks during Fall 2020. Each student …


Music, Our Human Superpower, Kristin Lems Feb 2021

Music, Our Human Superpower, Kristin Lems

Faculty Publications

Research about music pervades every discipline because music touches every area of life. Studies revealing the salutary effects of music can be found not only in music educator research, but in research in psychology, speech and hearing, child development, neuroscience, and increasingly, health and wellness, aging, rehabilitation and recovery. Since my focus is especially in the areas of language and literacy, I research the positive effects of music on reading, writing, and learning languages - and of this, there is no shortage. In this brief Academia article, I share what I’d like to call an “homage-with-references” to our great Superpower, …


Annotated Bibliography, University Of Denver Jan 2021

Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An Annotated Bibliography discussing how the music education forum could further diversify.


Team/Co Teaching In The Instrumental Classroom: A Differentiated And Holistic Approach To Instruction, Robert Groves Jan 2021

Team/Co Teaching In The Instrumental Classroom: A Differentiated And Holistic Approach To Instruction, Robert Groves

Graduate Research Showcase

Team/Co-Teaching in the Instrumental Classroom:

A Differentiated and Holistic Approach to Instruction

Robert W. Groves

Department of Music Education, Georgia College and State University

MUED 6800: Research in Music Education

Dr. Tina Holmes-Davis

November 15, 2020


Abstract

The literature used in this review serves as a source for the identification and defining of music program quality/success, impacting factors that positively and negatively affect music programs, and the use of effective advocacy through connections made between music and other subject areas, as well as how the implementation of a Team/Co-Teaching instructional model positively affects the overall quality of instruction and student …