Music Education Commons^™

Ch. 10 - Rethinking The Transgressive: A Call For “Pessimistic Activism” In Music Education, Panagiotis A. Kanellopoulos

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This essay asks the question: How are we to think of what Estelle Jorgensen has called “the transgressive” in music education today? My entry point to the question is the suggestion that the struggle against modes of music education that eulogize the status quo, against oppression and authoritarianism, against practices that exclude and intimidate students, has to take the form of “a struggle on two fronts” (Badiou). A struggle against imposed canonicities and obsolete approaches to music teaching but also a struggle against the emerging neoliberal appropriations of education, learning, and creativity. The chapter sketches a struggle-on-two-fronts perspective with regard …

Flash Study Analysis And The Music Learning Profiles Project, Radio Cremata, Bryan Powell, Joseph Michael Pignato, Gareth Dylan Smith

John J. Cali School of Music Scholarship and Creative Works

This paper introduces the Music Learning Profiles Project, and its methodological approach, flash study analysis. Flash study analysis is a method that draws heavily on extant qualitative approaches to education research, to develop broad understandings of music learning in diverse contexts. The Music Learning Profiles Project (MLPP) is an international collaboration to collect and curate a large number of flash studies exploring musicking and music learning in a variety of contexts that fall outside traditional school music education. In this paper the authors present context, rationale, and methods for the project, along with indicative preliminary findings. The project aims to …

Interpretive Reproduction And Informal Music Learning In The Grade One Classroom, Leslie S. Linton

Electronic Thesis and Dissertation Repository

This study investigated informal learning practices in music education as a pedagogical approach within the primary classroom setting. It aims to explore and expand knowledge in the new field of informal music pedagogy through an investigation of its application with Grade One students (ages 5-7). Using the new sociology of childhood as an analytic tool, this study examines children as agentic beings within the structure of childhood, interpreting and reproducing childhood culture. It therefore places emphasis on the importance to primary music education of providing spaces within which children can experiment with and re/create peer musical cultures.

Qualitative case-study methodology …

Informal Learning, Improvisation And Teacher Education, Ruth Wright, Panagiotis Kanellopoulos

Ruth Wright Dr

This paper explores firstly the sense in which improvisation might be conceived of as an informal music education process and, secondly, the effects of a course in free improvisation on student teachers' perceptions in relation to themselves as musicians, music as a school subject and children as musicians. The results of a study conducted in two Greek universities are presented. Using a narrative methodology, examples of data from the reflective diaries or learning journals which 91 trainee teachers kept as part of their participation in an improvisation module are presented and discussed. The argument is made that improvisation, as a …