Composition Commons^™

Volume 36, Number 07 (July 1918), James Francis Cooke

The Etude Magazine: 1883-1957

When Composers Compose

Where Not to Use the Pedal

Spirit of the Masters—Preparation for the Study of Chopin, Debussy and Modern Composers

How to Get Your Music Published

Let's Have More Charity in Criticism

Important Uses for Music

Mistakes Cannot Be Corrected in Public

Foundation Steps in Practicing Scales

What Eurythmics Means

Vacation Rest for Music Teachers

Fighting to Get a Start

Choice of Material for Developing Interpretation: An Article of Particular Summer Self-Study Value to Teachers and Advanced Students

Learning How to Teach the Pianoforte

Why Do They Do It?

Etude Master Study Page: Composers of Music of Wide …

Volume 30, Number 06 (June 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Clara Schumann's Father on Study

How Analysis Benefits the Piano Pupil (interview with Katharine Goodson)

Selecting Piano Studies that Insure Progress

Famous Mythological Characters in Music—Sappho

To Memorize or Not to Memorize

How Chopin Played: As told by Liszt, Schumann, Mendelssohn and Other Contemporaries

Hours with Leschetizky (interview with Lolita D. Mason)

Rubinstein's Bitter Valedictory

Tributes of Noted Musicians to the Memory of the Late W.S.B. Mathews

How the Mind Should Guide the Body in Practice

Dramatic Moments in the Careers of the Masters

Well-Known Composers of To-day—Charles Wakefield Cadman

Volume 30, Number 04 (April 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Famous Standard Etudes: Their Value to the Teacher and to the Music Student

How George Bernard Shaw Learned to Play the Piano

Pitfalls in the Road to Musical Success

Daily Hints for Diligent Pupils

Perplexing Embellishments and Their Execution

Mental Technic of Memorizing

I Could Play it All Right at Home

Some Practical Helps to Sight Reading

How Small Hands May be Trained To Play Arpeggio Chords

Modern French and German Opera

Real Ole Bull, Personal Reminiscences

Little Known Musical Facts

Road to Expression (interview with Harold Bauer)

Well Known Composers of To-day—Robert M. Stults

Volume 29, Number 02 (February 1911), James Francis Cooke

The Etude Magazine: 1883-1957

Weber as a Teacher

How Shall We Make Our Pupils Practice?

Bizet's Masterpiece, Carmen

Music and Color

Epigrams from Schumann

Your First Public Appearance

William H. Sherwood

Some Piano Personalities

Selecting Compositions for Teaching Purposes

Thumb and the Little Finger in Piano Playing

Some Things Piano Owners Ought to Know

Musical Blunders of Famous Authors

Practical Points for the Young Teacher

Well Known Composers of To-Day—Henry Weyts

English Organist of the Past and Present

Decline of the Banjo

Volume 27, Number 06 (June 1909), James Francis Cooke

The Etude Magazine: 1883-1957

How to Study a New Piece: Suggestions for Cultivating Strength and Endurance Without Running the Risk of Injuring the Hands in Octave Playing

Schumann and Chopin

Recollections of Franz Liszt

How to Use the Etude Gallery

Carl Czerny: A Short Review of the Life and Work of the Teacher of Liszt and Leschetizky

Cheap Teachers Always Expensive

Von Bülow's Memory

How Verdi Entered the Musical Profession

Chronological Sketch of Joseph Haydn's Life

Card System as a Music Teacher's Aid

Why Class Teaching Sometimes Fails

Securing a Desirable Teaching Location

Story of Ballestrieri's Beethoven's Kreutzer Sonata

Volume 18, Number 05 (May 1900), Winton J. Baltzell

The Etude Magazine: 1883-1957

Studio Experience: Professional Courtesy

Greatest Difficulty for the Piano

Pertinent Points for Earnest Students

Remoteness of Things

Scharwenka Anecdote

How to Handle Stubborn Pupils

Too High Aims

Franz Peter Schubert

Chronological Summary of Schubert's Works

Schubert's Rank as a Composer and His Influence on the Romantic School

Sadness of Schubert's Life

Schubert and the German Lied

Schubertiana

Man Schubert

Schubert's Orchestral Compositions

On Schubert in Relation to Harmony, Melody, and Rhythm

Few Aphorisms on Schubert by Robert Schumann

Franz Schubert and His Pianoforte Compositions

Discipline via Affection

Characteristics of Schubert's Genius

Listen and Learn

Nervous System and Its Influence Upon …