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Articles 31 - 33 of 33
Full-Text Articles in Composition
Shining A Spotlight On Female African American Composer Evelyn Simpson-Curenton, Iris E. Fordjour-Hankins
Shining A Spotlight On Female African American Composer Evelyn Simpson-Curenton, Iris E. Fordjour-Hankins
Theses and Dissertations--Music
Those who are interested in learning more about Evelyn Simpson-Curenton (b. 1953) will find it challenging to find scholarly material on her life and music. She is best known for her arrangements of spirituals that were sang and recorded by Kathleen Battle and Jessye Norman (whose concert recording Spirituals in Concert was released in 1991). Simpson-Curenton is also known for her choral work, “Psalm 91,” made famous by Oakwood University’s Aeolians. Though she is self-published, her absence from compilations, volumes, and anthologies for solo voice and piano is regrettable. This dissertation provides well researched scholarly information about her musical life …
Exploring And Reapplying Wayne Krantz’S Method Of Constructing The Album Greenwich Mean, Christian A. Meares
Exploring And Reapplying Wayne Krantz’S Method Of Constructing The Album Greenwich Mean, Christian A. Meares
Theses : Honours
Praised for his non-traditional approach to improvised music, his idiosyncratic chordal voicings and strong sense of time, Wayne Krantz has become a touchstone in modern jazz and a unique voice on the guitar. In 1999, Krantz self-released Greenwich Mean, an album comprising of small vignettes spliced together from a year’s worth of recorded live improvisation from his weekly residency gig at the esteemed 55 Bar in New York’s Greenwich Village. This album marks a fundamental shift in Krantz’s approach to composition from through-composed works to smaller, novel arrangements with a strong emphasis on group improvisation.
Using a practice-led research …
The G7 Suite: Score And Analysis, Joseph C. Dunn
The G7 Suite: Score And Analysis, Joseph C. Dunn
Theses and Dissertations--Music
The G7 Suite is a multi-movement chamber work that combines elements of European Art Music, Indigenous Music from Latin America, and various representations of American music. The melodic material is derived from the national anthems of the Great Seven nations: Canada, France, Germany, Italy, Japan, the United Kingdom, and the United States. Each melody is re-set to new music genres and aligns itself to the rules and expectations within each idiom. This compilation is more than a series of arrangements or reharmonizations of the anthems; these are new compositions based on melodic elements from previous works.
This analysis of The …