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Articles 1 - 25 of 25
Full-Text Articles in Modern Languages
Telepathic Visions: On Alvin Yapan’S An Kubo Sa Kawayanan (2015), Christian Jil R. Benitez
Telepathic Visions: On Alvin Yapan’S An Kubo Sa Kawayanan (2015), Christian Jil R. Benitez
Filipino Faculty Publications
This article considers the practice of encouraged gazing in Alvin Yapan's An Kubo sa Kawayanan (“The Hut in the Bamboo Grove”) (2015) as a possible exercise on revering things. As such, it is wagered to be instructive towards a reunderstanding of vision as a form of material encounter with things beyond their mere objectification. Sense of sight is argued to be a human telepathic ability, that is, a distance (tele) feeling (pathein) with and for thigns, despite and because of their indeterminate materialities. Through looking closely at the rhetorical engagements of Yapan's Kubo with its various …
The Prehistory Of The Hollywood Eastern Genre, John Eisele
The Prehistory Of The Hollywood Eastern Genre, John Eisele
Arts & Sciences Articles
No abstract provided.
“After Hollywood And Its Ever-Blue Skies, How Beautiful Paris Looks!”: Jacques Feyder Between France And America, 1928-1934, Barry Nevin
Articles
Although generally relegated by present-day historians to the footnotes of film history, Belgian director Jacques Feyder (1885–1948) strove to elevate the artistic standards of French film production throughout the 1920s and 1930s. His departure for Metro-Goldwyn-Mayer studios on the cusp of the transition to sound in France was viewed as a crisis, and his return was hailed as an event. Drawing on contemporary periodicals, this article answers two fundamental questions: Why did France's leading am bassador leave his adoptive homeland? And what factors motivated his return to France despite the country's notoriously anarchic mode of production? Core concerns include Feyder's …
Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin
Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin
Articles
Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Review Of Latin American Cinema, By Stephen M. Hart, Traci Roberts-Camps
Review Of Latin American Cinema, By Stephen M. Hart, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of Tu Casa Es Mi Casa, By Nylsa Martínez Morón, Traci Roberts-Camps
Review Of Tu Casa Es Mi Casa, By Nylsa Martínez Morón, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of Mejor No Hablar (De Ciertas Cosas), Dir. Javier Andrade, Traci Roberts-Camps
Review Of Mejor No Hablar (De Ciertas Cosas), Dir. Javier Andrade, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
El Cine Social Y Comprometido De Icíar Bollain: Hacia Una Perspectiva Global, Transcultural Y Ecologista, Estrella Cibreiro
El Cine Social Y Comprometido De Icíar Bollain: Hacia Una Perspectiva Global, Transcultural Y Ecologista, Estrella Cibreiro
Spanish Department Faculty Scholarship
No abstract provided.
Review Of Walachai, Dir. Rejane Zilles, Traci Roberts-Camps
Review Of Walachai, Dir. Rejane Zilles, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Movie Review De Biutiful Por González Iñárritu, Ana M. López-Aguilera
Movie Review De Biutiful Por González Iñárritu, Ana M. López-Aguilera
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
En Biutiful, el director mexicano Alejandro González Iñárritu, presenta las dificultades de tres padres de familia para cuidar de sus hijos en un contexto de marginación y pobreza. La historia principal es la de Uxbal, enfermo de cáncer terminal, con dos hijos a su cargo, separado de una esposa bipolar, sin recursos económicos excepto lo que consigue como mediador en el negocio de inmigrantes ilegales y como medium entre los espíritus de los recién fallecidos y sus familiares. Con esta historia confluyen la de Hin y la de Edweme. El primero, colaborador de Uxbal en el tráfico de inmigrantes …
The Female Body As Spectacle: Ángel De Fuego And La Mujer Del Pueblo: Otilia Rauda By Dana Rotberg, Traci Roberts-Camps
The Female Body As Spectacle: Ángel De Fuego And La Mujer Del Pueblo: Otilia Rauda By Dana Rotberg, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Contextos Y Prácticas En Las Humanidades Digitales, Joseba Moreno
Contextos Y Prácticas En Las Humanidades Digitales, Joseba Moreno
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
La aplicación de la tecnología a los trabajos enmarcados en el campo de las humanidades y la creación de un nuevo conjunto de prácticas denominado humanidades digitales, es el tema principal de este trabajo, que pretende servir de introducción a algunas de las prácticas y metodologías más recientes en el ámbito académico.
Female Solidarity In The Films Of María Novaro: Aquí Sólo Encontramos Amigas, Traci Roberts-Camps
Female Solidarity In The Films Of María Novaro: Aquí Sólo Encontramos Amigas, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of Rosario Castellanos: Perspectivas Críticas. Ensayos Inéditos, Edited By Pol Popovic Karic And Fidel Chavez Perez, Traci Roberts-Camps
Review Of Rosario Castellanos: Perspectivas Críticas. Ensayos Inéditos, Edited By Pol Popovic Karic And Fidel Chavez Perez, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Cinematic Space In Rome’S Disabitato: Between Metropolis And Terrain Vague In The Films Of Fellini, Antonioni, And Pasolini, Patrick Barron
Cinematic Space In Rome’S Disabitato: Between Metropolis And Terrain Vague In The Films Of Fellini, Antonioni, And Pasolini, Patrick Barron
English Faculty Publication Series
No abstract provided.
Review Of Femina: Festival Internacional De Cinema Femenino [International Festival Of Women’S Film], (Rio De Janeiro, Brazil, June 1-7, 2009), Traci Roberts-Camps
Review Of Femina: Festival Internacional De Cinema Femenino [International Festival Of Women’S Film], (Rio De Janeiro, Brazil, June 1-7, 2009), Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of La Ventana, Dir. Carlos Sorín, Traci Roberts-Camps
Review Of La Ventana, Dir. Carlos Sorín, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of Play, Dir. By Alicia Scherson, Traci Roberts-Camps
Review Of Play, Dir. By Alicia Scherson, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Review Of Estadio Nacional, Dir. By Carmen Luz Parot, Traci Roberts-Camps
Review Of Estadio Nacional, Dir. By Carmen Luz Parot, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Reseña De Esa Pareja Feliz: Toma De Conciencia, Oscar Pereira Zazo, Lola Lorenzo
Reseña De Esa Pareja Feliz: Toma De Conciencia, Oscar Pereira Zazo, Lola Lorenzo
Spanish Language and Literature
“No firmaré jamás, jamás…,” grita una reina loca en una película, según veremos, de pacotilla. La actriz, que recula, se confunde de almena y cae estruendosamente al vacío rompiendo un arco voltaico que los eléctricos no podrán sustituir. Medios escasos para intenciones sublimes. Asistimos, pues, al rodaje de una película histórica; posiblemente, un drama de honor muy del gusto de la España autárquica de los años más negros de la dictadura franquista. Entre los presentes se encuentra nuestro protagonista, Juan (Fernando Fernán Gómez), que se afana como electricista y en lo que se ofrezca en la magnífica producción para mayor …
Reseña De El Verdugo: Acerca De La Felicidad Y De La Inercia De Las Cosas, Oscar Pereira Zazo
Reseña De El Verdugo: Acerca De La Felicidad Y De La Inercia De Las Cosas, Oscar Pereira Zazo
Spanish Language and Literature
La vida es una tómbola. Si no que se lo digan a José Luis Rodríguez, el héroe, que no lo quiere ser, de nuestra película. En realidad lo que José Luis quiere es irse a Alemania para aprender mecánica y tener un trabajo respetable. Pero ya se sabe que las cosas no siempre salen a satisfacción de todos, porque como dice el refrán, el hombre propone, Dios dispone y el destino impone.
Review Of El Tren Pasa Primero, By Elena Poniatowska, Traci Roberts-Camps
Review Of El Tren Pasa Primero, By Elena Poniatowska, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.
Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov
Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov
Arts & Sciences Articles
No abstract provided.
Review Of Rosas Negras, By Ana García Bergua, Traci Roberts-Camps
Review Of Rosas Negras, By Ana García Bergua, Traci Roberts-Camps
College of the Pacific Faculty Articles
No abstract provided.