Modern Languages Commons^™

Codeswitching In The Egyptian Arabic Movies: How Do Social Variables Trigger Codeswitching?, Randa Hassan

Theses and Dissertations

Abstract

This is a qualitative study designed to examine the growing linguistic practice of codeswitching in a sociolinguistic context. For this purpose, 7 Egyptian Arabic films were purposefully selected to investigate what social variables and contexts can be associated with codeswitching. Data was sampled in 43 experts from the 7 films. The data was analyzed in terms of the social variables of education, social class, identity, stance, and age, within the theoretical framework of the critical discourse analysis, the accommodation theory, and the social arena theory. Although the study started with these social variables in mind, data analysis revealed two …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

“Since When Is Steve Urkel White?” – Vocal Blackface In The German Dubbing Landscape, Patrick Ploschnitzki

Studies in 20th & 21st Century Literature

Dubbed (i.e., lip-synchronized audiovisual translation of) movies and television are ubiquitous in German-speaking countries and often consumed without active reflection of their production. Due to this inattention, the domestication / replacement of cultural references in US media translated into German often goes unnoticed. Translational decision-making becomes highly problematic, however, when entire cultures are replaced or disregarded as a result. In 2004, applied linguist Robin Queen demonstrated that Black actors were dubbed by white voice actors with German dialects and sociolects traditionally read as “blue collar.” There has not been any follow-up research to her crucial contribution that remains topical: the …

Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell

Doctoral Dissertations

In this dissertation, I look to Ukrainian women’s literary and filmic contributions in the final Soviet years of perestroika to recontextualize and reconsider feminist and gendered epistemologies in Eastern Europe. I view the last Soviet Ukrainian filmmakers, writers, and artists as groundbreaking in their conceptualization a new, more “liberal” vision of nation, especially through their increasingly open and subversive critiques of the Soviet state. I locate perestroika as a powerful moment in Ukraine’s histories of resistance to the weaponization of colonialist and imperialist mythologies, past and present. For women in particular, the stakes of this shifting articulation of nation became …

Between The Visual And The Verbal: An Aesthetic Of Open Wounds In Post-Traumatic Experience Of The Iran-Iraq War (1980-1988), Maryam Ghodrati

Doctoral Dissertations

Trauma theory of the 1990s pioneered by Cathy Caruth, Shoshana Felman, and Geoffrey Hartman has been criticized by postcolonial scholars such as Irene Visser, Michael Balaev, and Stef Craps for being neglectful of the trauma of the colonial world in adopting a deconstructivist approach and psychologization of experiences of trauma. This antagonism between the traditional and postcolonial trauma theory has resulted in even deeper isolation of the human subject at the center of this argument. In my research, I highlight the reality and materiality of traumatic suffering in the shared realm of the human body to suggest a need for …

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

Telepathic Visions: On Alvin Yapan’S An Kubo Sa Kawayanan (2015), Christian Jil R. Benitez

Filipino Faculty Publications

This article considers the practice of encouraged gazing in Alvin Yapan's An Kubo sa Kawayanan (“The Hut in the Bamboo Grove”) (2015) as a possible exercise on revering things. As such, it is wagered to be instructive towards a reunderstanding of vision as a form of material encounter with things beyond their mere objectification. Sense of sight is argued to be a human telepathic ability, that is, a distance (tele) feeling (pathein) with and for thigns, despite and because of their indeterminate materialities. Through looking closely at the rhetorical engagements of Yapan's Kubo with its various …

Theme-Based Second Language Learning Through Multimodal Experimental Animation, Bailu Li, Yuan Xu

Chinese Language Teaching Methodology and Technology

In a digital, multimedia, and globalized world, new theories such as multimodality, multiliteracies, and theme-based instruction have signaled a shift in the Chinese as language art and Chinese as second language teaching and learning. However, these theoretical frameworks have not been frequently integrated and implemented in the field of CFL. Focusing on the theme of "Personal and Public Identity'', the article proposed a new attempt to synthetically combine multimodal texts, multiliteracies pedagogy, and thematic learning in CFL classrooms. Through the three selected experimental animations, the article discussed teaching methods and procedures in the topics of individuals and families, individuals and …

La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo

Honors Theses

This project explores the socio-cultural evolution of gender dynamics through the analysis of four contemporary Mexican films: Amores perros (2000) directed by Alejandro González Iñárritu, Y tu mamá también (2001) directed by Alfonso Cuarón, Las elegidas (2015) directed by David Pablos, and Roma (2018) also directed by Cuarón. These directors are part ofMexico’s cinematic “New Wave,” a modern resurgence of Mexican film that depicts a realistic side of the nation’s political, social, and economic issues. In the opening chapter, I analyzeAmores perros and Y tu mamá también, two earlier films of the “New Wave.” These movies areheavily focused on toxic …

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov

Alexander Prokhorov

No abstract provided.

Reconfiguring The War And Family Tropes In Thaw-Era Homefront Melodrama, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

The Diamond Arm. Brilliantovaia Ruka, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

A Person Is Born: Stalinist Myth Of The Great Family In Film Genres Of The Thaw, Alexander V. Prokhorov

Alexander Prokhorov

Метафоры социального и кровного родства стали в последнее время едва ли не господствующей формой концептуанализации политического, экономического и культурного развития: от "ельцинской Семьи" до "питерского клана", от "Солдатских матерей" до "батяни-комбата", от "солнцевской братвы" до "дедовщины", наконец, от "Моей семьи" до кинодилогии о "Брате". Используя обширный исторический, социологический и культурологический материал, статьи, собранные в этой книге, пытаются объяснить привлекательность родственных связей и семейных уз. В первом томе сборника исследуются идеологические контексты существования семей, способы формирования семейных союзов, а также разнообразные бытовые тактики и половые стратегии семейной жизни. Во второй том вошли статьи, посвященные различным типам семейного воспитания детей, проблемам жизни …

Cinema Of The Thaw (1953 – 1967), Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

Lenin’S Guard. Zastava Il’Icha, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

Ina Batzke, Eric C. Erbacher, Linda M. Hess, And Corinna Lenhardt, Eds. Exploring The Fantastic: Genre, Ideology, And Popular Culture. Transcript Verlag, 2018., Annabelle Dolidon

Studies in 20th & 21st Century Literature

Review of Ina Batzke, Eric C. Erbacher, Linda M. Hess, and Corinna Lenhardt, eds. Exploring the Fantastic: Genre, Ideology, and Popular Culture. Transcript Verlag, 2018. 294 pp.

Las Representaciones Del Franquismo En “El Laberinto Del Fauno” Y “La Lengua De Las Mariposas, Megan Elizabeth Vande Linde

Chancellor’s Honors Program Projects

No abstract provided.

La Position Préférée De La Femme Francophone, Nathalie Bidwell, Allie Enyon, Ornella Bisamaza

Student Symposium

The representation of women in francophone films is a concern because of the relationship it has with women and their portrayal of characters in film. When reviewing the films, Bataille D’Algiers, Mossane, Règle du Jeu, and Le Genou de Claire, we have found several different portrayals of women that have either challenged or confirmed stereotypes of women in cinema and in their everyday lives. Some of these movies emphasize on characteristics that marginalize women while others portray the importance of women in cinema. Without these women , the story would’ve been changed or would not have had the same effect …

Cinematographic Aspects Of The Francophone Film: The Scale Of Realism To Formalism, Angelo Lozada, David Sickles

Student Symposium

Films can be placed on a formalist-realist scale based upon the style taken upon by filmmakers, whether a film leans toward aesthetic forms over objective subject matter, leans towards replicating objective reality, or is a mixture of both. As film evolved and took shape within the Golden Age of Hollywood Cinema, experimental forms of film were produced from the Francophone Film Industry, in both in cinematic aspects of camera techniques and editing. This presentation will discuss two films in particular: La Règle du Jeu by Jean Renoir, and La Bataille d’Alger by Gillo Pontecorvo. Renoir, son of painter Pierre-Auguste Renoir, …

Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández

Theses and Dissertations--Hispanic Studies

In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the years surrounding this economic downturn about the ghettoization of the Spanish Gypsy …

The Prehistory Of The Hollywood Eastern Genre, John Eisele

Arts & Sciences Articles

No abstract provided.

Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre

The Quiet Corner Interdisciplinary Journal

Breve análisis de los tópicos característicos en la obra fotográfica del fotógrafo cubano Juan Carlos Alom, en especial las que resumen su reciente exposición en el Jorgensen, Center for the Performing Arts, de la Universidad de Connecticut.

“After Hollywood And Its Ever-Blue Skies, How Beautiful Paris Looks!”: Jacques Feyder Between France And America, 1928-1934, Barry Nevin

Articles

Although generally relegated by present-day historians to the footnotes of film history, Belgian director Jacques Feyder (1885–1948) strove to elevate the artistic standards of French film production throughout the 1920s and 1930s. His departure for Metro-Goldwyn-Mayer studios on the cusp of the transition to sound in France was viewed as a crisis, and his return was hailed as an event. Drawing on contemporary periodicals, this article answers two fundamental questions: Why did France's leading am bassador leave his adoptive homeland? And what factors motivated his return to France despite the country's notoriously anarchic mode of production? Core concerns include Feyder's …

Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin

Articles

Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Review Of Latin American Cinema, By Stephen M. Hart, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.

Use Of Student Created Video Podcasts To Promote Foreign Language Grammar Acquisition In Middle School, Sergio Parra

CCE Theses and Dissertations

The use of video podcasts in education has emerged as a phenomenon that has gained a considerable amount of attention over the last few years. Although video podcasting is becoming a well-established technology in higher education, new multimedia instructional strategies such as student-created video podcasts in grades K-12 are under-researched.

The study investigated the effects of video podcasts created by students to promote foreign language grammar acquisition at the middle school level and find how students described such experience. The current investigation was conducted by using the explanatory sequential design, which is a mixed methods research design that occurs in …

Review Of Tu Casa Es Mi Casa, By Nylsa Martínez Morón, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.

Review Of Mejor No Hablar (De Ciertas Cosas), Dir. Javier Andrade, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.