Open Access. Powered by Scholars. Published by Universities.®

Italian Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 7 of 7

Full-Text Articles in Italian Literature

Twenty-First-Century African And Asian Migration To Europe And The Rise Of The Ethno-Topographic Narrative, Nelson González Ortega, Olga Michael Jan 2022

Twenty-First-Century African And Asian Migration To Europe And The Rise Of The Ethno-Topographic Narrative, Nelson González Ortega, Olga Michael

Studies in 20th & 21st Century Literature

The first two decades of the twenty-first century have witnessed a rise in the publication of narratives concerning contemporary African and Asian migration to Europe, written individually or collectively, by Asian, African and/or European authors. While scholarly attention has increasingly turned to these texts, our purpose is to further investigate them from a pan-European perspective and to propose a model for their analysis as a distinct literary genre. We therefore introduce the "ethno-topographic narrative" to define, classify and systematically analyze twenty-first-century migration narratives published in Europe in relation to theory, method, corpus, generic type, individual or collective authorship, border and …


Walking And Cycling As Modalities Of Political Enunciation In Paolo Rumiz’S A Piedi (2012 ‘On Foot’) And Tre Uomini In Bicicletta (2002 ‘Three Men On Their Bikes’), Barbara Siller Jun 2020

Walking And Cycling As Modalities Of Political Enunciation In Paolo Rumiz’S A Piedi (2012 ‘On Foot’) And Tre Uomini In Bicicletta (2002 ‘Three Men On Their Bikes’), Barbara Siller

Studies in 20th & 21st Century Literature

The great number of travel narratives written by Paolo Rumiz from Trieste, Italy, include books about walking and cycling, as well as travelling by train or ferry. On the one hand, these accounts present detailed descriptions of the routes taken on these journeys, depict illustrations of historic buildings, and display various types of maps, and as such, are meant to serve as walking guides (Rumiz 2012, 12). On the other hand, they become a space of reflection for a wide range of themes, including walking slowly as a way to clear your mind, to comfort your heart, and to heal …


Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas Jan 2015

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …


The Order Of Bourgeois Protest, Geoffey Waite Jan 1986

The Order Of Bourgeois Protest, Geoffey Waite

Studies in 20th & 21st Century Literature

Relatively little theoretical work is currently being produced by Western "Leftists" on committed protest culture. Simultaneously and not by chance, Western Marxism has drifted increasingly away from solidarity with the concept and practice of the vanguard party and toward a more or less easy compact with the problematic of poststructuralism and postmodernity. This relative paucity of discussion of commitment and protest stands in significant relationship to two critical moments: first, a powerful, overtheorized tradition of Western Marxist debate about commitment and protest (Benjamin, Sartre, Barthes, Marcuse, Adorno, among others); second, a wide-spread, undertheorized work-a-day practice of "traditional" liberal …


Eco's Echoes: Fictional Theory And Detective Practice In The Name Of The Rose, David H. Richter Jan 1986

Eco's Echoes: Fictional Theory And Detective Practice In The Name Of The Rose, David H. Richter

Studies in 20th & 21st Century Literature

Umberto Eco's The Name of the Rose is a serio-comic pastiche of the detective story set in the middle ages, which uses history as "a distant mirror" to comment, from a Western Marxist perspective, on contemporary political issues. Structurally, however, The Name of the Rose is a fictional enactment of many of the semiotician's recent critical and philosophical ideas. ( 1) Eco's discussion of "abductive" reasoning in C. S. Peirce and Aristotle appears in a detective not only more fallible than Sherlock Holmes but more aware of what his powers consist of and why they work and fail. (2) Eco's …


The Gulag Archipelago: From Inferno To Paradiso, David Matual Sep 1982

The Gulag Archipelago: From Inferno To Paradiso, David Matual

Studies in 20th & 21st Century Literature

It is apparent from the title of his novel The First Circle and from various details there and in other works that Alexander Solzhenitsyn is familiar with at least the imagery of Dante's Divine Comedy. One direct and several indirect references to it also suggest a Dantean subtext in his longest and most ambitious project, The Gulag Archipelago. Indeed, the loci of the ComedyInferno, Purgatorio, and Paradiso—are transformed in the Gulag into metaphorical representations of the various stages in the development of man's consciousness—and especially Solzhenitsyn's consciousness—during the ordeals of arrest, inquest, imprisonment, …


Bradomín And The Ironies Of Evil: A Reconsideration Of Sonata De Primavera, Sumner M. Greenfield Sep 1977

Bradomín And The Ironies Of Evil: A Reconsideration Of Sonata De Primavera, Sumner M. Greenfield

Studies in 20th & 21st Century Literature

Of the four novels that form Valle-Inclán's tetralogy of seasonal Sonatas, the most problematical and dissonant is the springtime segment, which is the third in the order of composition. Valle-Inclán uncharacteristically subordinates seasonal esthetics in favor of a peculiarly ironic manipulation of the theme of conflict between good and evil set in an Italian context redolent of the Renaissance and rife with religious fanaticism. The ingrained theatricality of the young Marqués de Bradomín leads him to affect the pose of a "devilish" don Juan in order to break down the defenses of a young would-be nun who seems destined …