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Full-Text Articles in Italian Literature
"Perché Il Mondo È Cambiato": Second Generation Italian Hip Hop And The Authorization Of Postcolonial Italian Identities, Anthony Sargenti
"Perché Il Mondo È Cambiato": Second Generation Italian Hip Hop And The Authorization Of Postcolonial Italian Identities, Anthony Sargenti
Graduate Theses and Dissertations
Second generation Italian hip hop artists negotiate, contest, and decolonize italianità through their lyrics, music, and activism. Italian Postcolonialism, Cultural Theory, and Musicology inform my approach to understanding the struggle over contemporary Italian politics of identity and belonging. I utilize Discourse Analysis to contextualize lyrics, music, and music videos that resist hegemonic notions of italianità and champion inclusive citizenship. Artists analyzed include Amir Issaa, Karima DueG, Ghali, Tommy Kuti, Cécile, Chadia Rodriguez, and Alessandro Mahmoud. Centralizing hip hop as a collective site of resistance demonstrates the movement towards recognition as well as equal representation. Second generation artistry and lyricism starts …
Amorous Poems And Passionate Letters: An Analysis Of The Contributions Of Two Female Authors To The Literary Scene Of 16th Century Italy, Ava Buchanan
History Undergraduate Honors Theses
Vittoria Colonna and Chiara Matraini were well known women in intellectual and public Italian society during the 16th century. However, the history surrounding their individual impacts has often been limited due to the common practice of grouping these two women together or focusing more intently on their male connections. This thesis aims to advance women’s history on the Early Modern period by providing holistic accounts of Vittoria Colonna and Chiara Matraini’s careers that provide a better understanding of the unique contributions that these women made to distinctly female literature in the Early Modern period in Italy. This thesis utilizes …
Scarico: It’S Only A Movie, Most Of The Time, Thomas Nelson
Scarico: It’S Only A Movie, Most Of The Time, Thomas Nelson
Graduate Theses and Dissertations
Exploitation cinema is a domain of motion picture content catering to a viewership interested in imagery that is more provocative than what mainstream audiences desire to see. These types of films are typically considered lowbrow entertainment and have been made in every era, albeit in a limited capacity proportional to the niche audience demand for them. Some time periods see a rise in exploitation film productions in response to a growing demand for such content from a larger share of the broader cinematic audience. This relationship indicates that period-specific cultural factors can cause mainstream audience members to seek out more …