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Full-Text Articles in Italian Literature

Twenty-First-Century African And Asian Migration To Europe And The Rise Of The Ethno-Topographic Narrative, Nelson González Ortega, Olga Michael Jan 2022

Twenty-First-Century African And Asian Migration To Europe And The Rise Of The Ethno-Topographic Narrative, Nelson González Ortega, Olga Michael

Studies in 20th & 21st Century Literature

The first two decades of the twenty-first century have witnessed a rise in the publication of narratives concerning contemporary African and Asian migration to Europe, written individually or collectively, by Asian, African and/or European authors. While scholarly attention has increasingly turned to these texts, our purpose is to further investigate them from a pan-European perspective and to propose a model for their analysis as a distinct literary genre. We therefore introduce the "ethno-topographic narrative" to define, classify and systematically analyze twenty-first-century migration narratives published in Europe in relation to theory, method, corpus, generic type, individual or collective authorship, border and …


Mermaid Song: The Notebooks Of The Writing Woman, Gianna T. Ward-Vetrano Jun 2017

Mermaid Song: The Notebooks Of The Writing Woman, Gianna T. Ward-Vetrano

Dissertations, Theses, and Capstone Projects

This thesis is built on the model of Doris Lessing’s The Golden Notebook, that is, it is a feminist project of holistic integration that does not reject fracturing, ambiguity, or contradiction, but aims to attain a more complex and thus truer portrait of the woman writing. Lessing’s notebooks examine conflicts between communism and capitalism, racial conflict in Africa, conflict between men and women, and the conflict between the protagonist Anna Wulf’s identity as a woman and her identity as a writer, each of which she then attempts to integrate into the singular golden notebook of the title. I propose …


Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione Sep 2016

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …


Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith Jan 2016

Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith

Senior Projects Spring 2016

Jean Genet, author ofThe Balcony, and Dante Alighieri, author of Inferno, have more in common than you might think. For one thing, they were both obsessed with death.

The Vestibule (a devised theater piece) was made to examine this obsession with (and fear of) death further.

Art is a tool we can use to confront our fear of death. All people fear death.