Contemporary Art Commons^™

Relocated Pilgrimage: An Artistic Via Dolorosa In The Heart Of Amsterdam, Lieke Wijnia

International Journal of Religious Tourism and Pilgrimage

The route of the iconic Stations of the Cross is not only connected to physical locations of the Via Dolorosa in Jerusalem, but is also manifest in Catholic churches, processions, and passion plays, as well as heritage sites and shrines around the world. A twenty-first-century relocation of this pilgrimage is the international project Art Stations of the Cross. With the aim to offer artistic reflections on social injustice, each station is represented by an artwork especially located in a heritage site. Presented as a journey of contemplation, the 2019 edition took place in Amsterdam, The Netherlands. In this article, participant …

Femagogical Strategies In The Art School: Navigating The Institution, Barbara Knezevic, Amy Walsh

Articles

This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy …

Art In The Age Of Financial Crisis, Conor Mcgarrigle, Marisa Lerer

Articles

This issue addresses the long financial crisis of 2008 and the nature and diversity of artistic responses to it. This financial crisis is understood as a globalized result of late capitalism that nonetheless is experienced differently at local, regional, and national levels. It is multi- faceted in nature, a phenomenon that has historical roots and precedents that inform contemporary responses. Artists are not restricted to engage with the economy through one specific vehicle of inquiry or one type of medium and message. Therefore, the central question that this issue poses is: what is the artist’s role in finance, crisis, and …

Laboratoire DéBerlinisation: Art, Finance, And The Legacies Of Colonialism In Contemporary African Art: An Interview With Mansour Ciss Kanakassy, Conor Mcgarrigle, Marisa Lerer

Articles

Mansour Ciss Kanakassy (b. 1957) is a Berlin-based Senegalese artist whose practice addresses the legacy of colonialism in contemporary Africa, in particular as it is expressed in the financial systems of the former Francophone colonies of West Africa, where the currency, the CFA franc, historically tied to the French franc, is now pegged to the euro. The acronym CFA originally stood for Colonies Françaises d’Afrique – French Colonies of Africa – and now Communauté Financière Africaine – African Financial Community. In 2001, Ciss Kanakassy created the Laboratoire Déberlinisation (Déberlinisation Laboratory), a multifaceted project that traces contemporary African issues to the …

The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle

Articles

Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …

Augmented Interventions: Re-Defining Urban Interventions With Ar And Open Data, Conor Mcgarrigle

Books/Book Chapters

This chapter proposes that augmented reality art and open data offer the potential for a redefinition of urban interventionist art practices.

Data has emerged as a significant force in contemporary networked culture from the commercial commodification of online presence as practised by internet giants Facebook and Google to the 2013 revelations of the unprecedented scale of the US Government’s data collection regime carried out by the NSA (Gellman and Piotras, U.S., British intelligence mining data from nine U.S. Internet companies in broad secret program, http://www.washingtonpost.com/investigations/us-intelligence-mining-data-from-nine-us- internet-companies-in-broad-secret-program/2013/06/06/3a0c0da8-cebf-11e2-8845- d970ccb04497_story.html, 2013). Big data and its effective deployment is seen as essential to the …

1916 And The Challenges Of Commemorative Exhibitions In Ireland, Siobhan Doyle

Conference papers

Like many countries, Ireland has a chaotic and tumultuous past which results in challenges for national cultural institutions in presenting history to satisfy the education and expectation of both national and transnational audiences. The Easter Rising of 1916- a failed rebellion against British rule- is the pivotal event in the creation of the modern Irish state and is synonymous as a moment in the past which represents Irish history, characterizes Irish culture and amplifies national identity.

With 2016 marking 100years since the Easter Rising, my paper will explore how the recent centenary commemorations of this historic event have been a …

1916 And The Challenges Of Commemorative Exhibitions In Ireland, Siobhan Doyle

Conference papers

This paper examines how National Cultural Institutions in Ireland have demonstrated significant responses in facilitating collective, reflection, celebration and engagement with the 100th year anniversary of the 1916 Rising by discussing some of the broad tensions and issues facing three exhibition case studies at the National Museum of Ireland and National Gallery of Ireland in Dublin and at the Crawford Art Gallery in Cork City.

When Attitudes Become Toys: Play Orbit And The Cybernetics Of Participation, Tim Stott

Conference Papers

This paper discusses the exhibition Play Orbit, curated by Jasia Reichardt, then Assistant Director of the Institute of Contemporary Arts in London, in collaboration with Peter Jones of the Welsh Arts Council and first shown at the Royal National Eisteddfod of Wales in Flint from 4to 9 August 1969 and then at the ICA itself from 28 November 1969 to 15 February 1970.

The exhibition consisted of ‘toys, games, and playables [produced] by people who are not professionally involved with the design of playthings, but who work in the field of the visual arts’, wrote Reichardt. In its choice …

Reading Foucault After Modern Painting: From Object To System’, Tim Stott

Conference Papers

By his own admission, Foucault wrote with great pleasure about painting, feeling little need for polemics or strategic interpretation (DE II, 707). But he also thought through paintings, taking them to be exemplary objects of knowledge, uniquely indicative of transformations and discontinuities in discursive and non-discursive orders. This mixture of pleasure, preference, and analysis leaves us with a diverse body of work that might still assist in our understanding of the development of modern painting. Of particular interest is that during the period in which Foucault wrote, what counted as painting was radically questioned, leading to an expansion that …

Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay

Other resources

Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25^th of April, 2014

Michael Craig Martin: Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

National Institutions Of Visual Culture, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Alanna O'Kelly, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Jaki Irvine, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Daphne Wright, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Maurice O'Connell, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Grace Weir, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Finola Jones, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Frances Hegarty, Biographical Entry, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Declan Clarke’S Fantasies, Tim Stott

Articles

No abstract provided.

Criton Tomazos And Underground Art In The 1960s, Stephen Carruthers

Articles

This article situates the artistic development of the Greek-Cypriot artist Criton Tomazos (b.1940) as a part of a circle of artists in the 1960s loosely associated around a number of informal groupings, including Arts Together, Writers Forum, Sigma, Group H and Environmental Forum.It examines the context for a number of his key works including The Cage on the basis of a literature review and interviews conducted with Criton Tomazos. The article concludes that Criton Tomazos made a significant contribution to the Undergound art movement in London in the 1960s.

To Document Or Not To Document, That Is The Question? Use Of The Participatory Archive Model For A Residential Artist’S Centre, Yvonne Desmond

Conference papers

Men of genius really are doing most when they work least, as they are thinking out ideas and perfecting the conceptions which they will subsequently carry out with their hands.’ (Leonardo da Vinci) There is a romantic notion that regards all forms of Art as emanating from the gods and artists as the mere conduits for this divine inspiration. This research project disavows such notions and instead is predicated on the basis that all artists are skilled practitioners of their craft. Research into the areas of tacit knowledge and visual intelligence indicate that the making of art is an experiential …

Casting A Net: Contemporary Drawing Practices And Strategies, Brian Fay

Other resources

Casting a Net: Contemporary Drawing Practices and Strategies is an overview of national and international drawing practices and considering these in relation to the work of John Beattie.