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Articles 1 - 4 of 4
Full-Text Articles in Contemporary Art
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
Theses and Dissertations
This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
Theses and Dissertations
This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Theses and Dissertations
This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Theses and Dissertations
This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.