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Articles 1 - 23 of 23
Full-Text Articles in Contemporary Art
Ripe Spoils, Yan Cynthia Chen
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
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(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Theses and Dissertations
Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
Theses and Dissertations
This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
Theses and Dissertations
This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Theses and Dissertations
This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Theses and Dissertations
This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.
Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry
Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry
Theses and Dissertations
Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.
Two Become One. Collaboration In Life And Work: Emilia’S Role In The Work Of The Artistic Duo Ilya And Emilia Kabakov, Elena Coureau
Two Become One. Collaboration In Life And Work: Emilia’S Role In The Work Of The Artistic Duo Ilya And Emilia Kabakov, Elena Coureau
Theses and Dissertations
This paper examines the artistic collaboration of Ilya and Emilia Kabakov in terms of co-authorship. Through a discussion of collaboration in diverse fields, this paper develops an understanding of the artists’ decision to join forces and highlights Emilia Kabakov’s artistic talent and originality, diverging from the previous scholarship.
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier
Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier
Theses and Dissertations
This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.
Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman
Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman
Theses and Dissertations
Rayman makes an argument to repurpose capitalist systems as readymade artworks to shift the existing flow of capital from speculator to art producer.
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Theses and Dissertations
This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.
The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004., Olga Tykhonova
The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004., Olga Tykhonova
Theses and Dissertations
The thesis focuses on a particular moment in the history of Kunstverein München - the directorship and curatorial practice of Maria Lind from 2002 to 2004, referred to as exemplary of the New Institutionalism. I analyze Lind’s directorship through the lens of the director-curator concept and institution as an “agonistic space.”
Archaeology Of Social Patterning, Chase Bray
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu
Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu
Theses and Dissertations
The thesis is about the phenomenon of "artist-company" -- commercial methodologies employed by contemporary artists are determining their artworks. Taking XuZhen as a case study, it attempts to understand the phenomenon through aspects including art autonomy and institutional theories. It argues that "artist-company" is a continuation of institutional critique.
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Theory For A Starving Obese, Ishai Shapira Kalter
Theory For A Starving Obese, Ishai Shapira Kalter
Theses and Dissertations
Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the …
Towards Telepathic Ecologies: A Presentation Of Sources For Image Production Within Information, Lewis A. Longino
Towards Telepathic Ecologies: A Presentation Of Sources For Image Production Within Information, Lewis A. Longino
Theses and Dissertations
Telepathy through information systems, Yutaka Matsuzawa,with Ilya Prigogine, Roger Caillois, Susan Howe, Sueyeun Juliette Lee, Aase Berg, images and artists today form telepathic ecologies through information,Aaron Flint Jamison, Dora Budor, Sb Fuller, Andrea Crespo.
Horizon Of Possibilities: Artists And The City In Postwar Beirut, Tatiana Mouarbes
Horizon Of Possibilities: Artists And The City In Postwar Beirut, Tatiana Mouarbes
Theses and Dissertations
This thesis narrates a history of postwar cultural production framed by urban redevelopment in Beirut, Lebanon (1989-Present). Focusing on artists engagements with the city, this thesis demonstrates how artists thought through the legacies of war inflicted upon the beleaguered city of Beirut in order to construct livable futures.
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.