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Articles 1 - 12 of 12
Full-Text Articles in Asian Art and Architecture
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Theses and Dissertations
Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Senior Theses
The modern girl is one of the most visually memorable female archetypes of the 20th century. She emerged at the beginning of the century in countries across the world and represented the merging of modernity and consumerism, as well as the increasingly visible role of women in the public sphere. She can be seen in the art and media of many different nations around the world, and while her basic essence is the same across countries- a young, cosmopolitan woman who dresses in modern fashions- her specific traits and clothing choices depend heavily on the nation in which she is …
Carpets As Signifiers Of Historical Change: The Azerbaijani Carpet Industry From The Mid-Nineteenth To Late Twentieth Century, Jill Boggs
Senior Theses
The Azerbaijani carpet industry, long recognized as an important piece of Azerbaijan’s cultural heritage, transformed dramatically between the mid-nineteenth and twentieth centuries in response to political, economic, and social changes that took place under the Russian Empire and the Soviet Union. During this period, the carpet industry began to use modern weaving techniques and materials, favored factory production over traditional hand-woven designs, and created pieces for exportation rather than personal or community use. These developments contribute to two historical schools that view the Soviet Union as either a prison of nations, stifling non-Russian cultures, or a nursery of ethnic identities, …
Illustrating Emperors: Yongzheng And Qianlong's Representation Of Individual Identity Within Mid-Qing Art, Matthew Kavorkian, Hilary Smith, Elizabeth Campbell
Illustrating Emperors: Yongzheng And Qianlong's Representation Of Individual Identity Within Mid-Qing Art, Matthew Kavorkian, Hilary Smith, Elizabeth Campbell
DU Undergraduate Research Journal Archive
No abstract provided.
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg
Schmucker Art Catalogs
The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.
Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik
Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik
Schmucker Art Catalogs
What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in the …
Ganesha: A Study Of Personal Worship To A Personal God, Madeline Taylor, Katherine Garner, Naomi Purnell
Ganesha: A Study Of Personal Worship To A Personal God, Madeline Taylor, Katherine Garner, Naomi Purnell
Featured Research
Hindu devotees worship Ganesha when they are beginning a new phase or faces obstacles in their lives. In investigating the personal devotion of Hindu gods in India, we have found that there is a difference between the ways a Hindu worships the god Ganesha at a public shrine than in their own home. The main difference in worship style is that in the home, the worshiper acts as his or her own priest. There is room for greater interpretation in worship style and offerings made to the deity. Since our topic is personal devotion, we were drawn to the private …
The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park
The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park
Featured Research
Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …
Haniwa: Constructing A Sacred Place For The Afterlife, Ashlyn Rawls, Clarissa Aliberti, Rylee Baisden
Haniwa: Constructing A Sacred Place For The Afterlife, Ashlyn Rawls, Clarissa Aliberti, Rylee Baisden
Featured Research
Haniwa are small, hollow terracotta statues that were placed on aristocratic graves during the Kofun period of Japan, which translates as “old tomb.” These unique figures were rather simple at the beginning of their creation, but over time they became increasingly complex taking the forms of people, animals, and other objects. These fascinating funerary objects serve a greater purpose than just ordinary tomb decorations. The haniwa tie into the Confucianist tradition of being made to be used and to protect the spirits of the dead. Influenced by Confucian tradition, in which “filial piety” is recognized as a high level of …
Jayavarmin Vii: Achieving Kingship, Ross Seeman, Mckay Whitacre, David Oppenheim
Jayavarmin Vii: Achieving Kingship, Ross Seeman, Mckay Whitacre, David Oppenheim
Featured Research
Jayavarmin VII (r. 1181-1218) exemplifies the nature of achieving divine kingship through his life achievements modeled after the life of Buddha. He was viewed by many as a divine-like figure, through his acts of philanthropy and good deeds for the city. Through this philosophy, Jayavarmin VII facilitated the construction of hospitals, several roads and rest houses. The height of Jayavarmin’s reign was during the construction of the Bayon Temple. By this time, Jayavarmin VII believed he had completed his journey to kingship. This is shown through the massive faces carved in the temple representing either Jayavarmin or Buddha himself. From …
Torii And Water: A Gateway To Shinto, Hannah Imson, Amy Kahng, Victoria Lekson
Torii And Water: A Gateway To Shinto, Hannah Imson, Amy Kahng, Victoria Lekson
Featured Research
Water symbolizes purity in the Shinto religion and thus holds utmost importance as a method of religious purification. Additionally, scholars and worshippers recognize the role of torii as gateways to the kami, or deities of nature. However, there has not been a documented survey of the relationship between torii and their placement in water, a relationship we feel is significant in understanding Shintoism. We intend to bridge this gap in scholarship by displaying the prevalence of torii placed in or right next to water. We will explore torii from various parts of the world as well as different time periods …
Mapping Shikoku: Picturing Buddhist Pilgrimage In Contemporary Japan, Anna Maria Ortiz, Chloe Walton, Cody Mcmanus
Mapping Shikoku: Picturing Buddhist Pilgrimage In Contemporary Japan, Anna Maria Ortiz, Chloe Walton, Cody Mcmanus
Featured Research
In this research, we will address this question: Do the modern methods of practicing the Shikoku Pilgrimage stay true to the ancient intent of the pilgrimage? People who embark on the journey to each of the 88 Shikoku temple sites do so to escape to another world of peace and tranquility that they cannot obtain in their regular daily lives. Unfortunately, there is a large gap in scholarship on the topic of the Shikoku Buddhist Pilgrimage: little is written about how the shift from ancient to modern practices of the pilgrimage has changed pilgrims’ experiences. Little is known by Westerners …