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Full-Text Articles in Asian Art and Architecture

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang Oct 2013

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang

2013 New England Association for Asian Studies Conference

In this paper I analyze Gao Shiqi’s高士奇 (1645-1704) collecting practices in the context of early Qing politics. This paper argues that art collecting was used as an effective networking tool and played an significant part in defining Gao Shiqi’s cultural status in the court during the Kangxi reign (r. 1661-1722).

Gao Shiqi rose to prominence as Kangxi Emperor’s favorite courtier despite not having a jinshi degree. Because of his inferior background, Gao Shiqi was under pressure to assert his status within the circle of cultural elite—art collecting was his solution. Analysis of his private art inventory indicates that Gao had …


Field And Factory: Chinese Revolutionary Posters, Molly E. Reynolds Oct 2013

Field And Factory: Chinese Revolutionary Posters, Molly E. Reynolds

Schmucker Art Catalogs

The images on display for Field and Factory, political propaganda used by the Communist Party of China during the 1950s, 60s, and 70s, construct a fictitious world. In perceiving these kinds of illustrations, the audience is asked either to visualize the society in its ideal form or unify in opposition to a national enemy. In the first half of the twentieth century, before the possibilities of the television advertisement were fully realized, posters were one of the most popular forms of propaganda: cheap to produce in mass quantities and simple enough to hang in any public building. The art form’s …


Prince Sihanouk: The Model Of Absolute Monarchy In Cambodia 1953-1970, Weena Yong Apr 2013

Prince Sihanouk: The Model Of Absolute Monarchy In Cambodia 1953-1970, Weena Yong

Senior Theses and Projects

This thesis addresses Prince Sihanouk and the model of absolute monarchy in Cambodia during his ‘golden era.’ What is the legacy bequeathed to his country that emanated from his years as his country’s autocratic leader (1954-1970)? What did he leave behind? My original hypothesis was that Sihanouk was a libertine and ruthless god-king who had immense pride for his country. He fought for his people and had strong good intentions. Instead, through research, I discovered that there are many good and bad facets of Sihanouk’s past and the political practices that marked his era as Cambodia’s supreme ruler. His legacy …


Confucius Institute Fall 2013 Publication (Report), Dr. Wei-Ping Pan Director Jan 2013

Confucius Institute Fall 2013 Publication (Report), Dr. Wei-Ping Pan Director

The Confucius Institute Publications

No abstract provided.