Asian Art and Architecture Commons^™

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang

2013 New England Association for Asian Studies Conference

In this paper I analyze Gao Shiqi’s高士奇 (1645-1704) collecting practices in the context of early Qing politics. This paper argues that art collecting was used as an effective networking tool and played an significant part in defining Gao Shiqi’s cultural status in the court during the Kangxi reign (r. 1661-1722).

Gao Shiqi rose to prominence as Kangxi Emperor’s favorite courtier despite not having a jinshi degree. Because of his inferior background, Gao Shiqi was under pressure to assert his status within the circle of cultural elite—art collecting was his solution. Analysis of his private art inventory indicates that Gao had …

Field And Factory: Chinese Revolutionary Posters, Molly E. Reynolds

Schmucker Art Catalogs

The images on display for Field and Factory, political propaganda used by the Communist Party of China during the 1950s, 60s, and 70s, construct a fictitious world. In perceiving these kinds of illustrations, the audience is asked either to visualize the society in its ideal form or unify in opposition to a national enemy. In the first half of the twentieth century, before the possibilities of the television advertisement were fully realized, posters were one of the most popular forms of propaganda: cheap to produce in mass quantities and simple enough to hang in any public building. The art form’s …

William Hodges And Thomas Daniell: Picturesque Representations Of “Hindoostan”, Nathaniel Fitch

Independent Study Project (ISP) Collection

This independent research project is a case study and investigation of William Hodges (1744-1797), Thomas Daniell (1749-1840), and his nephew William Daniell (years). Through the mediums of drawings, oil on canvas paintings, and aquatints prints, these artists created representations of colonial India during the last quarter of the eighteenth century. As such images of India were lacking before they traveled to India, investigating their work is fruitful to addressing the power, challenge, and impact of representation.

This research begins with a description of these artists, the art aesthetic and political context in which they worked. Then, the question of how …

"A Painter's Brush That Also Makes Poems": Contemporary Painting After Northern Song Calligraphy, Andy J. Patton

Electronic Thesis and Dissertation Repository

There is no Western equivalent to the practice of calligraphy in pre-modern China, an aesthetic form which does not resolve itself into a literary object or a visual one. Calligraphy was sustained by a rich and complex body of thought that can fully rival art criticism and theory in the West. To undertake this project, I immersed myself in the study of both key works of calligraphy and the aesthetic that sustained it during the Northern Song dynasty (960-1127) in China—not in order to practice calligraphy but to transform my own understanding of art and make contemporary Western paintings out …

Prince Sihanouk: The Model Of Absolute Monarchy In Cambodia 1953-1970, Weena Yong

Senior Theses and Projects

This thesis addresses Prince Sihanouk and the model of absolute monarchy in Cambodia during his ‘golden era.’ What is the legacy bequeathed to his country that emanated from his years as his country’s autocratic leader (1954-1970)? What did he leave behind? My original hypothesis was that Sihanouk was a libertine and ruthless god-king who had immense pride for his country. He fought for his people and had strong good intentions. Instead, through research, I discovered that there are many good and bad facets of Sihanouk’s past and the political practices that marked his era as Cambodia’s supreme ruler. His legacy …

Shared Landscapes, Cloth And Meaning In The Mindanao Highlands, Cherubim Quizon

Cherubim A Quizon

No abstract provided.

Engendering Modern China: Visual Representations Of The Prc, Jennifer Lee

East Asian Languages and Cultures Department Honors Papers

Propaganda posters have been one of many forms of political media used by modern governments such as the United States, Russia, England, and China, to spread a message across a large area to a wide audience. The popularity of the use of propaganda posters has sparked an interest in the study of posters. China has a long and varied history of the use of posters and propaganda posters. Pre-1949 propaganda posters, especially during the revolutionary period, used woodblock prints with stark lines and deep bright colors. Woodblock prints often employed yellow and red backgrounds to accent the black figures in …

Breakthrough: Work By Contemporary Chinese Women Artists, Sarah Montross, Shu-Chin Tsui, Bowdoin College. Museum Of Art

Museum of Art Exhibition Catalogues

"This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art, Brunswick, Maine, from September 27 through December 22, 2013"--Back of cover flap

Confucius Institute Fall 2013 Publication (Report), Dr. Wei-Ping Pan Director

The Confucius Institute Publications

No abstract provided.

Japan: 1400-1600, Tomoko Sakomura

Art & Art History Faculty Works

No abstract provided.

Japan: 1600-1750, Tomoko Sakomura

Art & Art History Faculty Works

No abstract provided.

Portugal, Jesuits, And Japan: Spiritual Beliefs And Earthly Goods, Victoria Weston

Victoria Weston

This exhibition catalogue brings together an international group of scholars addressing various topics related to Nanban trade screens and the objects and ideas represented in them. The catalogue accompanied the exhibition of the same title at the McMullen Museum, Boston College. Weston authored the Introduction and an essay on trade screens in the show.