Open Access. Powered by Scholars. Published by Universities.®

Conference

Discipline
Institution
Keyword
Publication Year
Publication

Articles 1 - 7 of 7

Full-Text Articles in Asian Art and Architecture

Satsuma Ceramics And The Importance Of Export Craft In Japan, Avery Keys Mar 2024

Satsuma Ceramics And The Importance Of Export Craft In Japan, Avery Keys

Undergraduate Research Symposium

Japanese Satsuma ware ceramics from the Meiji Period are an example of how artisans appeal to their buyers' preferences. Developed as a means to establish Japan as a contender within the global art scene, Satsuma ceramics was quickly picked up as a favorite by collectors in the West. During the late 1800s and early 1900s, Westerners became obsessed with Japanese art after being exposed to exhibitions at World Fairs. The Japanese government took note of this and promoted the production of ceramic workshops specializing in Satsuma ware. Scholars often discuss whether this hindered the opportunity for artisans to work within …


A Safavid Royal Bathhouse Uncovered: Re-Evaluation Of The Sa‘Ādatābād Garden Of Qazvin With New Archaeological Evidence, Sean Silvia Jun 2021

A Safavid Royal Bathhouse Uncovered: Re-Evaluation Of The Sa‘Ādatābād Garden Of Qazvin With New Archaeological Evidence, Sean Silvia

MAD-RUSH Undergraduate Research Conference

In 2019, archaeologists broke ground at the site of Shah Ṭahmāsp I’s Sa’ādatābād in Qazvin, a royal garden and palace complex finished in 1557. There they discovered remains of a Safavid bathhouse. There have been many recent efforts to reconstruct Sa’ādatābād as it originally was, but none of them include the recently unearthed baths in their models. The archaeological team’s dig reports also do not perform this sort of analysis. This paper will consider historical and archaeological evidence to incorporate the bathhouse discovery into the reconstruction of Sa’ādatābād. It will situate the baths within the context of a garden city, …


Text Mining In Chinese Ancient Attires, Lu Wang Mar 2018

Text Mining In Chinese Ancient Attires, Lu Wang

Western Research Forum

Starting from the Shang Dynasty (1600-1046 BCE) when writing system appeared in China, clothing was recorded as symbols to denote social statuses. The hierarchical signification of clothing remained in the following dynasties until the end of imperial China in 1911. The imperial period produced twenty-five official dynastic histories with rich corpuses on the subject of attire, documenting regulations and prohibitions of detailed dress code, a subject being scarcely studied and treated with assumptions today. This research will use text mining tools to identify descriptive words of clothing that reflect Chinese hierarchal ideology from the twenty-five histories. The method is to …


Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss Nov 2016

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …


Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley Apr 2015

Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley

Seaver College Research And Scholarly Achievement Symposium

The Five Peaks Screen of Korea’s Joseon dynasty (1392-1910) is one of the most iconic works of its time. Nevertheless, the remarkable visual impact and cultural significance of the Five Peaks Screen evades systematic scholarly study, partly because of its generic classification as folk art. In this paper, I will resituate the Five Peaks Screen in the artistic tradition of East Asian landscape painting. When considered in the context of literati painting traditions and relevant popular landscapes, it becomes clear that the design of the Five Peaks Screen coheres to traditional aesthetics to emphasize the ability of artwork to inform …


Painting Taiwan's Modern Identity, Shelley D. Hawks Oct 2013

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …


Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang Oct 2013

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang

2013 New England Association for Asian Studies Conference

In this paper I analyze Gao Shiqi’s高士奇 (1645-1704) collecting practices in the context of early Qing politics. This paper argues that art collecting was used as an effective networking tool and played an significant part in defining Gao Shiqi’s cultural status in the court during the Kangxi reign (r. 1661-1722).

Gao Shiqi rose to prominence as Kangxi Emperor’s favorite courtier despite not having a jinshi degree. Because of his inferior background, Gao Shiqi was under pressure to assert his status within the circle of cultural elite—art collecting was his solution. Analysis of his private art inventory indicates that Gao had …