Asian Art and Architecture Commons^™

The Coevolution Of The Six Ancient Kilns And Japanese Postwar Local Identity, Benjamin Lewis Rothstein

CISLA Senior Integrative Projects

The arts have long been tools used to prop up political visions, and Japan’s traditional crafts are no exception to this trend. Japanese ceramics in particular have enjoyed, or perhaps endured, era after era of patronage by successive governments and movements over their more than a millennium of history. Appropriated by a wave of nationalism in the Meiji period, the rokkoyō (six ancient kilns), long famous for their rustic style and acclaimed tea wares, were converted along with many other traditional crafts into symbols of the Japanese national spirit. In the postwar period, however, without necessarily losing their national importance, …

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

Geisha As Living Embodiments Of Art Representing Japanese Cultural Aesthetic, Addie Richmond

Undergraduate Distinction Papers

Since the Edo period, geisha have existed as living embodiments of the Japanese arts and aesthetic culture. The true world of the geisha is little known or understood, especially in the west, and misconceptions continue to be perpetuated through popular media. The primary representation of geisha often focuses on their role in relation to male patrons, rather than on artistic accomplishments and cultural value as individuals. This research analyzes the evolution of aesthetics, as being central to expressions of Japanese artistic practices that contributed to the role of the geisha within historical social spaces. Through establishing context for historical precedent, …

Asia Pacific Perspectives Vol. 18 No 1. 2023, University Of San Francisco

Asia Pacific Perspectives

Contents:

Articles

Urban Youth on the Margins: Inequality in China’s Sent Down Youth Movement by Sanjiao Tang

Chinese Firms in the Belt and Road Initiative: A Cross-Sectoral Study of BRI Activities in Kenya by Yabo Wu

Book Review

W. Puck Brecher. Animal Care in Japanese Tradition: A Short History by James Stone Lunde

Butoh: From Wwii To The West, Caroline Conner

Belmont University Research Symposium (BURS)

Butoh is an underground dance movement in Japan that explores the human psyche in unconventional and sometimes grotesque ways. It originated out of the devastation of WWII Japan and rails against the rigidity of society as well as traditional theatre and dance forms. It has ties to Buddhism, in that both view suffering as a natural state of the world, and both may lead to depersonalisation (intentionally or otherwise), which is described as a loss of identity or sense of self. Gone unchecked, this detached exploration of the psyche can lead to personality dissolution, which can be especially problematic to …

Women In Post-War Japan: Bodies Of The Avant Garde, Cassidy P. Boulanger

Honors Undergraduate Theses

From 1945 onward, post-war artists in Japan encountered two interrelated challenges: to both adjust to the war’s aftermath, and also to create a new visual language which expressed new ideas and emotions. For women artists in Japan, this time of distinct culture change allowed for a re-defining of their role in the art community as well as society. However, there were strict boundaries surrounding the institutional and academic realm of art, one that was not inviting to women, or one that allowed opportunity or growth. Nevertheless, many women artists sought to explore gender roles, the idea of womanhood, sexuality, and …

Sumi-E Anniversary, Mary Rodning

Sumi-e

The Anniversary write up about the history of the Sumi-e Group in Mobile, AL

Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton

Senior Honors Projects, 2020-current

Guided by the Director of the Madison Art Collection and Lisanby Museum, Virginia Soenksen,I served as the Curatorial Assistant for the Lisanby Museum’s forthcoming exhibition Savoring the Moon: Japanese Prints of the Floating World. The exhibition will highlight the Madison ArtCollection’s impressive Japanese woodblock prints in the ukiyo-e style. Ukiyo-e translates to“pictures of the floating world.” This style proliferated in Japan during the Edo period (1603 - 1868) and Meiji period (1868 - 1912), with visual themes that ranged from flora and fauna, Japanese ceremonies, kabuki actors, mythology, courtesans, and cultural pastimes. The estate of Charles Alvin Lisanby gifted over …

"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones

Master's Projects and Capstones

Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators and cause a drain of creative …

The Tale Of The Tokugawa Artifacts: Japanese Funerary Lanterns At The Penn Museum, Yoko Nishimura

East Asian Studies Faculty Publications

That previously stood at the back of the quiet inner courtyard of the Penn Museum waited many years for its significance to be rediscovered. It is one of the Tokugawa lanterns that long illuminated the shogunate family’s grand mausoleums during the Edo period (1603–1868 CE) in the Zōjōji temple in Tokyo, Japan. Photographs taken around 1930 show the lanterns flanking the Museum entrance in the Stoner Courtyard. The prominent placement of these objects suggests that, in those days, the Museum acknowledged the significance of the lanterns. One of the lanterns was subsequently moved to Museum storage after suffering damage from …

Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward

Comparative Literature Faculty Scholarship

Translation of 「陶芸家を志す者のために：芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html

​ Manga In China’S Reform Era: Transformation, Assimilation And Imagination Of Popular Culture, Danhui Chen

Senior Projects Spring 2019

Senior Project submitted to The Division of Social Studies of Bard College.

Nationalized Bodies: Kuroda Seiki And The Birth Of The Nude In Meiji Japan, Ziyan Wang

Senior Projects Spring 2019

Senior Project Submitted to The Divisions of Arts and Languages and Literatures of Bard College.

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …

Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead

Master's Projects and Capstones

In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks …

Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos

Scripps Senior Theses

Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.

From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Photography by the Kruizenga Art Museum, Tom Wagner, and Curatorial Assistance/WorldBridge Art, Inc. Produced by Storming the Castle Pictures (StCP) for the Kruizenga Art Museum as a catalogue for the exhibition, "From Beyond the Stars," August 29 - December 16, 2017.

Shunga: Erotic Art In The Tokugawa Era, Rachael Redjou

Western Libraries Undergraduate Research Award

This paper analyses the artistic elements of Shunga, or Japanese erotic art, produced throughout the Edo period. It also discusses the historical, economic, and social factors that culminated in Shunga's production and consumption as a popular urban commodity.

Telling Toggles: Netsuke In Context, Bowdoin College. Museum Of Art, Christine L. Paglia

Museum of Art Exhibition Catalogues

"This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 11 through June 9, 2002"--P. [2] of cover