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Articles 31 - 46 of 46
Full-Text Articles in Asian Art and Architecture
Michiko Itatani Interview, Liza Rush
Michiko Itatani Interview, Liza Rush
Asian American Art Oral History Project
2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush
Mike Park Interview, Ben Rogers
Mike Park Interview, Ben Rogers
Asian American Art Oral History Project
2010 interview with Mike Park from Asian Man Records by Ben Rogers
Ann Marie Chua Lee Interview, Jasmin M. Ortiz
Ann Marie Chua Lee Interview, Jasmin M. Ortiz
Asian American Art Oral History Project
2010 Interview with cosplay costume designer Anne Marie Chua Lee by Jasmin M. Ortiz
Jienan Yuan (Chien Yuan) Interview, Lauren Smith
Jienan Yuan (Chien Yuan) Interview, Lauren Smith
Asian American Art Oral History Project
2009 interview with record producer and composer Chien Yuan by Lauren Smith
Anita Chang Interview, Lauren Smith
Anita Chang Interview, Lauren Smith
Asian American Art Oral History Project
2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/
Flo Oy Wong Interview, Angelika Piwowarczyk
Flo Oy Wong Interview, Angelika Piwowarczyk
Asian American Art Oral History Project
2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk
http://www.flo-oy-wongartist.com/
Danny Pudi Interview, Shariq Jefferi
Danny Pudi Interview, Shariq Jefferi
Asian American Art Oral History Project
2009 interview with comedian Danny Pudi by Shariq Jefferi
Cynthia Tom Interview, Lauren Swift
Cynthia Tom Interview, Lauren Swift
Asian American Art Oral History Project
2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift
Chris Naka Interview, Cheryl Franzen
Chris Naka Interview, Cheryl Franzen
Asian American Art Oral History Project
2009 interview with new media and video artist Chris Naka by Cheryl Franzen
Vincent Chung Interview, Pete Koszulinski
Vincent Chung Interview, Pete Koszulinski
Asian American Art Oral History Project
2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski
Larry Lee Interview, Ami Shah
Larry Lee Interview, Ami Shah
Asian American Art Oral History Project
2009 interview with installation artist and curator Larry Lee by Ami Shah
Larry Lee website
View Larry's work in the AAOH project gallery
Vincent Pham Interview, Devin Meyer
Vincent Pham Interview, Devin Meyer
Asian American Art Oral History Project
2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).
Gordon Cc Liao Interview, Elise Osenbaugh
Gordon Cc Liao Interview, Elise Osenbaugh
Asian American Art Oral History Project
2009 interview with poet Gordon CC Liao
Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier
Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier
Asian American Art Oral History Project
2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto
Water And Woodfiring, Richard Bresnahan
Water And Woodfiring, Richard Bresnahan
Asian Studies Faculty Publications
Part of a special section on the 1999 International Woodfire Conference. The technique of putting water into a high-temperature woodfired kiln is discussed. This 800-year-old technique is used to oxidize the environment, clear carbon, and quickly cool the pottery. It produces unique, beautiful textures and colors, particularly a rich earth-tone palette that cannot be paralleled by chemical glazes or other firing techniques. This technique was used in a Teppo-gama (gun kiln) based on designs from 12th-century Korean tunnel kilns, built on the island of Tanegashima, Japan, in 1969. The writer discusses the work of a number of artists who use …
First Fire, Richard Bresnahan
First Fire, Richard Bresnahan
Asian Studies Faculty Publications
Potter Richard Bresnahan discusses wood firing. He asserts that it is not the placing of the pots in the kiln but where they are not placed that is the truth of wood firing; this theory involves the creation of a chamber in the kiln where no pots at all are placed. The theory, he continues, provided him with the answers to several problems in wood firing, including the problem of building a front fire-mouth chamber from previous first chambers. He adds that there is also the problem of combining three distinctly different styles of firing in a larger kiln for …