American Art and Architecture Commons^™

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Proyectar El Diseño Precolombino: Experiencias Didácticas, Luz Helena Ballestas Rincón

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Se presenta el resultado de un Modelo Pedagógico basado en el Diseño Precolombino, el cual ha sido aplicado en diversos escenarios y ambientes de aprendizaje. Mediante la sistematización de la teoría con la práctica del diseño se muestran ejemplos de los métodos de diseño que han resultado eficaces, ya sea en el ámbito universitario o en grupos interesados en el conocimiento de estos bienes patrimoniales, entre los que se encuentran estudiantes y profesores del área artística así como personas convocadas por algunos museos que poseen colecciones precolombinas.

Al experimentar y proponer activando los mecanismos que liberan la creatividad y, a …

Identificación De La División Del Trabajo Entre Los Géneros A Través Del Análisis Iconográfico, Sarah Kauffmann

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

El presente trabajo se enfoca en la metodología para identificar los roles y actividades realizadas por determinado género en la sociedad maya prehispánica. Códigos especiales en la iconografía son utilizados para representar y diferenciar los dos géneros. Varios medios se explorarán como las estelas, dinteles, cerámicas y figurillas. A través de la iconografía se identificará las actividades, vestimenta y postura para interpretar la división del trabajo.

This present study focuses on the methodology for identifying the roles and activities realized by both genders in the pre-Hispanic Mayan society. Special iconographical codes are used to represent and differentiate men and women. …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Los Bordados Mayas Que Protegen De Enfermedades En El Estado De Yucatán, México, Roberto Campos-Navarro, Leydi Dorantes, Danielle Dupiech Cavaleri

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Conocemos el rol de los textiles en los rituales y el significado de numerosos símbolos que bordan las artesanas mayas de la Península de Yucatán, no obstante, existen varios motivos de plantas medicinales bordados en los textiles que no fueron analizados. En el mes de septiembre de 2022 dio comienzo una investigación en cooperación con la joven curandera x-meno’ob de Yaxcabá, Leydi Dorantes, que cultiva más de doscientas plantas medicinales mayas en el jardín botánico que creó su abuelo, mismas que usa en rituales y también para curar. Ella nos da a conocer la relación existente entre los elementos de …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

These Are My People: An Ethnography Of Quiltcon, Kristin Barrus

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …

(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur

Scripps Senior Theses

In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …

Archaeology Of Social Patterning, Chase Bray

Theses and Dissertations

The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.

Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents:

Introduction — Lena Bjerregaard and Ann Peters

Mexico

1. Mesoamerican Archaeological Textiles: An Overview of Materials, Techniques, and Contexts — Laura Filloy Nadal

2. Urdimbres enlazadas de Mesoamérica. Textil de la Cueva del Gallo, Morelos, México — Patricia Ochoa Castillo & Rosa Lorena Román Torres •

3. Los textiles procedentes del actual estado de Guerrero, México: una revisión a su estudio desde la perspectiva arqueológica y etnohistórica — Elizabeth Jiménez García

4. Classic Textiles from Cueva del Lazo (Chiapas, Mexico). Archaeological context and conservation issues — Davide Domenici & Gloria Martha Sánchez Valenzuela

5. Textiles y otros materiales arqueológicos …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Ch'ullus In Cosco: Identity In The Andes, Susan M. Kaesgen

MALS Final Projects, 1995-2019

This study centers on the ch'ullu, the knitted cap, usually with ear flaps and an elongated peak or tail, a hat that identifies the wearer as an indigenous Andean male. The long history of the ch'ullu is marked by both its use as geographic identifier, and as a canvas upon which to present the same designs that represent ancient Andean ideas about ancestry, land and time. Because the knitted hats of today function exactly as ancient ones did, the ch'ullu is proven a descendant of ancient hats, an important element to be preserved rather than discarded for factory made caps.

Pennsylvania Folklife Vol. 46, No. 3, Don Yoder, Alfred L. Shoemaker, Paul R. Wieand, Earl F. Robacker, Ada Robacker, Herbert H. Beck, Edna Eby Heller, Vincent R. Tortora, Frances Lichten

Pennsylvania Folklife Magazine

• Two Worlds in the Dutch Country
• Belsnickel Lore
• Carpet-Rag Parties
• Quilting Traditions in the Dutch Country
• Lititz
• Lititz Specialties
• Amish Funerals
• Pennsylvania Redware
• Scratch-Carved Easter Eggs
• Fractur From the Hostetter Collection

Pennsylvania Folklife Vol. 46, No. 2, Nancy Kettering Frye, Jean-Paul Benowitz, Amos Long Jr., John A. Milbauer

Pennsylvania Folklife Magazine

• "An Uncommon Woman" in the Age of the Common Man: The Life and Times of Sarah Righter Major
• Maintaining Mennonite Identity: The Old Order Church in Pennsylvania and Virginia
• The End of an Era: The Last One-Room Public Schools in Lebanon County
• Pennsylvania Extended in the Cherokee Country: A Study of Log Architecture

Pennsylvania Folklife Vol. 46, No. 1, Jean-Paul Benowitz, John Lowry Ruth, Paula T. Hradkowsky, Monica Mutzbauer

Pennsylvania Folklife Magazine

• The Mennonites of Pennsylvania: A House Divided
• "Not Only Tradition, but Truth": Legend and Myth Fragments Among Pennsylvania Mennonites
• Mennonite Women and Centuries of Change in America
• "It is Painful to Say Goodbye": A Mennonite Family in Europe and America

Pennsylvania Folklife Vol. 45, No. 3, Susan L. F. Isaacs, Donald Roan, Debora Kodish, Lois Fernandez, Karen Buchholz, Susan Fellman Jacob, Ron Schlegel, Mindy Brandt

Pennsylvania Folklife Magazine

• Folklife at the Margins: Cultural Conservation for the Schuylkill Heritage Corridor
• The Goschenhoppen Historians: Preserving and Celebrating Pennsylvania German Folk Culture
• The African American Festival of Odunde: Twenty Years on South Street
• Joanna Furnace: Then and Now
• Port Clinton: A Peek Into the Past

Pennsylvania Folklife Vol. 45, No. 2, Thomas E. Gallagher Jr., Robert Troy Boyer, Amos Long Jr., Christine M. Mueseler, Catherine Anne Jacobs, Hugo A. Freund

Pennsylvania Folklife Magazine

• Occupational Folklife
• A Fine-Tooth Comb: Atlee Crouse Carries on a Family Tradition
• "Lime and Manure": Agricultural Practices Among the Pennsylvania Germans
• Alcoa, New Kensington: "It was More Than a Job - It was a Way of Life"
• Women's Work: Textile Manufacturing in the Lackawanna Valley
• Working the Seams: African American Professional Performers Moving Between White Public Culture and African American Private Culture

Pennsylvania Folklife Vol. 45, No. 1, Joan Saverino, Joseph Bentivegna, Nicholas V. De Leo, Catherine Cerrone, Janet Theophano

Pennsylvania Folklife Magazine

• "Domani Ci Zappa": Italian Immigration and Ethnicity in Pennsylvania
• A Study of the San Cataldesi Who Emigrated to Dunmore, Pennsylvania
• A Look at the Early Years of Philadelphia's "Little Italy"
• "An Aura of Toughness, Too": Italian Immigration to Pittsburgh and Vicinity
• Expressions of Love, Acts of Labor: Women's Work in an Italian American Community

Pennsylvania Folklife Vol. 44, No. 3, Diane Sidener Young, Anne W. Goda, Susan Kalcik, Woodward S. Bousquet, Monica Mutzbauer

Pennsylvania Folklife Magazine

• Conservation and Mediation in the Folk and Traditional Arts of Pennsylvania
• Isaac and Thomas Stahl, the Revival Potters of Powder Valley
• The Folk Art of Decorated Eggs
• Jim Popso and His Coal Country Folk Art
• Leaving the Old World for the New: Rules Governing Emigration from Landau in the Palatinate

Pennsylvania Folklife Vol. 44, No. 2, Susan Kalcik, June Granatir Alexander, M. Mark Stolarik, Corinne Earnest, Klaus Stopp, Jobie E. Riley

Pennsylvania Folklife Magazine

• Fortune's Stepchildren: Slovaks in Pennsylvania
• Slovak Churches: Religious Diversity and Ethnic Communities
• Slovak Fraternal-Benefit Societies in Pennsylvania
• Early Fraktur Referring to Birth and Baptism in Pennsylvania: A Taufpatenbrief from Berks County for a Child Born in 1751
• The Solitary Sisters of Saron

Pennsylvania Folklife Vol. 44, No. 1, Charles L. Blockson, Roland C. Barksdale-Hall, Jerrilyn Mcgregory, Terry G. Jordan

Pennsylvania Folklife Magazine

• "A Missing Link": The History of African Americans in Pennsylvania
• The Twin City Elks Lodge: A Unifying Force in Farrell's African American Community
• The Greening of Philadelphia
• The "Saddlebag" House Type and Pennsylvania Extended