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Articles 31 - 60 of 521

Full-Text Articles in Film and Media Studies

Mountain Men On Film, Kenneth Estes Hall Aug 2017

Mountain Men On Film, Kenneth Estes Hall

Kenneth Estes Hall

Excerpt: The mountain man of American folklore and history is a man between cultures. Like Janus, the doorkeeper god of the Romans, he is bifrontal, looking back at European, white civilization, and forward toward Indian civilization and culture.


End Of Paragraph, Rowan Cahill Aug 2017

End Of Paragraph, Rowan Cahill

Rowan Cahill

A tribute to the life and work of US journalist, author, soldier, script writer, leftist activist, Clancy Sigal (1926-2017), with particular reference to his novel/memoir Going Away (1962).


José Martí, El Ojo Del Canario Review, Ana M. Aguilera Apr 2017

José Martí, El Ojo Del Canario Review, Ana M. Aguilera

Ana M. Aguilera

No abstract provided.


Diarios De Motocicleta Review, Ana M. Aguilera Mar 2017

Diarios De Motocicleta Review, Ana M. Aguilera

Ana M. Aguilera

No abstract provided.


Sources: Inspired By True Events: An Illustrated Guide To More Than 500 History-Based Films, Robin Imhof Feb 2017

Sources: Inspired By True Events: An Illustrated Guide To More Than 500 History-Based Films, Robin Imhof

Robin L. Imhof

No abstract provided.


No De Pablo Larrain. Reseña.Pdf, Ana M. Aguilera Dec 2016

No De Pablo Larrain. Reseña.Pdf, Ana M. Aguilera

Ana M. Aguilera

No abstract provided.


How Does It Feel? Scorsese Contemplates Art Through Music And Sound In Life Lessons., Ron Leone, Gabrielle Jaques Dec 2016

How Does It Feel? Scorsese Contemplates Art Through Music And Sound In Life Lessons., Ron Leone, Gabrielle Jaques

Ron Leone

No abstract provided.


Surfing The Revolutionary Wave 2010-12: A Social Theory Of Agency, Resistance, And Orders Of Dissent In Contemporary Social Movements, Athina Karatzogianni, Michael Schandorf Dec 2016

Surfing The Revolutionary Wave 2010-12: A Social Theory Of Agency, Resistance, And Orders Of Dissent In Contemporary Social Movements, Athina Karatzogianni, Michael Schandorf

Athina Karatzogianni

The theorisation and understanding of contemporary social movements, socio-technological phenomena, and the intersection of the two are limited by an incommensurability between the conceptualisations of individual agency and the disciplining powers of social structures. We introduce a theory of sociotechnological agency that bridges the individual and the social through a reconceptualization of the conventional notion of intentionality. Drawing from recent theories of affect and embodiment, posthuman-influenced materialisms and realisms, postmodern critical theory, and critiques of network theory, we introduce a model for understanding sociopolitical action and dissent that accounts for individual human agency as a nexus of overlapping and often …


Stratton, Senior Thesis.Docx, Sabra Stratton Dec 2016

Stratton, Senior Thesis.Docx, Sabra Stratton

Sabra Stratton

The documentary, "Get Out of My Hair, " engages in the dialogue of hair removal and its relationship to femininity, specifically looking at how the media has taught young women to fear the affects of puberty. The piece features ten women between the ages of eleven and twenty-two with ranging demographics who are all brought together by their experiences with their body hair. Applying media effects theory and psychoanalytic theory, this project examines how advertising portrayals of female body depilation contribute to the increase in hair removal and further align the concept of femininity with hairlessness.


Static Saliency Vs. Dynamic Saliency: A Comparative Study, Tam Nguyen, Mengdi Xu, Guangyu Gao, Mohan Kankanhalli, Qi Tian, Shuicheng Yan Nov 2016

Static Saliency Vs. Dynamic Saliency: A Comparative Study, Tam Nguyen, Mengdi Xu, Guangyu Gao, Mohan Kankanhalli, Qi Tian, Shuicheng Yan

Tam Nguyen

Recently visual saliency has attracted wide attention of researchers in the computer vision and multimedia field. However, most of the visual saliency-related research was conducted on still images for studying static saliency. In this paper, we give a comprehensive comparative study for the first time of dynamic saliency (video shots) and static saliency (key frames of the corresponding video shots), and two key observations are obtained: 1) video saliency is often different from, yet quite related with, image saliency, and 2) camera motions, such as tilting, panning or zooming, affect dynamic saliency significantly.

Motivated by these observations, we propose a …


Religion And The Anzac Legend On Screen, Daniel Reynaud Oct 2016

Religion And The Anzac Legend On Screen, Daniel Reynaud

Daniel Reynaud

This article explores the (non)relationship between religion and the Anzac story in Australian cinema and television dramas. It draws parallels between the absence of religious discussion in written literature and popular memory and the same absences in Anzac cinema. Anzac cinema has idealised and glorified the Anzac soldier, relocating spirituality from a religious force to a secular nationalism. The rare productions that show an engagement between religion and Anzac portray religion as a spent force in comparison to the new spirit of secular Anzac.


Spielberg- Is He Or Isn't He An Artist?, Daniel Reynaud Oct 2016

Spielberg- Is He Or Isn't He An Artist?, Daniel Reynaud

Daniel Reynaud

Spielberg has often been considered a master of popular cinema, but something of a lightweight in serious cinema. This article evaluates Spielberg’s achievements as a filmmaker, asking whether he deserves the accolade of an artist.


How To Choose What We Watch, Daniel Reynaud Oct 2016

How To Choose What We Watch, Daniel Reynaud

Daniel Reynaud

With multiple channels accessi- le at the press of a button and with videos and movies avail- able throughout day or night, the visual media poses a dilemma for Seventh-day Adventists.* Much of it appears funda- mentally at odds with our faith. Vio- lence, sex, destructive lifestyle, and ram- pant materialism characterize most of what passes for entertainment. Some Adventists respond to the problem by simply eliminating the visual media from their lives: no television, no vid- eos, and no movies. These are avoided as a major source of corruption. Yet it seems unrealistic to cut our- selves off entirely …


Alfred Rolfe: Forgotten Pioneer Australian Film Director, Stephen Vagg, Daniel Reynaud Oct 2016

Alfred Rolfe: Forgotten Pioneer Australian Film Director, Stephen Vagg, Daniel Reynaud

Daniel Reynaud

Alfred Rolfe was arguably the most prolific silent era Australian director, responsible for more than 25 feature films encompassing the bushranger genres, early Australian war cinema, and various melodramas. Many of his films were both critical and commercial successes. The only surviving footage are scenes from two of his 1915 war films. This important director has been overshadowed by his contemporaries, particularly Raymond Longford. This paper argues that Rolfe’s contribution to early Australian cinema was significant not just in volume, but in artistic terms, in subject matter, and in popular appeal. The centenary of Anzac is also the centenary of …


Convention And Contradiction: Representations Of Women In Australian War Films, 1914-1918, Daniel Reynaud Oct 2016

Convention And Contradiction: Representations Of Women In Australian War Films, 1914-1918, Daniel Reynaud

Daniel Reynaud

This paper examines the representation of women in Australian cinematic war dramas made between 1914 and 1918, showing how the representations were shaped by political, industrial and ideological influences, and identifying the range of representations present in the films. It observes that while there was considerable overlap with other media in the representation of women, there were images ignored by films, while others were unique to the cinema.


The Modern Political Cinema: From Third Cinema To Contemporary Networked Biopolitics, Matthew A. Holtmeier Sep 2016

The Modern Political Cinema: From Third Cinema To Contemporary Networked Biopolitics, Matthew A. Holtmeier

Matthew A. Holtmeier

Political cinema, particularly third cinema of the 1960s and subsequently inspired films, often relies upon the formation and transformation of subjectivity. Such films depict a becoming-political of their characters, such as Ali LaPointe's transformation from bricklayer and boxer to revolutionary in Battle of Algiers (La battaglia di Algeri, Gillo Pontecorvo, 1966). As subjects are politicized, they reveal social, moral, existential, or ethical exigencies that drive the politics of the film. In this respect, most narrative-driven political cinema is biopolitical cinema, although its expression shifts from film to film, or from one period of time to another. Gilles Deleuze articulated such …


Getting The Insider's Story Out: What Popular Film Can Tell Us About Legal Method's Dirty Secrets, Rebecca Johnson, Ruth Buchanan Aug 2016

Getting The Insider's Story Out: What Popular Film Can Tell Us About Legal Method's Dirty Secrets, Rebecca Johnson, Ruth Buchanan

Ruth Buchanan

In this paper, the authors seek to use the insights gained by viewing and thinking critically about a range of Hollywood films to better illuminate the disciplinary blindspots of law. Both law and film are viewed as social institutions, engaged in telling stories about social life. Hollywood films are often critical of law and legal institutions. Law is dismissive of its representation within popular culture. However, the authors argue that law disregards cinematic cynicism about itself at its peril and that there is much to learn by taking cinematic portrayals of law very seriously---not as representations of the truth of …


The Trial Of Jacob Benjamin, Supplier To The French Army, 1792–93, Ronald Schechter Aug 2016

The Trial Of Jacob Benjamin, Supplier To The French Army, 1792–93, Ronald Schechter

Ronald Schechter

No abstract provided.


"New Modernity, Transnational Women, And Spanish Cinema", Maria Van Liew Jun 2016

"New Modernity, Transnational Women, And Spanish Cinema", Maria Van Liew

Maria Van Liew

No abstract provided.


But Will It Play In Grand Rapids? The Role Of Gatekeepers In Music Selection In 1960s Top 40 Radio, Len O'Kelly Jun 2016

But Will It Play In Grand Rapids? The Role Of Gatekeepers In Music Selection In 1960s Top 40 Radio, Len O'Kelly

Len O'Kelly

The decision to play (or not to play) certain songs on the radio can have financial ramifications for performers and for radio stations alike in the form of ratings and revenue. This study considers the theory of gatekeeping at the individual level, paired with industry factors such as advertising, music industry promotion, and payola to explain how radio stations determined which songs to play.  An analysis of playlists from large-market Top 40 radio stations and small-market stations within the larger stations’ coverage areas from the 1960s will determine the direction of spread of song titles and the time frame for …


Exploring The Political Dimensions Of Information Literacy Through Popular Film., Robert Detmering May 2016

Exploring The Political Dimensions Of Information Literacy Through Popular Film., Robert Detmering

Robert Detmering

Certain popular films contextualize the access, use, and interpretation of information within a political and social framework. As a result, these films function as alternative pedagogical sites for analysis and critique, facilitating critical thinking about information beyond the library and the classroom, and leading students to a deeper understanding of the fundamental need for information literacy. A conceptual basis for the consideration of film in politically engaged information literacy instruction is provided, supported by a discussion of three relevant films: Jason Reitman’s Thank You for Smoking (2006), Joel and Ethan Coen’s Burn after Reading (2008), and Oliver Stone’s W. (2008).


Dog Movie Stars And Dog Breed Popularity: A Case Study In Media Influence On Choice, Stefano Ghirlanda, Alberto Acerbi, Harold A. Herzog Apr 2016

Dog Movie Stars And Dog Breed Popularity: A Case Study In Media Influence On Choice, Stefano Ghirlanda, Alberto Acerbi, Harold A. Herzog

Harold Herzog, PhD

Fashions and fads are important phenomena that influence many individual choices. They are ubiquitous in human societies, and have recently been used as a source of data to test models of cultural dynamics. Although a few statistical regularities have been observed in fashion cycles, their empirical characterization is still incomplete. Here we consider the impact of mass media on popular culture, showing that the release of movies featuring dogs is often associated with an increase in the popularity of featured breeds, for up to 10 years after movie release. We also find that a movie’s impact on breed popularity correlates …


The Past Of Japanese Science Fiction And Fantasy Movies, Aaron Gerow Dec 2015

The Past Of Japanese Science Fiction And Fantasy Movies, Aaron Gerow

Aaron Gerow

A chapter written for the catalog of a special retrospective of Japanese science fiction and fantasy films, titled Beyond Godzilla: Alternative Futures and Fantasies in Japanese Cinema, that Mark Schilling curated for the Far East Film Festival in Udine, Italy. Directed at a general audience, the chapter surveys examples of efforts to produce science fiction or fantasy films in prewar Japan, focusing on early monster films and examples of movie robots—even in samurai films. I argue how most such films were mostly shunted to the margins of the industry with the exception of Toho starting in the late 1930s.


The Digital Dionysus: Nietzsche & The Network-Centric Condition Dec 2015

The Digital Dionysus: Nietzsche & The Network-Centric Condition

Dan Mellamphy

No abstract provided.


Electronic Labyrinth: Thx 1138 4eb, Matthew A. Holtmeier Dec 2015

Electronic Labyrinth: Thx 1138 4eb, Matthew A. Holtmeier

Matthew A. Holtmeier

Short piece for the National Film Registry discussing the historical, cultural, and aesthetic significance of Electronic Labyrinth: THX 1138 4EB. This essay identifies Electronic Labyrinth as an important precursor to the development of Industrial Light and Magic, a visual effects company that has shaped the past 40 years of American film.


Black Hollywood: The Stereotypes, Erasure, And Social Inclusivity Of Black Entertainers In Hollywood, 1930-60s, Jalen Robinson Dec 2015

Black Hollywood: The Stereotypes, Erasure, And Social Inclusivity Of Black Entertainers In Hollywood, 1930-60s, Jalen Robinson

jr9714@bard.edu

My field of study allowed me to concentrate on film history, especially during the pivotal periods between the Great depression and the Civil Rights Movement. My topic focuses on the utilization, and lack thereof, of African American musicians, singers, comedians, and actors in Hollywood films. The prominence of jazz/swing music, mixed with the popularity of the optimistic musical genre, defined the majority of possible avenues black talent could find work in the studio system. I examine the social stigmatization of black entertainers stereotyped in various roles within this genre, as well as a few non-musical movies, and the stars who …


Human Trafficking And Film: How Popular Portrayals Influence Law And Public Perception, Jonathan Todres Nov 2015

Human Trafficking And Film: How Popular Portrayals Influence Law And Public Perception, Jonathan Todres

Jonathan Todres

No abstract provided.


Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts Oct 2015

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Sarah T. Roberts

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …


Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall Oct 2015

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

John Duvall

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles. One response to these threats is to attempt …


Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall Oct 2015

Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall

John Duvall

This paper presents an analysis of Savage Messiah, Ken Russell’s filmic biography of WWI-era artist and sculptor Henri Gaudier-Brzeska, evaluating its various aesthetic codes of meaning, and demonstrating how these codes contribute to a unified narrative structure. Particular attention is paid to the phenomenological elements of the cinematic narrative – image composition, art direction, color, motion, editing and sound – in order to reveal the sensuous core of the film as its method of thematic expression. We offer observations on the narrative’s deep structure in terms of symbolic references, on Russell’s visual techniques of characterization, and on how these elements …