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"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson
"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson
Dissertations, Theses, and Capstone Projects
This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …
Gloria Naylor’S Conversation With The Tempest, Kelly Mcavoy-Giarrusso
Gloria Naylor’S Conversation With The Tempest, Kelly Mcavoy-Giarrusso
Theses and Dissertations
This thesis focuses on how Gloria Naylor used Caliban from Shakespeare's The Tempest as inspiration for her character George, and how her evolution of the character reveals issues within the literary and academic community at the time of her writing. George fulfills Caliban’s limitations in that he has more power and autonomy than Caliban, but the tragedy of his death reveals that he has lost part of himself in order to gain that power. This idea that education and society can cause a loss of self is personal for Naylor, who encountered only white male authors in school and struggled …