Literature in English, North America Commons^™

The Intermedial Politics Of Handwritten Newspapers In The 19th-Century U.S., Mark A. Mattes

Faculty Scholarship

Handwritten newspapers appeared in a variety of social contexts in the 19th-century U.S.1 The largest extant portion of 19th-century handwritten newspapers emerged from home and school settings. More far-flung examples include those written aboard ships during exploratory and military voyages. Others were produced within institutions such as hospitals and asylums. Such works were written during times of privation, including life in an army regiment or a prisoner-of-war camp during the Civil War. At other times, handwritten newspapers accompanied efforts at westward settlement and transcontinental railway journeys. Impromptu papers could follow in the wake of natural disasters that knocked out print-based …

The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson

Theses and Dissertations

There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.

I bookend my …

In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz

Conspectus Borealis

No abstract provided.

Bodies Under Siege: Intersections Of Warfare And Hiv/Aids, Daniel Nevarez Araujo

Doctoral Dissertations

Analyzing works by Juan Goytisolo, Rabih Alameddine, and Derek Jarman, this dissertation studies the similarities of war and AIDS as sensorial experiences socially located and complexly embodied. This study looks at the ways bodies engage with, are affected by, and respond to both war and AIDS, specifically within the AIDS/War Narrative; that is, narrative spaces that foreground both experiences simultaneously. Influenced by Mark Paterson’s notion of felt phenomenology and positioned at the nexus of Comparative Literature, Disability Studies, and Husserlian phenomenology, this dissertation studies texts that exhibit an awareness of the phenomenal characteristics governing the experiences of AIDS and war, …

Introducing Godzilla To Marianne Moore's Octopus Of Ice At The Intersection Of Global Warming, Environmental Philosophy, And Poetry, David Seter

Dissertations, Masters Theses, Capstones, and Culminating Projects

This paper explores the question: how can a poet write an ecologically aware poem about global warming? Global warming impacts everything on earth, most visibly the glaciers melting away before our eyes. Adopting Aldo Leopold’s environmental philosophy of thinking like a mountain, the poet may describe the impact of global warming upon the mountain, glacier, flora and fauna, that form an interconnected web of life. A poem that thinks like a mountain already exists: Marianne Moore’s “An Octopus” (published in 1924), which takes its title from the system of glaciers (or octopus of ice) on Mt. Rainier. For a contemporary …

Affective Ecologies: Empathy, Emotion, And Environmental Narrative By Alexa Weik Von Mossner, David Tagnani

The Goose

Review of Alexa Weik von Mossner's Affective Ecologies: Empathy, Emotion, and Environmental Narrative.

Why Katniss Everdeen Is Our Favorite Feminist – An Analysis Of The Heroine Of The Hunger Games Film Saga And Her Reception By Young Female Spectators, Paula Talero Álvarez

Theses and Dissertations

THROUGH THE FIGURE OF FICTIONAL CHARACTER KATNISS EVERDEEN, THIS DISSERTATION STUDIES HOW THE FILM INDUSTRY SIMULTANEOUSLY ENTRENCHES AND DISRUPTS GENDER, SEXUAL, AND RACIAL NORMATIVITIES. THE PROJECT USES TEXTUAL ANALYSIS AND PARTICIPANT RESEARCH TO ANALYZE HOW THE FILMS AND NOVELS OF THE HUNGER GAMES SAGA ENCAPSULATE BOTH DOMINANT AND ALTERNATIVE CONCEPTIONS RELATED TO FEMININITY, MASCULINITY, WOMANHOOD, AND MOTHERHOOD. IT ALSO EXPLORES IF AND HOW THE FEMALE HEROINE CAN BE READ AS FEMINIST AND PRODUCES A SENSE OF EMPOWERMENT. I CONCLUDE THAT ALTHOUGH THE INDUSTRY IS PRODUCING NEW MODELS OF WOMANHOOD THAT CHALLENGE TRADITIONAL GENDER ROLES, IT STILL PERPETUATES ROMANTIC IDEALS AND …

There Will Be Oil: The Celebration And Inevitability Of Petroleum Through Upton Sinclair And Paul Thomas Anderson, Sarah Mae Fleming

Honors Projects

An analysis of the novel Oil! by Upton Sinclair and the film There Will Be Blood, directed by Paul Thomas Anderson, with a focus on the presence of oil in these texts.

An Unexpected Life Through Comics: An Interview With Ben Katchor, Frederick Luis Aldama

Studies in 20th & 21st Century Literature

This interview conducted with Ben Katchor takes readers on a journey through his life, work, and different eras of comic strip and comic book creation. Katchor shares with Frederick Luis Aldama his origins as a word and drawing storyteller as well as his trials, tribulations, and successes throughout the latter 20th century.

Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford

Studies in 20th & 21st Century Literature

Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.

End Of Paragraph, Rowan Cahill

Rowan Cahill

On Variety: The Avant-Garde Between Pornography And Narrative, Kevin L. Ferguson

Publications and Research

This article analyzes Bette Gordon’s first feature film Variety (1983), reassessing how experimental novelist Kathy Acker’s contributions to the screenplay awkwardly positioned the film within contemporary cultural debates over pornography and the future of avant-garde filmmaking. While centered on an erotic thriller narrative concerning a woman’s entrée into the scuzzy world of New York City porno theaters, Gordon and Acker also take up in the film a series of three related representational problems for the 1980s: feminist approaches to pornography, narrative in an avant-garde tradition, and the role of speech and writing in film.

To Kill A Mockingbird, The Help, And The Regendering Of The White Savior, Brett Seekford

James Madison Undergraduate Research Journal (JMURJ)

Filmmakers continue to use the “White Savior “ archetype to construct racialized messages in the post-Civil Rights era. These protagonists, who resolutely defend the rights of African Americans, ultimately focalize whiteness and marginalize black characters and voices. Though a white savior features prominently in both To Kill a Mockingbird (1962) and The Help (2011), The Help’s regendering of the archetype invites viewers to imagine a world in which a white savior is no longer necessary. The Help’s update on the white savior trope from Atticus Finch to Skeeter Phelan allows for deeper development of black characters and a …

Let Me Tell You What It Means: Reading Beyond Humor In Selected Iranian-American Memoirs, Stand-Up Comedy, And Film In The Post-9/11 Era, Reza Ashouri Talooki

Electronic Thesis and Dissertation Repository

ABSTRACT

Since the tragic events of September 11, 2001, Muslims in America have continued to remain the subject of cultural and political debates. In their artistic endeavours, Muslim artists have tried to rectify the negative and mediated images attributed to Islam, Muslims, and their cultures. In this dissertation, I look at Iranian works from the diaspora that not only represent Iranian culture and attempt to raise public awareness in America, but also extensively wade into humor as their linking theme. It is humor embedded in socio-cultural and political implications along with cultural representations that constitute my analysis in this dissertation. …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Tears Of A Clown: Reexamination Of Disabled Narrators In William Faulkner's The Sound And The Fury And As I Lay Dying, Alexandra Rose Smith

Electronic Theses and Dissertations

This thesis argues that Darl Bundren of Faulkner's As I Lay Dying, and Benjy Compson of The Sound and the Fury exhibit certain similarities, suggesting that, in relation to Donald M. Kartiganer's model from the introduction of The Fragile Thread: The Meaning of Form in Faulkner's Novels, they would be paired together better than his initial couplings. This argument proposes to discuss why Darl Bundren is the reincarnated version of Benjy Compson in terms of their internal discourses, narratorial skills, and disability within each novel. As both characters could easily be labeled "disabled," this endeavor will also speculate …

(Re)Mediating The Spirit: Evangelical Christian Young Adult Media, Tamara Watkins

Theses and Dissertations

"We are in the world, but not of the world," a maxim frequently spoken in evangelical Christian culture, provides insight into how these individuals view their relationship with secular culture. They presume to share the same temporal plane with secular culture, but do not participate in it. In this dissertation, I explore whether the division between evangelical Christian culture and secular culture is as clear as this aphorism implies. To facilitate this investigation, I examine media Christian content creators created for an American evangelical Christian young adult audience in the early twenty-first century, specifically focusing on novel-length fiction, comics and …

Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan

CLCWeb: Comparative Literature and Culture

In his article "Bowles's Up Above the World as Beatnik Murder Mystery" Greg Bevan discusses Paul Bowles's fourth and final novel, which at the time of its publication was met with mixed reactions from reviewers and its creator alike, and has seen relatively scanty critical attention in the years since. Gena Dagel Caponi perceives in the novel a reflection of Bowles's struggle for control, during the time of its writing, in the face of his wife Jane's terminal illness. Building on this insight, the current essay notes the same tension in the writings of the Beats—a movement with which Bowles …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon

The Goose

Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.

Transforming The Mundane: Juxtaposing Maria Friedman’S "High Society" With George Cukor’S "The Philadelphia Story" As An Emphasis On The Importance Of Theatre, Dana T. Speight Ms.

Undergraduate Honors Theses

The subjects of film and theatre belong to an extensive hierarchical debate that has remained prominent within the realm of performing arts since the introduction of cinema in the late nineteenth century. A plethora of scholars choose to argue in favor of the former, suggesting that film surpasses theatre as superior in both aesthetics and overall execution of naturalism; however, the argument is purely subjective and cannot be applied to all films and their corresponding plays. As a counterclaim, theatre continues to thrive as a prominent source of artistic entertainment globally, not only offering a contemporary twist to preexisting texts, …

Master Buddha & The Jolly Golly Fun Time Gang., Todd Edward Evans

Electronic Theses and Dissertations

This thesis is the first two chapters of a novel. The novel parodies the capitalist and consumerist United States of the 21st Century in the tradition of Thomas Pynchon, Kurt Vonnegut, and Donald Barthelme.

The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee

Criterion: A Journal of Literary Criticism

This paper examines the works of both Edgar Allan Poe and Alfred Hitchcock in light of Thomas De Quincey’s series of essays entitled “On Murder Considered as One of the Fine Arts.” In his essays, De Quincey presents murder as an art form that can be criticized and appreciated just as any other fine art. While De Quincey’s essays faced some negative reaction when they were originally published, both Edgar Allan Poe and Alfred Hitchcock seem to have found something worthwhile in De Quincey’s ideas about the art of murder; Poe and Hitchcock both present murder as an art form …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

The Somewhere We Wish Were Nowhere: Dystopian Realities And (Un)Democratic Imaginaries, Benjamin B. Taylor

Senior Independent Study Theses

How do political practices influence mass culture? Conversely, how does mass culture influence political practice? This project addresses these questions by turning to the concepts of utopia and dystopia. Imagined utopic and dystopic visions express both the hopes and anxieties of the societies producing them. Dystopias also highlight the mechanisms of power that function within particular social orders. Through readings of Lois Lowry’s The Giver and Phillip K. Dick’s Do Androids Dream of Electric Sheep?, I demonstrate how utopia and dystopia function and how we can respond to dystopic realities by theorizing solutions that are more conducive to the …

Magic At The Crossroads: The Rise Of The Video Essay, Morganne Tinsley August

Theses and Dissertations

This thesis examines the birth, rise in popularity, and evolution of the video essay, a subgenre of the essay found recently in online literary journals. Chapter one provides a brief history of the alphabetic essay as it expands to include photo essays, audio essays, and essay-films. The second chapter outlines the history of the online literary journal and John Bresland’s role in the introduction of the video essay as it appears in online journals. Chapter three contains an examination of the way image, text, and sound function in video essays and the tools and strategies essayists are using to create …

Off The Road: Imperialism And Exploration In The American Road Movie, Andy Wright

Pitzer Senior Theses

This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. To accomplish this, my essay analyzes a classic road movie, Easy Rider, a more contemporary parody, Harold and Kumar Escape from Guantanamo Bay, and the futuristic film, The Martian. All of these films treat everything that which is not the metropolitan traveller in a distinctly oppressive sense, and each time a new generation of filmmakers makes a road movie, it becomes …